günter grass
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2021 ◽  
Vol 8 ◽  
pp. 53-67
Author(s):  
Krzysztof Okoński

This article attempts to present selected phenomena of contemporary German culture in the context of political radicalism, multiculturalism and ethnic conflicts. Starting with the criticism of the student protests of 1968 (using the example of the novel Örtlich betäubt by Günter Grass) and discourses on Europe in the early 1990s (Grass, Enzensberger), and ending with debates on freedom of expression, political correctness or “cancel culture” (Wallraff, Pirinçci, Nuhr, Eckhart), this article analyses the consequences of left- and right-wing radicalism, anti-Semitism and Islamism for literature and cabaret in Germany on selected examples.


wisdom ◽  
2021 ◽  
Vol 18 (2) ◽  
pp. 130-136
Author(s):  
Yelena ETARYAN

This scientific article is dedicated to the philosophy of art by Nobel Prize laureate and German national poet Günter Grass. Its focuses on Grass’s understanding of art and reality, of ambivalence and relativism, his conception of imagination and reflection and the position of the language in it. In addition, the paper presents the interrelationship between Grass’s philosophy of art and its expression in narration. The focus of the consideration are the novels “The Tin Drum” and “A Wide Field”. The article pays special attention to Grass’s concept of reflection, which is placed in the philosophical context of the Romantic understanding of irony. This allows parallels to be drawn between Schlegel's and Grass’s philosophical positions.  


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