Digital Scholarship in the Humanities
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Published By Oxford University Press

2055-768x, 2055-7671

Author(s):  
Xin Hong ◽  
Yuan-Hua Wu

Abstract This article explores augmented reality (AR) possibilities for the preservation of national cultural art, popularization of Chinese musical instruments among the youth, and meeting the tourist interest in the cultural heritage of China in a fascinating interactive form. Using the generated database containing information on traditional musical instruments of the Guizhou province, the authors have developed an AR application adapted for educational and tourist purposes. Its central aim was to acquaint people with traditional Chinese musical instruments in the context of familiarization with the national culture of China. Testing of the developed application was carried out by hundred students from Guizhou Minzu University (College of Tourism and Steward, the College of Media, the College of Music and Dance, and the College of Data Science and Information Engineering) as part of the National Culture and Art study course. As a result, the created AR app was proved to expand the understanding of the culture and traditions of the Chinese people, intensify the perception of national musical identity, increase interactivity-caused inspiration and involvement (89%), and enhance interest in new knowledge (93%). Based on the obtained research outcomes, a model for the popularization of traditional Chinese musical instruments in the structure of the integrated national tourism product of Guizhou province was developed. The article is believed to be useful for individuals studying the national cultural heritage of China and educators seeking innovative solutions that improve the educational practice.


Author(s):  
Ryusei Uenishi ◽  
Claudio Ortega ◽  
Ángel Pérez Martinez ◽  
Michelle Rodríguez-Serra ◽  
Paula Elías

Abstract Travel literature has captured humanity’s imagination ever since the emergence of famous works such as The Wonders of The World by Marco Polo and The Journal of Christopher Columbus. Authors in this genre must process large and diverse volumes of data (visual, sensory, and written) obtained on their trips, before synthesizing it humanly in such a way as to move and communicate personally with the reader, without losing the factual nature of the story. This is the ultimate goal of the natural language processing (NLP) field: to process and generate human–machine interaction as naturally as possible. Hence, this article’s purpose is to analyze and describe a nonfictional literary text, which is a type of documentary text that contains objective, qualitative, and quantitative information based on evidence. In this analysis, traditional methods will not be used. Instead, it will leverage NLP techniques to process and extract relevant information from the text. This literary analysis is a new kind of approach that encourages further discussions about the methodologies currently used. The proposed methodology enables exploratory analysis of both individual and unstructured corpus databases while also allowing geospatial data to complement the textual analysis by connecting the people in the text with real places.


Author(s):  
Anna Bajer

Abstract The article discusses the attempt to understand a source code under the conception of philosophical hermeneutics guided by language. Based on a confrontation between H.-G. Gadamer’s and Paul Ricoeur’s philosophy, our main goal would be searching for the essence of the source code in language. Thus, a closer look is taken into cultural symbols, natural language, and artificial languages. Especially, there would be discussed the problem of abstraction, linguistic community, self-forgetfulness, vitality of formal languages, and display of individuality. This is where the cultural layer of the code can be traced, hence we may find our world-view verbal in nature. In line with the Critical Code Studies approach, in this article, the source code is treated as text. Because of its complexity, the issue should be studied within philosophical inquiry and computer science knowledge. Hence, the perspective developed here goes back to origins and provides a philosophical foundation for Critical Code Studies thinking. The article presents academics with a philosophical challenge: how to understand the source code with an adaptation of a philosophy rejecting artificiality. With philosophical reflection, the source code gains additional meaning and experiences increase in being. Understanding happens in language, which realizes as discourse.


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