Music and the Cognitive Sciences 1990
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TOTAL DOCUMENTS

107

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Published By Routledge

9780203393284

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Figure 7 Expectancy of onsets in different 2/4 contexts in the connectionist model Figure 8 Expectancy of onsets in 6/8 versus 3/4 rhythm in the connectionist model

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-80 ◽

2004 ◽

pp. 278-278

Keyword(s):

Connectionist Model

Figure 5b Influence of the tolerance parameter in the traditional AI model

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-78 ◽

2004 ◽

pp. 275-276

Figure 4b Influence of context (duple meter) in the traditional AI model

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-76 ◽

2004 ◽

pp. 273-273

Figure 2b Mapping in rhythm space in the traditional AI model

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-73 ◽

2004 ◽

pp. 269-270

of subjects it gives the mode, the mean localisation judgement observed and the displacement of this from the actual position.

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-67 ◽

2004 ◽

pp. 224-228

Keyword(s):

Actual Position ◽

The Mean

Figure 8 Examples of the interaction between the tonal weight and the duration (short/long) observed on ending unit 7 (a), and between the tonal weight and the metrical position (weak/strong beat) observed on ending unit 12 (b) with musician subjects.

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-50 ◽

2004 ◽

pp. 153-157

flashed in one visual field (here the picture of the violin is flashed in the left visual field), it is conveyed to the contralateral hemisphere (here the right hemisphere). In normal subjects, because of visual transfer across the corpus callosum, both hemispheres see the picture; in split-brain patients, no such transfer is possible, so only one hemisphere sees the picture. A tachistoscope is used to flash the picture for 150msec, faster than the eye can move, otherwise the picture might reach both hemispheres because of eye movements. A fast Fourier transform of the first 400msec of the violin sound is shown at the top of the figure [y axis=time in msec, x=kilohertz (kHz, or 1000cps), and height=relative amplitude (quantized sample value units)]. An example of one of the five melodic structures used to present the instrument sounds (here chromatic-variable) is also shown. In the next trial, a trumpet will play and a picture of a piano is flashed to the left hemisphere, and so on. (See text for further details of the experimental procedure).

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-44 ◽

2004 ◽

pp. 134-135

Keyword(s):

Fourier Transform ◽

Eye Movements ◽

Visual Field ◽

Corpus Callosum ◽

Fast Fourier Transform ◽

Left Visual Field ◽

Right Hemisphere ◽

Normal Subjects ◽

Experimental Procedure ◽

The Right

(sagittal), became available to clinicians and brain scientists only in the last decade. In (a), the dotted line demarcates the temporal lobe (T); the top portion (superior surface) of the temporal lobe houses the auditory area in man. In (b), the arrows indicate the extent of the corpus callosum, the semilunar bundle of nerve fibers which connects the left and right hemispheres. In split-brain patients, the callosum is cut.

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-42 ◽

2004 ◽

pp. 130-132

Keyword(s):

Corpus Callosum ◽

Temporal Lobe ◽

Nerve Fibers ◽

Split Brain ◽

Auditory Area ◽

Superior Surface ◽

Left And Right

Split-brain studies of music perception and cognition

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-40 ◽

2004 ◽

pp. 127-128

Keyword(s):

Music Perception ◽

Split Brain

Figure 6 Different instrument and octave interval judgments as a function of stimulus duration. TN and CF are musically untrained listeners, NR and KR musically trained listeners.

Music and the Cognitive Sciences 1990 ◽

10.4324/9780203393284-37 ◽

2004 ◽

pp. 107-113

Keyword(s):

Stimulus Duration

Music and the Cognitive Sciences 1990Latest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Routledge

Figure 7 Expectancy of onsets in different 2/4 contexts in the connectionist model Figure 8 Expectancy of onsets in 6/8 versus 3/4 rhythm in the connectionist model

Figure 5b Influence of the tolerance parameter in the traditional AI model

Figure 4b Influence of context (duple meter) in the traditional AI model

Figure 2b Mapping in rhythm space in the traditional AI model

of subjects it gives the mode, the mean localisation judgement observed and the displacement of this from the actual position.

Figure 8 Examples of the interaction between the tonal weight and the duration (short/long) observed on ending unit 7 (a), and between the tonal weight and the metrical position (weak/strong beat) observed on ending unit 12 (b) with musician subjects.

Split-brain studies of music perception and cognition

Figure 6 Different instrument and octave interval judgments as a function of stimulus duration. TN and CF are musically untrained listeners, NR and KR musically trained listeners.

Music and the Cognitive Sciences 1990
Latest Publications