Gateway to Africa: The History of Television Service in Late Colonial Nigeria

The constitutional changes that took place in Nigeria in the decade before independence granted significant authority to the colonial state's three regions. The 1954 constitution gave both the federal and regional governments the authority to legislate on broadcasting issues. In 1959, Western Region leader, Chief Obafemi Awolowo, established the Western Nigeria Television Service (WNTV), a service considered the ‘Gateway to Africa’. This article historicizes the processes and politics of the founding of this station, revealing metropolitan efforts to control the television service's direction in order for it to remain aligned with British cultural and imperial interests. It also shows the BBC's attempts to stall the successful launch of a service that it considered a competitor. The study argues that the broadcasting service's creation was an act of dissent against British colonial rule and its cultural imperialism and sheds light on how the Western Region's political elites embraced emerging public communication technologies to undermine colonialism.

Guide to Africa Bibliography

This bibliography records publications on Africa of interest to students of Africa, principally in the social and environmental sciences, development studies, humanities and arts. Some items from the medical, biological and natural sciences are included. The criterion used is potential relevance to a reader from a social sciences/arts background. The whole continent and associated islands are covered, with selective coverage of the diaspora. This volume aims to cover material published in 2020 together with items from earlier years not previously listed. The editor is always very glad to hear of any items omitted so that they may be included in future volumes. He would be particularly pleased to receive notification of new periodicals, print or online. African government publications and works of creative literature are not normally listed.

Studying National Commemoration and Political Celebrations in Africa: The Online Archive African Independence Days

The Department of Anthropology and African Studies (ifeas) at Johannes Gutenberg University Mainz hosts a comprehensive archive on African Independence Day celebrations. Created in 2010, the archive is one of the outcomes of a large comparative research project on African national days directed by Carola Lentz. It offers unique insights into practices of as well as debates on national commemoration and political celebrations in Africa. The archive holds more than 28,000 images, including photographs, newspaper articles, documents, and objects from twelve African countries: Benin, Burkina Faso, Cameroon, Côte d'Ivoire, Democratic Republic of the Congo, Gabon, Ghana, Madagascar, Mali, Namibia, Nigeria, and Tanzania. It primarily consists of an online photo and newspaper archive (https://bildarchiv.uni-mainz.de/AUJ/; https://www.blogs.uni-mainz.de/fb07-ifeas-eng/departmental-archives/online-archive-african-independence-days/); some of the material is also stored in the physical archive on African Independence Days at ifeas as well as in the department's ethnographic collection (https://www.blogs.uni-mainz.de/fb07-ifeas-eng/ethnographic-collection/). Most of the material concerns recent celebrations, but the collection has been complemented by some documentation of earlier festivities. Archives hold many stories while they also have a story to tell in their own right. This article discusses both aspects. It first traces the history of the Online Archive African Independence Days at ifeas. It then provides an overview of the different categories of material stored in the archive and tells a few of the many stories that the photos, texts and objects contain. We hope to demonstrate that the archive holds a wealth of sources that can be mined for studies on national commemoration and political celebrations in Africa, and, more generally, on practices and processes of nation-building and state-making.

Guide to Africa Bibliography

This bibliography records publications on Africa of interest to students of Africa, principally in the social and environmental sciences, development studies, humanities and arts. Some items from the medical, biological and natural sciences are included. The criterion used is potential relevance to a reader from a social sciences/arts background. The whole continent and associated islands are covered, with selective coverage of the diaspora. This volume aims to cover material published in 2019 together with items from earlier years not previously listed. The editor is always very glad to hear of any items omitted so that they may be included in future volumes. He would be particularly pleased to receive notification of new periodicals, print or online. African government publications and works of creative literature are not normally listed.

The Ulli Beier Archives at the Centre for Black Culture and International Understanding (CBCIU), Nigeria, and a Summary of Holdings

The Centre for Black Culture and International Understanding (CBCIU) was established on 7 January 2009. Located behind the Osun State Secretariat, southwest Nigeria, the CBCIU prides itself on being the inheritor of the archival estate of Ulli Beier, the late German connoisseur and African culture enthusiast. Housed in its Archive and Documentation Room/Unit, this repository contains very rich archival materials that include over 700 photographs with carefully preserved negatives and slides all dating back to the 1950s, 1960s and early 1970s, and thousands of works of literature published between 1921 and the 2000s on virtually all aspects of Yoruba art, culture, philosophy and intellectual history. Based on fieldwork conducted at the CBCIU in 2018 and 2019, this study embarks on three mutually-connected transactions. First, it examines Ulli Beier's ‘cultural border-crossings’ into Yorubaland, particularly in Osogbo, southwest Nigeria, where his diverse cultural interactions facilitated the revival of a diminishing culture. Second, the study discusses the genesis of the CBCIU dating back to Ulli Beier's emergence in Nigeria in 1950. Third, it analyses what it means for the CBCIU to inherit an invaluable material legacy. This is done by giving an account of the inventories and a summary of the holdings in the Archives. While the Archive forms the very nucleus of what the CBCIU stands for, I argue that this agency serves as a worthy inheritor of a material legacy that continually seeks cultural relevance and perpetuity.