Colour by Correlation in a Three-Dimensional Colour Space

Author(s):  
Kobus Barnard ◽  
Lindsay Martin ◽  
Brian Funt
2020 ◽  
Vol 2020 (1) ◽  
pp. 105-108
Author(s):  
Ali Alsam

Vision is the science that informs us about the biological and evolutionary algorithms that our eyes, opticnerves and brains have chosen over time to see. This article is an attempt to solve the problem of colour to grey conversion, by borrowing ideas from vision science. We introduce an algorithm that measures contrast along the opponent colour directions and use the results to combine a three dimensional colour space into a grey. The results indicate that the proposed algorithm competes with the state of art algorithms.


1988 ◽  
Vol 136 (1) ◽  
pp. 35-52
Author(s):  
R. MENZEL ◽  
E. STEINMANN ◽  
J. DE SOUZA ◽  
W. BACKHAUS

The spectral sensitivity of single photoreceptors of Osmia rufa was determined by a fast voltage-clamp technique. Three receptor types were found whose spectral sensitivity functions followed a rhodopsin-like photopigment absorption function with λmax values at 348nm (ultraviolet receptor), 436nm (blue receptor) and 572nm (green receptor). The λmax of the green receptor in Osmia rufa is shifted to much longer wavelengths compared with other insect species. Discrimination of colour signals was tested after training a bee at the entrance to its nest. The colour signals were filter discs (70 mm in diameter) with a hole (10 mm in diameter) in the centre and the bees quickly learned to use the coloured disc as a marker of the nest entrance. Tests were dual forced-choice tests with two coloured discs closely positioned next to each other. 94 different tests were each repeated 5–15 times and were performed after training to 12 different colour signals. A photoreceptor model was used to calculate the loci of the colour signals in a three-dimensional colour space and in a chromaticity diagram. The perceptual distance between the colour loci was calculated as line elements (minimum number of just noticeable difference, jnd-steps), which were based on the noiseproperties of the photoreceptors. The discrimination determined by the behavioural tests correlated very well with the jnd-steps. The correlation was better for the line elements in the colour plane than in the colour space. Osmia rufa was compared with the honeybee Apis mellifera and the stingless bee Melipona quadrifasciata. There is no difference in colour selection between Osmia and Apis, whereas Melipona discriminates less well in the violet-blue region. The model calculation was used to compare the chromaticity diagrams and the spectral discrimination functions of the three species. It is concluded that the receptor model used in this study predicts the discrimination behaviour of the three bee species very well. Therefore, comparative studies on colour vision in flowervisiting insects may be based on spectral measurements of the photoreceptors, and in many cases this reduces the extent of laborious behavioural studies.


Nuncius ◽  
2007 ◽  
Vol 22 (1) ◽  
pp. 15-48
Author(s):  
JOOST MERTENS

Abstracttitle ABSTRACT /title Between 1810 and 1825, Charles Bourgeois (1759-1832), miniaturist, pigment manufacturer and physicist, developed a colour optics that defied both the Newtonian view of the composite nature of white light and the widely accepted strict separation between science and the arts. In this paper four themes are discussed: the general rules of colour mixing and the resulting three-dimensional colour space CEI (Couleur, Excdent, Intensit); Bourgeois' theory of light as a vehicle for non-luminous colours; His attempt at disproving Newton's central principle of the unequal refrangibility of different colours; and his relation, or rather non-relation, with the Royal Academy of Sciences which considered Bourgeois' theory of light a piece of nonsense.


We give some definitions here for the convenience of non-specialist readers. Many words are used with a technical meaning quite different from their everyday meaning. A number of initials are also defined in the Introduction. Asymptotic freedom . The property which some gauge theories of strong interactions have, that the strong interactions become steadily weaker at high energy and/or momentum transfer, or, equivalently, at short distances. Charm . A fourth quark attribute C , the other quark attributes being baryon number B , charge Q and strangeness s (or hyperchange Y = B + s ). The quarks of SU(3) symmetry have charm C = 0; a charmed quark has C = +1, and the charmed antiquark has C = — 1. The hadronic interactions for quarks and antiquarks are believed to obey (approximately) an SU(4) symmetry. Charmonium . Name given to the bound quark-antiquarke system cc̅, by analogy with the name positronium for the particle-antiparticle system e _ e + well known in electrodynamics. Colour . A three-dimensional attribute of the quark, acting in a parallel ‘ colour space’ for an internal symmetry SU(3) Each quark may exist in three possible states, (fancifully) labelled red, white and blue by M. Gell-Mann. For given ( Q, s, C ) these three quark states have identical properties with respect to the weak and electromagnetic interactions, and their hadronic forces are SU(3)' symmetrical. The wavefunction for a hadronic system is then the sum of terms each consisting of three factors, a wavefunction in colour space, a wavefunction in SU(4) space and a wavefunction describing the spin and orbital motions. This complete wavefunction must be antisymmetric with respect to permutations of the labels attached to the quarks, as the Pauli principle requires for spin-1/2 particles


2021 ◽  
Author(s):  
Allie C. Hexley ◽  
Takuma Morimoto ◽  
Hannah E. Smithson ◽  
Manuel Spitschan

AbstractColour gamuts describe the chromaticity reproduction capabilities of a display, i.e. its ability to reproduce the relative cone excitations from real-world radiance spectra. While the cones dominate “canonical” visual function (i.e. perception of colour, space, and motion) under photopic light levels, they are not the only photoreceptors in the human retina. Rods and melanopsin-containing intrinsically photosensitive retinal ganglion cells (ipRGCs) also respond to light and contribute to both visual and non-visual light responses, including circadian rhythms, sleep-wake control, mood, pupil size, and alertness. Three-primary display technologies, with their focus on reproducing colour, are not designed to reproduce the rod and melanopsin excitations. Moreover, conventional display metrics used to characterize three-primary displays fail to describe the display’s ability (or inability) to reproduce rod and melanopsin excitations, and thus do not capture the display’s ability to reproduce the full human physiological response to light. In this paper, three novel physiologically relevant metrics are proposed for quantifying the reproduction and distortion of the photoreceptor signals by visual displays. A novel equal-luminance photoreceptor excitation diagram is proposed, extending the well-known MacLeod-Boynton chromaticity diagram, to allow visualizations of the five-dimensional photoreceptor signal space in a three-dimensional projection.


2001 ◽  
Vol 24 (4) ◽  
pp. 661-662 ◽  
Author(s):  
Lieven Decock ◽  
Jaap van Brakel

Contra Shepard we argue, first, that his presentation of a three-dimensional representational (psychological or phenomenal) colour space is at odds with many results in colour science, and, second, that there is insufficient evidence for Shepard's stronger claim that the three-dimensionality of colour perception has resulted from natural selection, moulded by the particulars of the solar spectrum and its variations. [Shepard]


Author(s):  
A. Musicco ◽  
R. A. Galantucci ◽  
S. Bruno ◽  
C. Verdoscia ◽  
F. Fatiguso

Abstract. The article describes an innovative procedure for the three-dimensional analysis of decay morphologies of ancient buildings, through the application of machine learning methods for the automatic segmentation of point clouds. In the field of Cultural Heritage conservation, photogrammetric data can be exploited, for diagnostic and monitoring support, to recognize different typologies of alterations visible on the masonry surface, starting from colour information. Actually, certain stone and plaster surface pathologies (biological patina, biological colonization, chromatic alterations, spots,…) are typically characterized by chromatic variations. To this purpose, colour-based segmentation with hierarchical clustering has been implemented on colour data of point clouds, considered in the HSV colour-space. In addition, geometry-based segmentation of 3D reconstructions has been performed, in order to identify the main architectural elements (walls, vaults), and to associate them to the detected defects. The proposed workflow has been applied to some ancient buildings’ environments, chosen because of their irregularity both in geometrical and colorimetric characteristics.


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