Romania'S Seismicity And Seismic Hazard: From Historical Records To Design Codes

Author(s):  
D. Lungu ◽  
A. Aldea ◽  
C. Arion
Author(s):  
Radmila Salic ◽  
Zoran Milutinovic ◽  
Daniel Tomic ◽  
Jovan Trajcevski ◽  
Mirko Dimitrovski ◽  
...  

KURVATEK ◽  
2017 ◽  
Vol 1 (2) ◽  
pp. 41-47
Author(s):  
Marinda noor Eva

Penelitian mengenai daerah rawan gempa bumi ini menggunakan Metode Probabilistic Seismic Hazard Analysis (PSHA) di Provinsi Sulawesi Barat, dengan tujuan untuk memetakan tingkat kerawanan bahaya gempa bumi di Kabupaten Mamasa. Penelitian ini menggunakan data kejadian gempa bumi di Pulau Sulawesi dan sekitarnya dari tahun 1900 – 2015. Hasil pengolahan PSHA menggunakan Software Ez-Frisk 7.52 yang menghasilkan nilai hazard di batuan dasar pada kondisi PGA (T = 0,0 sekon), dengan periode ulang 500 tahun dan 2500 tahun berkisar antara (149,54 – 439,45) gal dan (287,18 – 762,81) gal. Nilai hazard di batuan dasar dengan kondisi spektra T = 0,2 sekon untuk periode ulang 500 tahun dan 2500 tahun adalah (307,04 – 1010,90) gal dan (569,48 – 1849,78) gal. Nilai hazard di batuan dasar dengan kondisi spektra T = 1,0 sekon untuk periode ulang 500 tahun dan 2500 tahun diperoleh nilai (118,01 – 265,75) gal dan (223,74 – 510,92) gal. Berdasarkan analisis PSHA, nilai PGA di Provinsi Sulawesi Barat dominan dipengaruhi oleh sumber gempa sesar.


Author(s):  
Tamara Green

Much of the literature, policies, programs, and investment has been made on mental health, case management, and suicide prevention of veterans. The Australian “veteran community is facing a suicide epidemic for the reasons that are extremely complex and beyond the scope of those currently dealing with them.” (Menz, D: 2019). Only limited work has considered the digital transformation of loosely and manual-based historical records and no enablement of Artificial Intelligence (A.I) and machine learning to suicide risk prediction and control for serving military members and veterans to date. This paper presents issues and challenges in suicide prevention and management of veterans, from the standing of policymakers to stakeholders, campaigners of veteran suicide prevention, science and big data, and an opportunity for the digital transformation of case management.


2013 ◽  
Vol 40 (2) ◽  
pp. 277-293 ◽  
Author(s):  
R. A. Galbreath ◽  
P. J. Cameron

The introduction of the eleven-spotted ladybird Coccinella undecimpunctata to New Zealand in 1874 has been widely quoted as the first importation of an insect for biological control in New Zealand and one of the first anywhere. However, searches of historical records show no evidence that such an introduction was made or attempted. Instead, there is clear evidence that the presently accepted record arose by a process of cumulative misreporting. An account of discussions in the Entomological Society of London in December 1873 about possible introductions of various beneficial insects to New Zealand was misreported by the American entomologist C. V. Riley, and several subsequent authors restated his version with further modifications and additions. This created the record of the introduction of C. undecimpunctata to New Zealand in 1874 that has been accepted and repeated ever since.


2018 ◽  
Vol 48 (2) ◽  
pp. 236-249
Author(s):  
Stephanie Boeninger

Dancing at Lughnasa has been widely discussed as a memory play. Critics frequently analyze the way Michael's narration shapes the story he tells of five unmarried sisters living together in 1930's Donegal. Fewer critics, however, focus on Michael's representation of Father Jack, the missionary priest who returns after twenty-five years in Uganda. A surprisingly articulate anthropological observer who is more changed by the Ugandans than they by him, Father Jack defies the image of the missionary imperialist. Indeed, his portrayal conflicts with historical records. Father Jack's heterodox beliefs distress his family, but they find favor with postmodern audiences, eager to see Irish characters resist their part in the colonial enterprise. Friel's portrayal of Father Jack thus implicates the audience, not just Michael, in the play's selective memory.


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