Pastoral Music: Representations of Landscape

2020 ◽  
pp. 49-82
Author(s):  
Paul Mazey
Author(s):  
Joseph N. Straus

Idiocy, once understood as a mark of divine disfavor, is later medicalized under a variety of seemingly scientific classifications, culminating in a eugenic-era fear of the “menace of the feebleminded” and the widespread institutionalization to which it gave rise. In literature and in music, representations of idiocy have generally fallen into a small number of types: the Holy Fool and the Sentimental Idiot; the Wild Child and the Natural Man; the Village Idiot (often played for laughs); and the Eugenic Idiot (simultaneously pitiable and a feared source of violence, possibly sexual in nature). Modernist music represents idiocy in its tendency toward simplification in all domains; its static, nondevelopmental character; its deliberate cultivation of disfluency and inarticulateness; its interest in generic incongruity; its pleasure in low humor; and above all its deep interest in the childlike, the folk, and the primitive (including the racial primitive). As in modernist literature, musical representations of idiocy enable the sorts of compositional innovations that are widely understood as defining musical modernism.


Author(s):  
Mª Eduarda Salgado Carvalho ◽  
Joao Manuel Rosado de Miranda Justo

Resumo.Introdução: Esta comunicação pretende descrever um estudo longitudinal acerca da aplicação da Escala do Desenho da Gravidez e da Escala da Sensibilidade Sonora-Musical na Gravidez, ambas construídas e validadas para este estudo, numa amostra de 211 mulheres grávidas aguardando a realização das ecografias do II e do III trimestres de gestação. Objectivos: 1) avaliar a evolução das variáveis do desenho da gravidez e das variáveis sonoro-musicais na passagem do II para o III trimestre e 2) analisar a contribuição de cada uma de estas variáveis para o estudo da psicologia da gravidez. Método: 1) estudo longitudinal comparando as variáveis do desenho da gravidez e a sensibilidade sonoro-musical observadas nos dois momentos de avaliação; 2) estudo correlacional entre cada uma destas variáveis e as variáveis de vinculação materna pré-natal e de orientação materna pré-natal. Instrumentos: Escala do Desenho da Gravidez (Carvalho, 2011), Escala da Sensibilidade Sonora-Musical na Gravidez (Carvalho & Justo, 2013), Escala de Vinculação Materna Pré-natal (versão Portuguesa, Camarneiro & Justo, 2010) e Questionário do Paradigma Placentário (versão portuguesa, Carvalho, 2011). Resultados: Os resultados revelam a existência de diferenças significativas, entre o II e o III trimestres nas variáveis estudadas, apontando para: a) um aumento da sensibilidade sonoro-musical no terceiro trimestre, b) uma evolução da auto-representação da imagem materna no terceiro trimestre e c) um aumento da frequência de representação gráfica da posição de apresentação fetal cefálica da imagem do bebé na passagem para o terceiro trimestre. Observaram-se correlações significativas entre, por um lado, as variáveis da sensibilidade sonoro-musical e as variáveis do desenho da gravidez e, por outro lado, as variáveis de orientação materna pré-natal. Registaram-se correlações significativas entre sensibilidade sonoro-musical, por um lado, e vinculação materna pré-natal e a orientação maternal pré-natal, por outro. Conclusão: Será importante investigar a dialética entre a representação do bebé imaginado através de medidas projectivas maternas e a percepção do comportamento fetal recorrendo à observação ecográfica e a medidas biofísicas e hemodinâmicas.Palavras chave: Gravidez, Escala do Desenho da Gravidez, Escala das Representações Sonoro-Musicais na Gravidez, Escala de Vinculação Materna Pré-Natal, Questionário do Paradigma Placentário.Abstract.Background: This paper aims to describe a longitudinal study about the use of the Drawing Pregnancy Scale and of the Sound-Music Representations in Pregnancy Scale, both of it created and validated in a sample of 211 pregnant women while waiting for sonograms of the II and III trimesters of pregnancy. Aims: 1) to assess, the evolution of variables in drawings of pregnancy and also of sound-music variables, by the transition of the II to the III trimester of gestation and 2) to analyze the contribution of each one of these variables for the psychological study of pregnancy. Method: 1) longitudinal study comparing variables in drawings of pregnancy and sound-music variables at the two moments of assessment; 2) correlational study between each one of these variables and variables of maternal pre-natal attachment and also of maternal pre-natal orientation. Instruments: Drawing Pregnancy Scale (Carvalho, 2011), Sound-Music Representations in Pregnancy Scale (Carvalho & Justo, 2013), Maternal Pre-natal Attachment Scale (Portuguese version, Camarneiro & Justo, 2010) and Placental Paradigm Questionnaire (Portuguese version, Carvalho, 2011). Results: Results show the existence of significant diferences between the II and the III trimestres in some of the variables under analysis, suggesting: a) a increase of the sound-music sensibility by the third trimester, b) an evolution of the maternal image at the third trimester and c) an increase of the frequency of the graphical representation of the cephalic fetal presentation of the baby’s image at the third trimester. Significant correlations were observed between, on one side, the variables of soundmusic sensibility and the variables of the pregnancy drawings and, on another side, variables of prenatal maternal orientation. Significant correlations between sound-music sensibility, on one side, and prenatal maternal attachment and prenatal maternal orientation, on the other side, were found. Conclusion: It will be important to investigate about the representation of the imagined baby through maternal projective measures and the perception of fetal behaviour using sonograms as well as biophysical and hemodynamic measures.Keywords: Pregnancy, Drawing Pregnancy Scale, Sound-Music Representations in Pregnancy Scale, Maternal Pre-natal Attachment Scale, Placental Paradigm Questionnaire.


Literator ◽  
2005 ◽  
Vol 26 (3) ◽  
pp. 65-82 ◽  
Author(s):  
M. Viljoen

Johannes Kerkorrel and post-apartheid Afrikaner identity The music of Johannes Kerkorrel (Ralph Rabie, 1960-2002) gave expression to the sentiments of a young white urban generation that rebelled against the autocratic rule of the apartheid government. Kerkorrel’s songs, many of which were banned during the apartheid era, created an alternative Afrikaner voice through biting social criticism and political satire. His politicised narratives evoke collective memories and experiences that construct moral hierarchies by means of an exceptional intensity, simplicity and power. Kerkorrel’s life-story may be read as a continuous textual reconfiguration of identity throughout which an uninterrupted thread of self-remembrance is simultaneously woven. In a society in the process of constant transformation, a speculative theorising of Kerkorrel as a construct of local identity may serve as a starting point for understanding popular music representations of the postapartheid Afrikaner character.


2021 ◽  
Vol 28 ◽  
pp. 733-737
Author(s):  
Andres Ferraro ◽  
Xavier Favory ◽  
Konstantinos Drossos ◽  
Yuntae Kim ◽  
Dmitry Bogdanov

Sign in / Sign up

Export Citation Format

Share Document