The Unsaid as Expressive and Repressive Political Communication: Examining Slippery Talk About Paid Domestic Labour in Post-apartheid South Africa

2020 ◽  
pp. 283-302
Author(s):  
Amy Jo Murray
Sociology ◽  
2020 ◽  
pp. 003803852094310
Author(s):  
Amy Jo Murray ◽  
Kevin Durrheim

As competent social actors, we individually and collectively leave things unsaid that might threaten to disrupt the status quo. In this article, we outline an understanding of the unsaid and extend its implications to include what we call ‘repressed silences’ or silences about which we do not speak. Drawing on a diary-interview study involving five domestic labour dyads comprised of a white employer and a black worker, we examine silences topicalised by participants, how the unsaid stands in contrast to what could/should have been said and finally how these silences constitute a form of repressed silences. We demonstrate how the topic of paid domestic labour and its labour-related roles, rights and responsibilities are silenced – and the silence itself is not spoken of – among participants, thereby (re)producing the status quo of South Africa’s (racialised) inequalities and hierarchies.


Hawwa ◽  
2008 ◽  
Vol 6 (2) ◽  
pp. 154-175 ◽  
Author(s):  
Marina de Regt

AbstractThis article argues that employing migrant domestic workers has become a new form of social distinction in urban Yemen. The rapid social, economic and political changes of the past forty years have altered Yemen's system of social stratification. Formerly, one's racial descent and economic background determined the work they performed. Manual and service professions had a very low status and were only performed by the lowest social status groups. Nowadays other forms of social distinction have emerged. Although the economic situation in Yemen has deteriorated since the 1990s, the demand for paid domestic labour has increased. Yemeni women are reluctant to take up paid work as domestics, and middle and upper middle class families in urban areas employ migrant and refugee women, in particular from the Horn of Africa.


Author(s):  
Felicity Hand ◽  

The novels of South-African born Mauritian writer and activist Lindsey Collen expose a historical continuum of class exploitation, ranging from the slave past of the country including both pre-abolition African slavery together with indentured labour from the Indian subcontinent to post-independence sweat-shop toil, ill-paid domestic labour and exploited agricultural workers. Her latest novel to date, The Malaria Man and Her Neighbours (2010) probes this continuing class conflict and queries mainstream notions of heteronormativity. Access to water and land will be seen to lie behind the murder of the four main characters and the subsequent popular reaction. Collen insists that the underprivileged can become empowered through union, that participation and joint, communal effort can still make a difference.


Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 129 ◽  
Author(s):  
Uche Onyebadi

Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was the theoretical underpinning. This study determined that all three musicians were vocal against corruption, citizen marginalization, and a cessation of wars and bloodshed in the continent.


1997 ◽  
Vol 40 ◽  
pp. 351
Author(s):  
Patricia M. Daenzer ◽  
Wenona Giles ◽  
Sedef Arat-Koc

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