The Political Economy of Colonialism and Nation-Building in Nigeria

2022 ◽  
Author(s):  
Graham Harrison

When we talk about development, we are talking about capitalist development. Taking a historical-comparativ e approach, Harrison understands development as a transformation which involves a deep and integrated political economy of change: a shift from a state of ‘capital-ascendance’ to ‘capital-dominance’. It is only through a transformation towards capital dominance that mass poverty reduction and the construction of a commonwealth are possible. However, capitalist development is extremely difficult and requires a highly exacting political endeavour. The politics of development is conceptualized as developmentalism: a strategy and ideology in which governments exercise heavy directive power, endure instability and crisis, and secure a rudimentary legitimacy for their efforts. The political exertions required to generate and sustain a developmentalist strategy are too great to be met by the simple desire to develop. Harrison argues that developmentalism requires a conflation of successful capitalist transformation with some form of existential insecurity of the state itself. Developmentalism flourishes when capitalist transformation connects to profound questions of sovereignty, statehood, nation-building, and elite survival. Authoritarian state action is intrinsic to developmentalism, which the book addresses by adapting a realist approach to politics in which political norms and values are generated within the agonies of suffering and benefit generated by an ascending capital. Taking case studies from the last 250 years, Developmentalism shows the deep contextualization of capitalist transformation as well as the massive improvements in material life that it has generated.


2006 ◽  
Vol 12 (1) ◽  
pp. 177-197 ◽  
Author(s):  
Alisa Apostle

Abstract Between 1945 and 1959, the Canadian Government Travel Bureau experimented with the production of films to promote tourism that were shown in Canada and the US. As both propaganda and instruction, these films tell us much more than is immediately apparent, providing clues to post-war ideas about nation-building, economic reconstruction, citizenship, and the relationship between the state and consumer culture. Using established stereotypes of tourist venues and experiences, as well as creating tropes about government administration and the tourist “industry” itself, the political economy of the tourist trade was transformed in these films into a commodity for mass consumption.


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