Theoretical Perspectives: Research into Children’s Cognition and Knowledge in the Visual Arts

2016 ◽  
pp. 57-63
Author(s):  
Neil C. M. Brown
Keyword(s):  
Visual Arts ◽  
Theoretical Perspectives ◽  
Cognition And Knowledge

scholarly journals Gris: metáfora, símbolo y relato en (inter)acción.

Sincronía ◽  
2021 ◽  
Vol XXV (80) ◽  
pp. 314-334
Author(s):  
Ismael Antonio Borunda Magallanes ◽  
Keyword(s):  
Visual Arts ◽  
Video Game ◽  
Symbolic Representation ◽  
The Other ◽  
Psychological Process ◽  
Other Hand ◽  
Theoretical Perspectives ◽  
History Of Art ◽  
History Of ◽  
Narrative Hermeneutics

Gris, an independent Spanish video game, explores the expressive possibilities of this creative medium through a story that is, on one hand, a symbolic representation of the psychological process of the protagonist, and, on the other hand, a foundational narrative about the loss and recovery of identity. This title employs the expressive tools of the history of art to build its aesthetic proposal; in particular, it is categorically placed in the line of surrealism as an artistic current. The analysis of this elements is realized through fundamental notions of rhetoric and poetics, referencing authors such as Helena Beristáin and Carmen Bobes, and the narrative hermeneutics of Paul Ricoeur, as well as theoretical perspectives that allow building bridges of analysis between literature and the visual arts.

scholarly journals A Midsummer Night’s Dream: Reflections on Benjamin Britten’s Chamber Opera

2020 ◽  
Vol 55 (1) ◽  
pp. 33796
Author(s):  
Anna Stegh Camati
Keyword(s):  
Visual Arts ◽  
Chamber Opera ◽  
Benjamin Britten ◽  
Midsummer Night's Dream ◽  
Theater Music ◽  
Theoretical Perspectives ◽  
A Midsummer Night's Dream ◽  
Art Forms ◽  
A Performance

Opera performances, located at the intersection of literature, theater music and the visual arts, tend to fuse specificities of several art forms. This essay reflects on the libretto and score of the chamber opera A Midsummer Night’s Dream (1960), by Benjamin Britten (1913-1976), based on Shakespeare’s homonymous text (1595-1596), and analyses the 1981 operatic adaptation at Glyndebourne, directed by the renowned theatre director and régisseur Peter Hall (1930-2017). The intermedial dialogues among Shakespeare, Britten and Hall will be investigated in the light of theoretical perspectives by Linda and Michael Hutcheon, Claus Clüver, Jorge Coli, Freda Chapple and others.***Sonho de uma noite de verão: reflexões sobre a ópera de câmara de Benjamin Britten***Situada na interface da literatura, teatro, música e artes visuais, a performance operística é caracterizada pela fusão de especificidades de diversas formas de arte. Este ensaio reflete sobre o libreto e a partitura de Sonho de uma noite de verão (1960), ópera de câmara de Benjamin Britten (1913-1976), composta a partir do texto homônimo (1595-1596) de Shakespeare, e analisa a adaptação operística de 1981 apresentada em Glyndebourne, dirigida pelo renomado diretor de teatro e régisseur Peter Hall (1930-2017). Os diálogos intermidiáticos entre Shakespeare, Britten e Hall serão investigados à luz de considerações teóricas de Linda e Michael Hutcheon, Claus Clüver, Jorge Coli, Freda Chapple e outros.Palavras-chave: Shakespeare; Benjamin Britten; Peter Hall; Adaptação;Intermidialidade

scholarly journals The anatomy of voice: Two views on the exhibition post-opera ('Tent' Gallery and 'V2_Lab for the Unstable Media', Rotterdam, April 19 - June 30 and May 3-26 2019)

New Sound ◽  
2020 ◽  
pp. 179-199
Author(s):  
Ivana Ilić ◽  
Iva Nenić
Keyword(s):  
Contemporary Art ◽  
Visual Arts ◽  
Human Body ◽  
The Third ◽  
Art Object ◽  
Theoretical Perspectives ◽  
Art And Culture ◽  
Speaking Voice ◽  
The Voice

In this paper we discuss the exhibition Post-Opera, a complex and provocative curatorial project by Kris Dittel and Jelena Novak, in which the changeable relations between the voice and the (human) body are investigated from the creative and the theoretical perspectives, relying on juxtaposing and reflection between visual arts, technology and opera. Firstly, in the paper we examine the curatorial procedure, in its shift from the mediatory function between the work and the audience towards the practice, which intervenes in both of these domains and results in an exhibition as an autonomous art object. In the second part we interpret the politics and the effectiveness of the singing and the speaking voice in contemporary art and culture, while in the third part we write about the resemantization of the relation between the singing body and the sung voice within 'installing the operatic'.

The Evolution of Music Therapy

2015 ◽  
Vol 26 (4) ◽  
pp. 207-221
Author(s):  
Wolfgang Mastnak
Keyword(s):  
Music Therapy ◽  
Evidence Based Medicine ◽  
Wide Spectrum ◽  
Evidence Based ◽  
Modern Music ◽  
Guided Imagery And Music ◽  
Theoretical Perspectives ◽  
International Importance ◽  
Evolution Of Music ◽  
Based Medicine

Abstract. Five overlapping eras or stages can be distinguished in the evolution of music therapy. The first one refers to the historical roots and ethnological sources that have influenced modern meta-theoretical perspectives and practices. The next stage marks the heterogeneous origins of modern music therapy in the 20th century that mirror psychological positions and novel clinical ideas about the healing power of music. The subsequent heyday of music therapeutic models and schools of thought yielded an enormous variety of concepts and methods such as Nordoff–Robbins music therapy, Orff music therapy, analytic music therapy, regulatory music therapy, guided imagery and music, sound work, etc. As music therapy gained in international importance, clinical applications required research on its therapeutic efficacy. According to standards of evidence-based medicine and with regard to clearly defined diagnoses, research on music therapeutic practice was the core of the fourth stage of evolution. The current stage is characterized by the emerging epistemological dissatisfaction with the paradigmatic reductionism of evidence-based medicine and by the strong will to discover the true healing nature of music. This trend has given birth to a wide spectrum of interdisciplinary hermeneutics for novel foundations of music therapy. Epigenetics, neuroplasticity, regulatory and chronobiological sciences, quantum physical philosophies, universal harmonies, spiritual and religious views, and the cultural anthropological phenomenon of esthetics and creativity have become guiding principles. This article should not be regarded as a historical treatise but rather as an attempt to identify theoretical landmarks in the evolution of modern music therapy and to elucidate the evolution of its spirit.

Media Psychology and Complex Modes of Entertainment Experiences

2011 ◽  
Vol 23 (1) ◽  
pp. 34-38 ◽  
Author(s):  
Christoph Klimmt
Keyword(s):  
Empirical Studies ◽  
Terror Management Theory ◽  
Death And Dying ◽  
Terror Management ◽  
Media Psychology ◽  
Mixed Emotions ◽  
Theoretical Perspectives ◽  
Complex Modes ◽  
History Of ◽  
Media Enjoyment

This comment briefly examines the history of entertainment research in media psychology and welcomes the conceptual innovations in the contribution by Oliver and Bartsch (this issue). Theoretical perspectives for improving and expanding the “appreciation” concept in entertainment psychology are outlined. These refer to more systematic links of appreciation to the psychology of mixed emotions, to positive psychology, and to the psychology of death and dying – in particular, to terror management theory. In addition, methodological challenges are discussed that entertainment research faces when appreciation and the experience of “meaning for life” need to be addressed in empirical studies of media enjoyment.

Skill transfer in visual arts expertise.

2016 ◽  
Vol 10 (2) ◽  
pp. 147-156 ◽  
Author(s):  
Bonnie L. Angelone ◽  
Richard W. Hass ◽  
Marissa Cohen
Keyword(s):  
Visual Arts ◽  
Skill Transfer
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