The Social Organisation of Marketing

2017 ◽  
Keyword(s):  
Social Organisation ◽  
The Social

The social organisation of a Polynesian atoll

1971 ◽  
Vol 27 (33) ◽  
pp. 311-339
Author(s):  
Sachiko Hatanaka
Keyword(s):  
Social Organisation ◽  
The Social

Endless Patience: Explaining Soviet and Post-Soviet Social Stability

1998 ◽  
Vol 31 (2) ◽  
pp. 187-198 ◽  
Author(s):  
Sarah Ashwin
Keyword(s):  
Social Contract ◽  
Social Organisation ◽  
Alternative View ◽  
Social Stability ◽  
Stalin Era ◽  
The Social ◽  
The Way

Various arguments have been put forward to explain the social stability of the post-Stalin era, in particular theories of a “social contract”, “incorporation” or “atomisation”. This article argues that all these theories have been cast into serious doubt by the response of workers to the reforms of the post-communist era and proposes an alternative view of the integration of workers which centres on the social organisation of the traditional Soviet enterprise. It goes on to show the way in which the form of workers' relation to the labour collective has structured their behaviour during the transition era.

scholarly journals Some aspects of the history and population ecology of the tsessebe damaliscus lunatus lunatus in the Kruger National Park

Koedoe ◽  
1977 ◽  
Vol 20 (1) ◽  
Author(s):  
S.C.J. Joubert ◽  
P.J.L. Bronkhorst
Keyword(s):  
Sex Ratio ◽  
Population Ecology ◽  
Age Structure ◽  
National Park ◽  
Kruger National Park ◽  
Population Trends ◽  
Social Organisation ◽  
Developmental History ◽  
The Social ◽  
History Of

The population trends and distribution of the tsessebe population of the Kruger National Park are evaluated in terms of the available data derived from records compiled in the developmental history of the Kruger National Park (KNP). The recent numerical status of the population is also given. A description of the habitats favoured by tsessebe in the KNP is presented as well as an analysis of the age structure and sex-ratio of the population. Aspects of the social organisation of tsessebe affecting the interpretation of the age structure and sex-ratio phenomena of the population, are also discussed.

Community and Social Organisation

1999 ◽  
pp. 157-184
Author(s):  
Diane Frost
Keyword(s):  
Social Control ◽  
Economic History ◽  
External Factors ◽  
Social Organisation ◽  
Community Organisation ◽  
The Social ◽  
History Of ◽  
Internal And External Factors

‘Community and Social Organisation’ is the last chapter in ‘The Kru Community in Freetown’, and provides an understanding of the social and economic history of the Kru in Freetown, and the respective internal and external factors that shaped it. The chapter focuses on community organisation amongst the Kru, rather than political organisation, which was shaped largely by forces outside the Kru’s social control.

The social organisation of treason

2019 ◽  
pp. 178-204
Author(s):  
Robert R. Faulkner ◽  
Eric R. Cheney
Keyword(s):  
Social Organisation ◽  
The Social

Aestheticizing Violence Within Transmedia Storytelling Context

2021 ◽  
pp. 484-500
Author(s):  
Ferhat Zengin ◽  
Bahadır Kapır
Keyword(s):  
Social Movements ◽  
Theoretical Basis ◽  
Comic Book ◽  
Digital Age ◽  
Social Organisation ◽  
Modern State ◽  
Transmedia Storytelling ◽  
The Social ◽  
Totalitarian Regimes ◽  
V For Vendetta

In this study, V for Vendetta (2006) directed by James McTeigue, is analysed based on Henry Jenkins's transmedia storytelling terms. Henry Jenkins defines re-creating a story with different media tools as “transmedia storytelling” and evaluates this new storytelling form that emerged in the digital age as a new aesthetic linked with active participation that creates new demands on the consumer. V for Vendetta with a large fan audience has a story that became the symbol of the social movements that emerged against totalitarian regimes created in the modern state and social organisation. The story V for Vendetta that was first published at the beginning of 1980s as a dystopic comic book prioritising violence and terror experienced changes in the story with the effect of different narrative media. Within this context, this study with Henry Jenkins's transmedia storytelling theoretical basis analyzes how the main narrative elements of the story such as terror, violence, fear, and freedom are reflected in the V for Vendetta movie by using semiotic methods.

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