Dunciad by Alexander Pope: The Literary Topography of Eighteenth-Century London, The

Author(s):  
Przemysław Uściński
Author(s):  
Joseph Hone

This book is the first detailed study of the final Stuart succession crisis. It demonstrates for the first time the centrality of debates about royal succession to the literature and political culture of the early eighteenth century. Using previously neglected, misunderstood, and newly discovered material, it shows that arguments about Anne’s right to the throne were crucial to the construction of nascent party political identities. Literary texts were the principal vehicle through which contemporaries debated the new queen’s legitimacy. This book sheds fresh light on canonical authors such as Daniel Defoe, Alexander Pope, and Joseph Addison by setting their writing alongside the work of lesser known but nonetheless important figures such as John Tutchin, William Pittis, Nahum Tate, John Dennis, Henry Sacheverell, Charles Leslie, and other anonymous and pseudonymous authors. Through close historical readings, it shows how this new generation of poets, preachers, and pamphleteers transformed older models of succession writing by Milton, Dryden, and others, and imbued conventional genres such as panegyric and satire with their own distinctive poetics. By immersing the major authors in their milieu, and reconstructing the political and material contexts in which those authors wrote, this book demonstrates the vitality of debates about royal succession in early eighteenth-century culture.


Author(s):  
Joseph Hone

How did Alexander Pope become the greatest poet of the eighteenth century? Drawing on previously neglected texts and overlooked archival materials, Alexander Pope in the Making provides a radical new account of the poet’s early career, from the earliest traces of manuscript circulation to the publication of his collected Works. Joseph Hone illuminates classic poems such as An Essay on Criticism, The Rape of the Lock, and Windsor-Forest by setting them alongside lesser-known texts by Pope and his contemporaries, many of which have never received sustained critical attention before. Pope’s earliest experiments in satire, panegyric, lyric, pastoral, and epic are all explored alongside his translations, publication strategies, and neglected editorial projects. By recovering cultural values shared by Pope and the politically heterodox men and women whose works he read and with whom he collaborated, Hone unearths powerful new interpretive possibilities for some of the eighteenth century’s most celebrated poems. Alexander Pope in the Making mounts a comprehensive challenge to the ‘Scriblerian’ paradigm that has dominated scholarship for the past eighty years. It sheds fresh light on Pope’s early career and reshapes our understanding of the ideological landscape of his era. This book will be essential reading for scholars and students of eighteenth-century literature, history, and politics.


2021 ◽  
Author(s):  
◽  
Eve Williams

<p>This thesis contextualises the treatment of women in Alexander Pope's Epistle to a Lady (1743) against three conduct manuals from the eighteenth century. These three texts are The Whole Duty of a Woman by A Lady (1696), The Art of Knowing Women by Le Chevalier Plante-Amour (1732) and An Essay in Praise of Women (1733) by James Bland.  The Art of Knowing Women has been paid only passing reference by feminist scholars. The Whole Duty of a Woman appears to be known solely for the compilation of recipes which forms its final section, and An Essay in Praise of Women is, as far as I have been able to discover, completely unknown. Despite the critical work on the supposed misogyny of Pope, virtually no attention has been paid to the context supplied by these advice manuals, symptoms of their age. In my reading, however, these manuals function both as sources for the Epistle to a Lady, and as subjects of Pope's imaginative satire.  I begin by surveying the relevant aspects of Pope's personal history. Drawing on recent historical scholarship, I go on to outline something of the situation of women in the eighteenth century. My comparative study follows. I take each manual in turn, comparing its ideological content and rhetoric with those of Pope. By contrast with these tracts, Pope's poem emerges as far from misogynistic. Indeed, it conveys a nuanced, complex and sympathetic attitude towards women.</p>


2020 ◽  
Vol 150 (1) ◽  
pp. 91-119
Author(s):  
Helen Deutsch

This essay puts Yale critic and cofounder of the New Criticism William K. Wimsatt into the balance with the most influential poet of eighteenth-century England, Alexander Pope. A scholar-collector with a lifelong penchant for Pope’s poetry and iconography, Wimsatt molds his influential theoretical paradoxes of abstract particularity after the uniquely embodied poet who made himself inseparable from his art. The elusive power of style connects universal truth to worldly materiality for both writers, giving theoretical abstraction a human likeness.


1991 ◽  
Vol 50 (1) ◽  
pp. 38-56 ◽  
Author(s):  
Diana Balmori

In eighteenth-century England, formal neoclassical buildings began to be coupled with landscape settings that expressed a contrasting aesthetic based on chance, intuition, informal ordering, and local accommodation. At the same time, the relationship between art and nature was being reevaluated. The divergence of styles for architecture and landscape posed a critical challenge for eighteenth-century architects and designers. Chief among the strategies used by eighteenth-century practitioners to meet this challenge was the "intermediate structure"-an architectural entity such as hermitage, grotto, or artificial ruin set into the landscape in order to articulate the relationship between art and nature, and between divergent architectural and landscape languages. Alexander Pope and William Kent developed influential versions of the intermediate structure-Pope in his grotto at Twickenham, and Kent in his garden buildings at several country houses. The role of these structures was undermined, however, in the later eighteenth century, when the links between architecture and landscape were further suppressed by Brownian landscaping and by the development of the Picturesque, which sought to conceal human interventions in the landscape. The connection between architecture and landscape as parts of one aesthetic composition was broken, and it has remained so until today.


Author(s):  
Jill Campbell

This chapter investigates sexuality’s appearance in eighteenth-century satire, both as a frequent topic of satiric attacks and as an analogue for the questionable drives that animate satire itself. Satires of the period target female licentiousness, male debauchery, and same-sex desire as objects of excoriation, and they regularly expose sexual energies as the real source of pretended aesthetic or civic aspiration. Yet they also often suggest that libidinal drives, including sadistic aggression, scopophilia, and fetishism, may underlie supposedly high-minded satiric acts. The chapter draws its primary examples from poems by Alexander Pope, concentrating particularly on his attacks on Lady Mary Wortley Montagu and Lord Hervey, and on their replies, with the second half of the chapter devoted to a reading of Sober Advice from Horace. The chapter also traces a historic shift from the Restoration to the Augustan period in patterns of association between sexual and satiric acts.


1990 ◽  
Vol 85 (1) ◽  
pp. 213
Author(s):  
John Lindon ◽  
Deirdre O'Grady

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