Reflection: Gendered Spaces of Work, USA

2017 ◽  
pp. 91-94
Author(s):  
Susan Hanson
Keyword(s):  
Gendered Spaces

A New Generation of Girls

2019 ◽  
Vol 12 (1) ◽  
pp. 125-127
Author(s):  
Lucy D. Curzon
Keyword(s):  
New York ◽  
Quantitative Analysis ◽  
Qualitative Study ◽  
New York University ◽  
Gendered Spaces ◽  
Transgender Children ◽  
New Generation ◽  
Gender Revolution

BOOK REVIEWAnn Travers. 2018. The Trans Generation: How Trans Kids (and Their Parents) Are Creating a Gender Revolution. New York: New York University Press.Ann Travers’s new book, The Trans Generation: How Trans Kids (and Their Parents) Are Creating a Gender Revolution (hereafter The Trans Generation) is a highly persuasive investigation that sheds much-needed scholarly light on a grossly marginalized, precarious community. Travers interviewed 36 transgender children, and many of their parents, to reveal the challenges they face in everyday use of bathrooms, locker rooms, and other rigidly gendered spaces, as well as in interactions with friends, parents, and siblings, as well as schools, and local and state or provincial governments. Apart from the scope of this study, what is remarkable about The Trans Generation is its accessibility. Instead of presenting a quantitative analysis, which can be alienating to readers outside academia, Travers offers an exhaustive qualitative study parsed in highly thoughtful, eloquent, and open terms—one that prizes the individuality, indeed the knowableness, of each child interviewed. And, although The Trans Generation is not explicitly dedicated to discussions of girlhood, the focus of this journal, it nonetheless offers, I argue, valuable new paradigms or strategies for thinking about girls’ lives and identities.

scholarly journals Women’s travel writing in the cyber-world – ecofeminist and difference feminist approaches in travel blogs

Feminismo/s ◽  
2020 ◽  
pp. 181
Author(s):  
Mirja Riggert
Keyword(s):  
Travel Writing ◽  
Role Models ◽  
Female Identity ◽  
Symbolic Order ◽  
Gendered Spaces ◽  
Female Role ◽  
Mother Nature ◽  
Female Authority ◽  
Travel Discourse ◽  
Women's Travel

This paper intends to track the development of traditional feminist ideas through the analysis of three contemporary travel blogs. These traditional feminist concepts are to be seen in the construction of a collective female identity that enables transnational and transgenerational solidarity: by receiving and transmitting inspiration, shelter and encouragement among female travellers, the narrators in the blogs create a system of female authority. Within this system, female role models as well as maternal figures become points of reference that help to revalue female attributes. This concept shows allusions to the theory of difference feminism as it is presented in the «symbolic order of the mother» by Luisa Muraro. A similar approach of revaluating femininity happens through the orientation towards ‘Mother Nature’. By staging women’s ability to give birth, cultural ecofeminists like Susan Griffin intend to affirm a close bond between women and nature. This representation of an emphasised femininity becomes a central marker in the narratives of the blogs. While this agenda might be designed to counter gendered spaces and the traditional alienation of women within travel discourse, it is problematised by exclusionary and essentialist definitions of femininity that harden engendered binaries like masculinity/femininity or nature/culture.

Building the ‘House of Industry’: Factory Citizenship and Gendered Spaces at Cadbury’s and Rowntree’s1

2020 ◽  
Vol 85 (3) ◽  
pp. 233-252
Author(s):  
Timo Luks
Keyword(s):  
Case Studies ◽  
Gender Bias ◽  
Personnel Management ◽  
Social Engineering ◽  
Mutual Understanding ◽  
Industrial Democracy ◽  
Gendered Spaces ◽  
Middle Range

This article examines the case studies of Cadbury’s and Rowntree’s to show how two particular factories have been transformed into what could be called middle-range experimental spaces. It demonstrates how one particular setting of industrial ‘governmentality’ was established, based on cooperation, ‘mutual understanding’, and ‘empowerment’ in order to overcome confrontational approaches in personnel management as well as outdated modes of ‘benevolent paternalism’. Cadbury- and Rowntree-style social engineering, the article argues, redefined its task to create what one could call ‘factory citizenship’. Within this context, it was the metaphor of building a house that made it possible to foster workers’ ‘responsibility’ without making too many concessions to a more radical version of industrial democracy. Since these concepts had a strong gender bias, the article interprets this particular kind of social engineering as an effort to turn factories into ‘gendered spaces’.

Female Leaders and Gendered Spaces

2016 ◽  
Author(s):  
Caitilin J. Griffiths
Keyword(s):  
Fourteenth Century ◽  
Spatial Layout ◽  
Religious Group ◽  
Female Leaders ◽  
Gendered Spaces ◽  
The Creation ◽  
Female Leader ◽  
Mixed Gender

Chin’ichibō, a female leader of a mixed-gender practice hall, forms a paradox when viewed through Buddhist canon. This chapter, by examining the spatial layout and the culture surrounding the creation of these fourteenth-century jishū practice halls, demonstrates that Chin’ichibō was not an anomaly. Rather, women were important members of this religious group.

The 1970s and the gendered spaces of the counter tradition

2018 ◽  
Author(s):  
Leah Modigliani
Keyword(s):  
Feminist Theory ◽  
Gendered Spaces ◽  
Avant Garde ◽  
Critical Attention ◽  
History Of

Vancouver artists’ concerns with discourses of theatricality and female gendered spaces are argued as important links between the defeatured landscapes of the 1968-1971 period and the development of large narrative photographs after 1975. The importance of Marcel Duchamp’s readymades to this historical thread are covered in detail, including the documented impact of his work Étant donnés: 1. La chute d/eau, 2. Le gaz d’éclairage(1946-66) on Jeff Wall’s transition towards the tableau format. Using Étant donnés as a fruitful formal and conceptual segue, the feminist content in several of Jeff Wall and Ian Wallace’s works from the mid-to-late 1970s are analysed. This demonstrates how both artists actively integrated feminist theory and ideas into their visual work, even as they directed critical attention away from it by instead stressing their works relationship the history of European avant-garde critique within modernism.

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