A More Comprehensive History of the New Theory of Reference

1998 ◽  
pp. 235-283 ◽  
Author(s):  
Quentin Smith
Author(s):  
Erik Gray

Love begets poetry; poetry begets love. These two propositions have seemed evident to thinkers and poets across the Western literary tradition. Plato writes that “anyone that love touches instantly becomes a poet.” And even today, when poetry has largely disappeared from the mainstream of popular culture, it retains its romantic associations. But why should this be so—what are the connections between poetry and erotic love that lead us to associate them so strongly with one another? An examination of different theories of both love and poetry across the centuries reveals that the connection between them is not merely an accident of cultural history—the result of our having grown up hearing, or hearing about, love poetry—but something more intrinsic. Even as definitions of them have changed, the two phenomena have consistently been described in parallel terms. Love is characterized by paradox. Above all, it is both necessarily public, because interpersonal, and intensely private; hence it both requires expression and resists it. In poetry, especially lyric poetry, which features its own characteristic paradoxes and silences, love finds a natural outlet. This study considers both the theories and the love poems themselves, bringing together a wide range of examples from different eras in order to examine the major structures that love and poetry share. It does not aim to be a comprehensive history of Western love poetry, but an investigation into the meaning and function of recurrent tropes, forms, and images employed by poets to express and describe erotic love.


2021 ◽  

A Cultural History of Sport in the Age of Industry covers the period 1800 to 1920. Over this period, sport become increasingly global, some sports were radically altered, sports clubs proliferated, and new team games - such as baseball, basketball, and the various forms of football - were created, codified, commercialized, and professionalized. Yet this was also an age of cultural and political tensions, when issues around the role of women, social class, ethnicity and race, imperial relationships, nation-building, and amateur and professional approaches were all shaping sport. At the same time, increasing urbanization, population, real wages, and leisure time drove demand for sport ever higher, and the institutionalization and regulation of sport accelerated. The 6 volume set of the Cultural History of Sport presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of sport and its ever-changing social, cultural, political, and economic context and impact. The themes covered in each volume are the purpose of sport; sporting time and sporting space; products, training, and technology; rules and order; conflict and accommodation; inclusion, exclusion, and segregation; minds, bodies, and identities; representation.


2012 ◽  
Vol 112 (6) ◽  
pp. 3550-3577 ◽  
Author(s):  
Pamela M. Tadross ◽  
Brian M. Stoltz

2018 ◽  
Vol 23 (1) ◽  
pp. 1530557 ◽  
Author(s):  
Christine C. Schwartz ◽  
Aparna S. Ajjarapu ◽  
Chris D. Stamy ◽  
Debra A. Schwinn

2008 ◽  
Vol 3 (1) ◽  
pp. 1-19 ◽  
Author(s):  
Halvard Leira ◽  
Iver Neumann

AbstractThe consular institution has regularly been viewed by academics and practitioners alike as the poor sibling of diplomacy: as a career sidetrack or tour of duty for aspiring ambassadors; and as an example devoid of all the intrigue and politics by historians and theoreticians of diplomacy. Through a detailed case study of the emergence and development of consular representation in Norway, this article demonstrates that any comprehensive history of diplomacy must include a history of the consular institution; that the history of the consular institution is nevertheless not reducible to a history of diplomacy; and that studying the consular institution offers up fresh perspectives on the social practices of representation and state formation.


Bionomina ◽  
2021 ◽  
Vol 25 (1) ◽  
Author(s):  
NEAL WOODMAN

All else being equal, the principle of priority in zoological taxonomic nomenclature gives precedence to the earliest name for a particular taxon. Determining the origin of some late eighteenth- and early nineteenth-century taxonomic names, however, can be vexing, particularly when the history of a name was never completely documented in contemporary synonymies. The authorship and date for Orycteropus Étienne Geoffroy Saint-Hilaire, 1796: 102, the genus-group name for the African aardvark, Orycteropus afer (Pallas, 1766), has been variously ascribed to at least four authors other than É. Geoffroy Saint-Hilaire. Using digitally imaged publications now available in a variety of internet-accessible libraries, I traced the comprehensive history of the name and show how and, to some extent, why its origin became obscured. É. Geoffroy Saint-Hilaire’s original description was re-published twice, most likely to make the description more widely available. Rather than reinforce his authorship for the name, however, the surprising consequence of the multiple publications was to cast doubt on it.


Extreme Asia ◽  
2015 ◽  
pp. 1-21
Author(s):  
Daniel Martin

This book is a study of the Asia Extreme brand, a DVD and theatrical release label created by British film distribution company Metro-Tartan/Tartan Films. Specifically, this book offers a comprehensive history of the marketing and critical reception of this series of films from Japan, South Korea, Thailand and Hong Kong, focusing on releases in the United Kingdom between 2000 and 2005. The strategies and marketing campaigns used by Tartan Films to promote these films to a wide British audience will be examined, as will the critical and journalistic reception of the films. The following analysis seeks to account for the rise in visibility of this cycle of Japanese horror, Hong Kong action and Korean cult film in the UK, and to chart the changing contexts of their reception. In the process, this research identifies the cinematic debates, assumptions and prejudices that inform the British critical reception of ‘cult’ cinema from the Far East....


Author(s):  
Tim Rutherford-Johnson

Providing first a comprehensive history of spiritual minimalism– the extraordinarily successful phenomenon that made unlikely stars of Henryk Górecki, Arvo Pärt, and John Tavener in the early 1990s–this chapter makes the case that by the end of the 20th century new music had entered into a new and transformative relationship with the media and the commercial market, through new listening practices such as soundtracking, and through marketing towards new audiences. This is supported by discussions of composers and collectives that have particularly engaged with these, including Bang on a Can, Nonclassical and, in particular, Edition Wandelweiser.


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