Cultural Diplomacy and Co-operation in ASEAN: The Role of Arts and Culture Festivals

Summary Beyond their traditional role as entertainment, form of expression and meeting spaces within local communities, arts and culture festivals can perform various functions. They can serve as showcases of artistic pride, signal openness towards cultural diversity, support the local economy, contribute to reducing political tension and provide grounds to consolidate international relationships. On occasion, such festivals function as tools to support the vision of a multilateral co-operation institution, as is the case of the Association of Southeast Asian Nations (ASEAN). Through a comprehensive review of the arts and culture festivals curated in ASEAN, this article investigates the festivals’ ulterior motivations. A range of economic, political, diplomatic, and organisational logics explain the evolution of such festivals during the last fifty years. The article concludes that arts and culture festivals have remained a compelling and instrumental co-operation mechanism in ASEAN, but formats and approaches need substantial revision.

The Role of Cities in Energy Diplomacy: Indonesia, Japan and the Surabaya-Kitakyushu Partnership

Summary Energy diplomacy is usually conducted by national governments. However, the case of sister city co-operation between the cities of Surabaya, Indonesia, and Kitakyushu, Japan, shows how substate actors can perform energy diplomacy by developing technology to create public spaces that apply energy efficiency and energy-saving principles. This article offers a new angle on energy diplomacy by elaborating on the role of the city government. To future-proof our perspective, we applied qualitative methods by gaining data from in-depth interviews and focus group discussions, then triangulated the result from the literature about energy diplomacy. The article argues that energy diplomacy has expanded in the sense that it is now carried out at municipal as well as national level and yet still adheres to states’ foreign policy agendas in the energy sector. These substate actors ultimately strengthen the principle of energy utilisation that has been regulated at the national level within the framework of bilateral co-operation with other substate actors.

Water Diplomacy — The New Modus Operandi of EU Diplomacy? Innovative Methods in Diplomatic Practice

Summary This article explores how EU water diplomacy can enrich the current debate on science diplomacy, primarily in the science in diplomacy category. It aims to contribute to the debate on diplomatic instruments and their innovative elements. It focuses on new practices in the field of water diplomacy, including (1) the involvement of a wide range of stakeholders in the diplomatic process from an early stage, (2) a multi-dimensional approach, and (3) multidisciplinary science-based diplomacy. More generally, the article identifies and conceptualises particular diplomatic methods, (1) the internalisation of scientific expertise, (2) cross-cutting lexical understanding across diplomatic agendas, and (3) pluri-disciplinarity, which facilitates the interconnection of science and diplomacy within a diplomatic framework. It thus addresses the commonly acknowledged challenge of interaction between scientists and diplomats and shows that analysis of diplomatic methods may bring more clarity to the peripheral or often neglected science in diplomacy category of science diplomacy.

Then and Now: A Structural Approach Analysis of Japan’s Cultural Diplomacy towards Thailand

Summary Despite the growing significance of Japan’s cultural diplomacy within the landscape of international relations, the study of effective ties with Thailand has not received much attention to date. This article employs a structural approach in analysing ‘when’ and ‘how’ Japan’s cultural diplomacy has evolved vis-à-vis Thailand. The article emphasises the importance of structural factors as being relational, further complicated by different levels and degrees of influence throughout three periods: the economic-oriented period (1950s-1960s), the diplomatic adjustment period (1970s-1980s), and the social relations building period (1990s-present). The analysis reveals two layers of Japan’s foreign policy instruments—economic diplomacy and cultural diplomacy — in the structuralist narrative of Japanese diplomacy towards Thailand. While economic power has been an important instrument, this article highlights how changes in the structure of international systems have had corresponding impacts on Japan’s application of cultural diplomacy that has subsequently shaped the bilateral Japan-Thailand relationship.

Mapping Innovation Diplomacy in Denmark and Sweden

Summary The aim of this article is to identify and map innovation diplomacy actions in Denmark and Sweden using the ‘functions of innovation systems’ approach. Based on Hekkert et al.’s seven key system functions (Marko P. Hekkert, Roald A. A. Suurs, Simona O. Negro, Stefan Kuhlmann and Ruud E. H. M. Smits, ‘Functions of Innovation Systems: A New Approach for Analysing Technological Change’, Technological Forecasting & Social Change 74 (4) (2007), 413-432), the article assess the role of the Ministry of Foreign Affairs (MFA) in meeting governments’ innovation targets. The empirical analysis, including twelve semi-structured interviews with seventeen career diplomats, reveals the key initiatives that countries are taking in furthering their homeland’s innovation aims or ambitions. The study also asks whether the ‘diplomacy for innovation’ approach of both Scandinavian MFAs are consistent with the ‘whole-of-government’ and ‘whole-of-society’ approaches.

A Balancing Act? Inter-Ministerial Co-operation in the Work of the Cultural Attachés

Summary To date, the role of cultural attachés in foreign policy has not been the subject of scholarly research, despite the sharp rise in interest in the field of cultural diplomacy. The present study is a comparative analysis seeking to map the ecosystem in which cultural attachés are embedded with the aim to develop a first-time narrative about their role. Interviews with practitioners from Italy, The Netherlands and Sweden indicate that the post of the cultural attaché is a field of responsibility primarily for two state actors. The Ministry of Foreign Affairs and the Ministry of Culture both have a vested interest in the work of these cultural operators. The findings suggest that there are two distinct organisational models in how Ministries of Foreign Affairs and Ministries of Culture co-exist and interact.