Beyond One and Many: Deconstructing the Notion of Identity

Author(s):  
Nishant Alphonse Irudayadason
Keyword(s):  
2012 ◽  
Vol 209-211 ◽  
pp. 252-255
Author(s):  
Li Guo ◽  
Hai Ying Zheng ◽  
Yong Hong Wang ◽  
Bin Zhang

Data matching technology is a key technology for spatial data integration and fusion. This paper represents a solution to the complex polygon area, defines the area overlapped rate in the aspect of geometric measure, presents the data matching idea based on area overlapped rate .Then, this paper discusses and realizes the data matching relation of area elements including one to one , many to one and many to many. At last, region targets are set as the study object, large scale data are taken for example. We draw the conclusion: this algorithm is efficient.


2021 ◽  
Vol 13 (1) ◽  
pp. 11-20
Author(s):  
Joseph Ulatowski ◽  

There are different approaches to the narrative self. I limit myself to one approach that argues narratives have an important role to play in our lives without it being true that a narrative constitutes and creates the self. My own position is broadly sympathetic with that view, but my interest lies with the question of whether there is truth in the claim that to create one’s self-narrative is to create oneself. I argue that a self-narrative may be multiply realised by the inner self—impressions and emotions—and the outer self—roles in work and life. I take an optimistic attitude to the idea that narrative provides a metaphor that may stimulate insight into the nature of self if we accept a plurality of narrative selves. This paper mines a vein of research on narratives for insights into selves without being bewitched into accepting implausible conclusions.


2003 ◽  
Vol 13 (1) ◽  
pp. 87-91
Author(s):  
Paul Bonin-Rodriguez
Keyword(s):  

2019 ◽  
Vol 34 (34) ◽  
pp. 065-098
Author(s):  
鍾志偉 鍾志偉

<p>歷代評價王荊公,兼有毀譽,尤以史傳、筆記、小說最多,建構起荊公立體形象。然而,詩歌亦屬王荊公故事詠寫系統主要體裁之一,至今無專文探討。本文借用詠史懷古詩之研究方法,觀察詩人對荊公之人物論定,回到形象聚訟之始,勾勒宋詩中之荊公形象與主體。可以發現詩中呈現宰相忠業及宋亡罪人之迥異面向。其次,歸納分析詠寫荊公之慣用素材與主題思想,如營造挽歌氛圍與世態炎涼之感慨;速寫讀書堂與嘲弄新學;關注書畫題詠與追慕風神等,最後探討宋人詠寫荊公之詩學設計,一則見詩人慣以一多對立及時空伸縮為篇章構思,有助興發感慨;二則融入荊公詩字句,翻新原典,借彼抒己。總此,讓荊公形象顯影在宋詩上,為荊公之歷史評騭提供初始依據。</p> <p>&nbsp;</p><p>The evaluations of past generations on Sir Wang Jing, mostly in historical biographies, jottings, and short stories, lead to both positive and negative comments and have established a three-dimensional image of Sir Jing. However, there is yet no monograph on poetry, which is also one of the important genres in the writing system of stories about Sir Wang Jing. This article attempts to explore the discussions of figures in history-themed poems and to return to the beginning of the arguments on Sir Jing&rsquo;s image and depict the image of him portrayed in Song poems. First, it discovers the polarized identity, as a prime minister with loyalty or a guilty person causing the ruin of the Song dynasty. Second, it organizes and analyzes the common materials and theme thoughts in writings about Sir Jing, such as creating atmosphere of elegies around tombs and shrines and fickleness of the world, sketching the reading hall and mocking new learning, and paying attention to inscriptions of calligraphic works and paintings and admiration for the past manner. Finally, it probes into the rhetoric of Song people&rsquo;s writings about Sir Jing. For example, the structure design of opposition between one and many and expansion and contraction of time-space helps to highlight the effect of sighs with emotions. To give another example, the adjusted use of the words of Sir Jing&rsquo;s poems adds new meanings to their original meanings. To sum up, this article exhibits vividly on paper the Sir Jing in Song poems and provides a reference for studies on the image of Sir Wang Jing shaped by history.</p> <p>&nbsp;</p>


Informatics ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 43-60
Author(s):  
R. P. Bohush ◽  
S. V. Ablameyko

One of the promising areas of development and implementation of artificial intelligence is the automatic detection and tracking of moving objects in video sequence. The paper presents a formalization of the detection and tracking of one and many objects in video. The following metrics are considered: the quality of detection of tracked objects, the accuracy of determining the location of the object in a frame, the trajectory of movement, the accuracy of tracking multiple objects. Based on the considered generalization, an algorithm for tracking people has been developed that uses the tracking through detection method and convolutional neural networks to detect people and form features. Neural network features are included in a composite descriptor that also contains geometric and color features to describe each detected person in the frame. The results of experiments based on the considered criteria are presented, and it is experimentally confirmed that the improvement of the detector operation makes it possible to increase the accuracy of tracking objects. Examples of frames of processed video sequences with visualization of human movement trajectories are presented.


1994 ◽  
Vol 22 (2) ◽  
pp. 137-170 ◽  
Author(s):  
Heeraman Tiwari
Keyword(s):  

2020 ◽  
Vol 47 (3-4) ◽  
pp. 174-192
Author(s):  
Andrew Fuyarchuk

Although their value-judgments diverge, neo-Confucian and American continental philosophers agree that Gadamer’s hermeneutics is anti-foundationalist. Neither side, however, has asked why he frequently appeals to standards of harmony, or why he models the art of medicine on the order of nature. These indicate a commitment to trans-historical foundation of One and many that forms the basis for comparisons with Chinese aesthetics in the Yijing tradition. These foundations are grounded in Gadamer’s reading of Plato and shape his onto-dialogical interpretive method. In contrast to Whitehead, Gadamer cements the One and many in practical life by removing the contradiction through a transformation in human ethos.


Sign in / Sign up

Export Citation Format

Share Document