On the versal deformation of a complex space with an isolated singularity

1972 ◽  
Vol 196 (1) ◽  
pp. 23-29 ◽  
Author(s):  
Arnold Kas ◽  
Michael Schlessinger
2018 ◽  
Vol 48 (1) ◽  
pp. 97-112
Author(s):  
Anna Teekell

Kate O'Brien's 1943 The Last of Summer has been read as the novelist's riposte to an insular island that stifled both her publishing (through censorship) and her imagination (through cultural conservatism). Set on the eve of the neutral ‘Emergency’, O'Brien's sixth novel actually depicts Ireland as a complex space of negotiation, simultaneously desirable and condemnable, that challenges, rather than stifles, the individual imagination. The Last of Summer is a love triangle and a battle of wits, pitching a stage actress, the French ingénue Angèle, against an accomplished domestic performer, her potential mother-in-law, Hannah Kernahan. In the end, it is Hannah who wields ‘neutrality’ – both Ireland's in the war and her pretended neutrality in family matters – as a form of coercive power.


PIERS Online ◽  
2007 ◽  
Vol 3 (5) ◽  
pp. 675-679 ◽  
Author(s):  
Maria-Jesus Gonzalez-Morales ◽  
Emilio Gago-Ribas

2021 ◽  
Vol 36 ◽  
pp. 101598 ◽  
Author(s):  
Charlotte C. Goldman ◽  
Christopher P. Dall ◽  
Tamir Sholklapper ◽  
Jacob Brems ◽  
Keith Kowalczyk

2021 ◽  
Vol 228 ◽  
pp. 29-41
Author(s):  
Guoqing Wang ◽  
Thibault F. Guiberti ◽  
Xi Xia ◽  
Lei Li ◽  
Xunchen Liu ◽  
...  

2014 ◽  
Vol 12 (3) ◽  
Author(s):  
Szymon Brzostowski ◽  
Tadeusz Krasiński

AbstractThe jump of the Milnor number of an isolated singularity f 0 is the minimal non-zero difference between the Milnor numbers of f 0 and one of its deformations (f s). We prove that for the singularities in the X 9 singularity class their jumps are equal to 2.


Author(s):  
Rajkumar Hajra ◽  
Bruce, T. Tsurutani ◽  
Gurbax, S. Lakhina

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