Commentary on Prof. Turner's Class Conflict and Racial Cleavage

1976 ◽  
Vol 6 (3) ◽  
pp. 342-343
Keyword(s):  
Class Conflict

Mary Barton

2008 ◽  
Author(s):  
Elizabeth Gaskell
Keyword(s):  
Working Class ◽  
Elizabeth Gaskell ◽  
Class Conflict ◽  
The Novel ◽  
The Poor ◽  
Deep Sympathy ◽  
The Relationship ◽  
Class Community

‘It's the masters as has wrought this woe; it's the masters as should pay for it.’ Set in Manchester in the 1840s - a period of industrial unrest and extreme deprivation - Mary Barton depicts the effects of economic and physical hardship upon the city's working-class community. Paralleling the novel's treatment of the relationship between masters and men, the suffering of the poor, and the workmen's angry response, is the story of Mary herself: a factory-worker's daughter who attracts the attentions of the mill-owner's son, she becomes caught up in the violence of class conflict when a brutal murder forces her to confront her true feelings and allegiances. Mary Barton was praised by contemporary critics for its vivid realism, its convincing characters and its deep sympathy with the poor, and it still has the power to engage and move readers today. This edition reproduces the last edition of the novel supervised by Elizabeth Gaskell and includes her husband's two lectures on the Lancashire dialect.

Class and Class Conflict in Industrial Society.Ralf Dahrendorf

1960 ◽  
Vol 65 (5) ◽  
pp. 520-521
Author(s):  
Lewis A. Coser
Keyword(s):  
Class Conflict

Henry James, The Outcry, and the Possibilities of Connoisseurship

2020 ◽  
Author(s):  
Margaret Deli
Keyword(s):  
United States ◽  
Social Context ◽  
Henry James ◽  
The United States ◽  
Class Conflict ◽  
Reading Public ◽  
Art Objects ◽  
Cultural Power ◽  
Cultural Hero

Abstract This article reveals Henry James’s commitment to professional connoisseurship as a means of asserting control over a mass reading public. Focusing on The Outcry (1911), James’s last published novel, it demonstrates the author’s deployment of connoisseurial strategies to produce a text that, perhaps surprisingly, turns away from the performance of authorial nuance. A related strand of analysis situates The Outcry within the cultural and social context of the Edwardian art drain, the period of time when a significant number of British-owned art objects were sold to museums and private collectors, most often in the United States. I argue that in this text, James seizes upon the figure of the professional connoisseur as a cultural hero and proxy for the novelist author. At the same time, he makes a point of celebrating and promoting the autocratic power exercised by this figure. Although The Outcry is often disregarded as a simple, even superficial work, these moves articulate a complex manifestation of class conflict, aesthetic training, and cultural power. They simultaneously reflect James’s late-in-life conviction that connoisseurship might itself serve as a literary strategy for seeing and shaping meaning.

The Classic Maya Collapse: Testing Class Conflict Hypotheses

1980 ◽  
Vol 45 (2) ◽  
pp. 246-267 ◽  
Author(s):  
Robert L. Hamblin ◽  
Brian L. Pitcher
Keyword(s):  
Large Scale ◽  
Time Series Data ◽  
Classic Maya ◽  
Class Conflict ◽  
Series Data ◽  
Geographical Patterns ◽  
Historical Societies ◽  
Testing Class ◽  
Lowland Area ◽  
Maya Collapse

Several lines of archaeological evidence are presented in this paper to suggest the existence of class warfare among the Classic Maya and of issues that historically have been associated with class conflict. This evidence indicates that class warfare may have halted the rule of the monument-producing, or Classic, elites and precipitated the depopulation of the lowland area. The theory is evaluated quantitatively by testing for time-related mathematical patterns that have been found to characterize large-scale conflicts in historical societies. The information used in the evaluation involves the time series data on the duration of rule by Classic elites as inferred from the production of monuments with Long Count dates at a sample of 82 ceremonial centers. The analyses confirm that the Maya data do exhibit the temporal and geographical patterns predicted from the class conflict explanation of the Classic Maya collapse. Alternative predictions from the other theories are considered but generally not found to be supported by these data.

Class Conflict and Village War Memorials, 1914–24.

Rural History ◽  
1995 ◽  
Vol 6 (1) ◽  
pp. 67-87 ◽  
Author(s):  
Nick Mansfield
Keyword(s):  
Class Conflict ◽  
War Memorials ◽  
To Come ◽  
Village Life ◽  
The Village

‘I am persuaded that the Memorial Crosses, in the Churchyards, on the village greens, where the roads meet, will for many years to come cry eloquent but silent protest against all that divides and degrades village life.’ The Bishop of Hereford, 1920.

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