An Index to the Biographical Notices, papers on the History of Medicine, and Reviews of Books on that subject, which have appeared in the Irish Journal of Medical Science from September, 1916 to December, 1954

1955 ◽  
Vol 30 (6) ◽  
pp. 280-286
Author(s):  
J. D. H. Widdess
Health ◽  
2019 ◽  
pp. 1-6
Author(s):  
Peter Adamson

This introduction to the volume gives an overview of the chapters, setting out a case for integrating the history of philosophy with the history of medicine and sketching some of the key philosophical issues that arise around the concept of health. These include the difficulty of defining “health,” the mind-body relationship, and questions about how philosophy informs medical science and practice. A central idea is that the concept of health operates at two levels, the mental and the physical (or the soul and the body), so that ethical virtue and physical well-being have often been seen as parallel or mutually dependent.


Author(s):  
Silvia Waisse Priven

One of the roots of modern therapeutic similarity might be retraced to the work of Samuel Hahnemann at the end of the 18th century. His particular formulation arose from an original synthesis of traditional therapeutic similarity, dating from classic Antiquity and mantained as an undercurrent in medical thinking, and contemporary theories, particularly counter-irritation (antagonistic fever) theory. Against historical readings asserting that modern therapeutic similarity is either a mere a continuation of the ancient, or a historical orphan, it is possible to verify that Hahnemann’s work belonged within the specific framework of 18th medical science. The formulation of modern therapeutic similarity is best described as a process combining both continuity and epistemological break. Keywords: History of Medicine; 18th century; Pharmacology; Peruvian bark; Modern therapeutic similarity.   O surgimento da semelhança terapéutica moderna Resumo Uma das raízes da semelhança terapéutica moderna pode ser localizada na obra de Samuel Hahnemann, no final do século XVIII. Sua formulação particular surgiu da síntese original da semelhança terapéutica tradicional, procedente da Antigüidade clássica e conservada subterraneamente no pensamento médico, com teorias contemporâneas, especialmente a teoria da contra-irritação (febre antagonista). Por oposição a leituras históricas que afirmam que semelhança terapéutica moderna é uma mera continuação da antiga ou, alternativamente, um ófão histórico, pode-se constatar que a obra de Hahnemann corresponde ao marco específico da ciéncia médico do século XVIII. A formulação da semelhança terapéutica parece ser melhor compreendida como um processo que combina continuidade e ruptura epistemológicas. Palavras-chave: História da Medicina; século 18; Farmacologia; semelhança terapéutica moderna.   El surgimiento de la similaridad terapéutica moderna Resumen Una de las raíces de la similaridad terapéutica moderna puede ser localizada en la obra de Samuel Hahnemann al final del siglo XVIII. Su formulación particular surgió de la síntesis original de la similaridad terapéutica tradicional, procedente de la Antigüedad clásica y conservada subterráneamente en el pensamiento médico, con teorías contemporáceas, especialmente la de la contrairritación (fiebre antagonista). En oposición a lecturas históricas que afirman que la similaridad terapéutica moderna es una mera continuación de la antigua o un huérfano histórico, se puede constatar que la obra de Hahnemann corresponde al marco específico de la ciencia médica del siglo XVIII. La formulación de la similaridad terapéutica moderna parece ser mejor comprendida como um processo que combina continuidad y ruptura epistemológicas. Palabras-clave: Historia de la Medicina; siglo 18; Farmacología; similitud terapéutica moderna.   Correspondence author: Silvia Waisse Priven, [email protected] ; http://www.pucsp.br/pos/cesima How to cite this article: Waisse Priven S. The emergence of modern therapeutic similarity. Int J High Dilution Res [online]. 2008 [cited DD Mmm YYYY]; 7(22): 22-30. Available from: http://journal.giri-society.org/index.php/ijhdr/article/view/252/335.  


Author(s):  
Philip A. Mackowiak

Patients as Art: Forty Thousand Years of Medical History in Drawings, Paintings, and Sculpture traces the history of medicine through works of art stretching from the Paleolithic period to the present. Long before humans could write, before they had a medical science or possibly even a religion, they had art. Where works of art have involved patients, they have provided insight beyond aspects of sickness and health and life and death that can never be explained by science alone—humanistic aspects of the patient experience that can’t be measured or weighed or dissected. The works analyzed in this book, each of which features one or more patients, were chosen for their esthetic appeal and for the skill with which they depict important developments in medicine over time. Together they offer a compelling perspective on the history of medicine that reflects the outward expressions of artists’ innermost feelings and personal prejudices. In analyzing these works, medical historian Dr. Philip Mackowiak brings the perspective of an internist with over four decades of experience caring for patients, teaching doctors-in-training, and conducting clinical research.


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