Online planning for human–multi-robot interactive theatrical performance

2018 ◽  
Vol 42 (8) ◽  
pp. 1771-1786 ◽  
Author(s):  
Ellen A. Cappo ◽  
Arjav Desai ◽  
Matthew Collins ◽  
Nathan Michael
2017 ◽  
Vol 42 (4) ◽  
pp. 715-738 ◽  
Author(s):  
Graeme Best ◽  
Jan Faigl ◽  
Robert Fitch

2020 ◽  
Vol 8 (9) ◽  
pp. 624 ◽  
Author(s):  
Yogang Singh ◽  
Marco Bibuli ◽  
Enrica Zereik ◽  
Sanjay Sharma ◽  
Asiya Khan ◽  
...  

Formation control and cooperative motion planning are two major research areas currently being used in multi robot motion planning and coordination. The current study proposes a hybrid framework for guidance and navigation of swarm of unmanned surface vehicles (USVs) by combining the key characteristics of formation control and cooperative motion planning. In this framework, two layers of offline planning and online planning are integrated and applied on a practical marine environment. In offline planning, an optimal path is generated from a constrained A* path planning approach, which is later smoothed using a spline. This optimal trajectory is fed as an input for the online planning where virtual target (VT) based multi-agent guidance framework is used to navigate the swarm of USVs. This VT approach combined with a potential theory based swarm aggregation technique provides a robust methodology of global and local collision avoidance based on known positions of the USVs. The combined approach is evaluated with the different number of USVs to understand the effectiveness of the approach from the perspective of practicality, safety and robustness.


2012 ◽  
Author(s):  
James Livingston ◽  
Sagar Parikh ◽  
Erin Michalak ◽  
Victoria Maxwell ◽  
Vytas Velyvis ◽  
...  

Author(s):  
Isaac Hui

Reading Jonson with the Fabliau, Boccaccio and Chaucer, this chapter, with the help of Lacan’s theory, rereads Volpone Act 3 scene 7, explaining why Volpone ‘delays’ his ‘rape’ of Celia. While Volpone is commonly known for his love of theatrical performance and transformation, the chapter suggests that this cannot be thought without the concept of his being ‘castrated’. Although ‘castration’ is usually regarded as a censoring force, Volpone is empowered and thrives on it. Moreover, this chapter compares the scene in Volpone with another similar one in Philip Massinger’s The Renegado, discussing how the subject of castration is used in early modern comedy and tragicomedy.


Author(s):  
S. A.  Dergachev ◽  
◽  
K. S.  Yakovlev ◽  
Keyword(s):  

2014 ◽  
Vol 24 (7) ◽  
pp. 1589-1600
Author(s):  
Zong-Zhang ZHANG ◽  
Xiao-Ping CHEN

ROBOT ◽  
2012 ◽  
Vol 34 (1) ◽  
pp. 114 ◽  
Author(s):  
Zhigang ZHAO ◽  
Tiansheng LÜ

2004 ◽  
Author(s):  
Chris Jones ◽  
Maja J. Mataric
Keyword(s):  

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