Re-imaging Reader-Response in Middle and Secondary Schools: Early Adolescent Girls’ Critical and Communal Reader Responses to the Young Adult Novel Speak

2012 ◽  
Vol 43 (3) ◽  
pp. 191-212 ◽  
Author(s):  
Jie Y. Park
Author(s):  
Leland S. Person

This reader-centered essay examines four of Poe’s murder tales (“The Black Cat,” “The Tell-Tale Heart,” “The Imp of the Perverse,” and “The Cask of Amontillado”) by focusing on the way Poe seduces readers into identifying with criminals. Using Poe’s concept of “perverseness”—the irresistible impulse to do what one should not—the essay examines the ways that Poe plays with perverseness as a means of manipulating reader response. The Imp impels confession in “Imp of the Perverse” but compels both murder and confession in “The Black Cat” and “The Tell-Tale Heart,” as perverseness becomes an authorial power. “The Cask of Amontillado” represents the culmination of Poe’s experiment with perverseness, as he manipulates reader responses through first, second, and third readings of the tale.


2004 ◽  
Vol 28 (1) ◽  
pp. 85-103 ◽  
Author(s):  
Golan Shahar ◽  
Sidney J. Blatt ◽  
David C. Zuroff ◽  
Gabriel P. Kuperminc ◽  
Bonnie J. Leadbeater

2018 ◽  
Vol 111 ◽  
pp. 6-13 ◽  
Author(s):  
Elizabeth L. Budd ◽  
Amy McQueen ◽  
Amy A. Eyler ◽  
Debra Haire-Joshu ◽  
Wendy F. Auslander ◽  
...  

2014 ◽  
Vol 44 (2) ◽  
pp. 113-129 ◽  
Author(s):  
David C. R. Kerr ◽  
Brandon Gibson ◽  
Leslie D. Leve ◽  
David S. DeGarmo

1997 ◽  
Vol 26 (2) ◽  
pp. 203-216 ◽  
Author(s):  
Pamela K. Keel ◽  
Jayne A. Fulkerson ◽  
Gloria R. Leon

Author(s):  
Chiara Xausa

Through a reading of Cherie Dimaline’s 2017 young adult novel The Marrow Thieves, a survival story set in a futuristic Canada destroyed by global warming, this article explores the conceptualization and reimagination of the Anthropocene in contemporary postcolonial and Indigenous theory and fiction. Firstly, I will argue that literary representations of climate change can be complicit in producing hegemonic strands of Anthropocene discourse that consider human destructiveness and vulnerability at undifferentiated species level. Secondly, I will suggest that the novel’s apocalypse reveals the processes of colonial violence and dispossession that have culminated in the eruptive event of environmental catastrophe, rather than portraying a story of universal and disembodied human threat that conceals oppression against Indigenous people.


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