Mechanism as a scientific pluralism in the early modern medicine and natural philosophy

Metascience ◽  
2016 ◽  
Vol 26 (1) ◽  
pp. 41-44
Author(s):  
Sarah Carvallo
Nuncius ◽  
2017 ◽  
Vol 32 (3) ◽  
pp. 658-682
Author(s):  
Frances Gage

Guido Reni’s early critics described him as a painter of “celestial ideas,” and his artistic process has been characterized as one rooted in the fantasia and the Idea. From the seventeenth-century on, Reni’s figures were praised for the “airs of the heads,” a notion with astrological and medical connotations, while the papal physician and art critic Giulio Mancini described Reni’s manner as “spirited,” a term suggestive of the airy movement Reni so powerfully represented in his Aurora. The concept of “spirit” or “spirits” also retained important connotations in early modern medicine and natural philosophy. A reconsideration of Reni’s Aurora in the context of medical and natural philosophical investigations of generation, artistic creation and the nature of and relationship between celestial and terrestrial regions demonstrates the connections between early modern artistic reception, medicine and natural philosophy.


The Lancet ◽  
2019 ◽  
Vol 393 (10173) ◽  
pp. 738-739
Author(s):  
Dániel Margócsy ◽  
Mark Somos ◽  
Stephen N Joffe

2016 ◽  
Vol 29 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Daphna Oren-Magidor ◽  
Catherine Rider

2020 ◽  
Vol 20 (2) ◽  
pp. 67-93
Author(s):  
Jukka Tyrkkö

The standardisation process of English spelling largely came to its conclusion during the Early Modern period. While the progress of standardisation has been studied in both printed and manuscript texts, few studies have looked at these processes side by side, especially focusing on the same genre of writing and by using corpora that are sufficiently large for quantitative comparison. Using two Early Modern medical corpora, one based on manuscripts and the other on printed sources, this paper compares the trajectories of spelling standardisation in the two textual domains and shows that while spelling standardisation progressed in an almost linear fashion in printed texts, the manuscripts reveal a much more varied and shallow cline toward standardisation.


2013 ◽  
Vol 12 (1) ◽  
pp. 93-111
Author(s):  
Greta Perletti

Abstract While the hysterical ailments of women in Shakespeare’s works have often been read from psychoanalytical standpoints, early modern medicine may provide new insights into the ‘frozen’, seemingly dead bodies of some of his heroines, such as Desdemona, Thaisa, and Hermione. In the wake of recent critical work (Peterson, Slights, Pettigrew), this paper will shed fresh light on the ‘excess’ of female physiology and on Shakespeare’s creative redeployment of some medical concepts and narratives.


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