Sexualized, platformed female bodies in male online practices

Sexualized images of the bodies of girls and young women – in some cases taken without the knowledge of those depicted, in other cases exchanged as part of erotic or romantic interactions – sometimes turn up in closed groups on social media and on websites and other online platforms. In their efforts to mark and prove masculinity, the (presumably) male participants in these fora share, trade, and evaluate such imagery. The young women depicted are generally commented upon in condescending ways. Based on a combination of digital ethnography and analogue fieldwork and interviews at a vocational school in Denmark, this article explores how boys and young men use sexualized female bodies to negotiate boundaries of masculinity, gendered positioning, and intimacy. Through new materialist and poststructuralist perspectives, we attend to the entanglements of social and technological phenomena enacting these practices.

Not so hysterical now? Psychotherapy, menopause, and hysterectomy

In the context of the body, the essentially female; wombs, menstrual cycles, and concurrent hormones, have seen women ascribed madness, insatiability, untrustworthiness, and danger. Female bodies have been identified in selective parts, considered in abstract, or envisaged as having overwhelming power over the mind. “Hysteria”, the problematic neurosis of uterine origin was at the heart of early psychoanalysis. This diagnosis enshrines a slippage from the physical to the fantastical, and ultimately to the denial of the lived reality of women’s and girl’s bodies. In apparent collusion with patriarchy the neglect of some female bodily experience is perpetuated in contemporary psychoanalytic theory. Nowhere is this more evident than around menopause and hysterectomy (as experienced by either client or therapist). There has been little or no exploration of how practitioners might best support clients for whom menopause is significant, or how we might facilitate women before or after gynaecological surgery. It is as if removal and psychological loss of the same female body parts that our forebears used to so neatly differentiate, diagnose, and pathologise women are now not of note. I am interested as to how we as psychotherapists reclaim female body narratives from this outdated theoretical paradigm to best serve clients experiencing menopause, gynaecological surgery, and mid life in the twenty-first century.

Marxism as a part of the androcentric tradition: The feminist superstructure and the androcentric base

Androcentrism continues to be the basis for modern thinking, and the comprehension of its manifestations in the philosophical tradition appears to be a necessary step to change this situation. The purpose of this work is to analyze the theory of K. Marx for its androcentrism, to identify its significant provisions based on it. The analysis is built around testing how the “general” statements of Marx reflect women’s experience, how they are woven into the whole of the theory and how much they are substantiated by it. It was revealed that, firstly, Marx could not substantiate the position that the roots of oppression of women lie in the mode of production, since he did not consider the fact of higher pay for male labor to be significant, taking it for granted. Secondly, he did not consider the exploitation of “free” female labor in the family significant, and considered the primary division of labor within its framework to be natural. Thirdly, Marx was unable to detect the transformation of female bodies into a resource for men as a condition of capitalism because he did not see a problem in male control over female birth ability. The theory of Karl Marx, thus, is a part of the androcentric tradition and should be considered in science as such.

“Love Jihad”, “Forced” Conversion Narratives, and Interfaith Marriage in the Sikh Diaspora

This paper sets out to critically examine the “forced” conversion narrative circulating across the Sikh diaspora. The “forced” conversion narrative tells the story of Muslim men allegedly deceiving and tricking “vulnerable” Sikh females into Islam. The paper explores the parallels between the “forced” conversion narrative and the discourse on “love jihad” propagated by the ruling Bharatiya Janata Party (BJP), as well as drawing out its particularities within the Sikh community. The paper is informed by new empirical data generated by a series of qualitative interviews with Sikhs in the UK, US, and Canada, and captures the complexities and nuances of my respondents in their interpretations of, and challenges to, the “forced” conversions narrative. The paper adopts a decolonial Sikh studies theoretical framework to critically unpack the logics of the discourse. In doing so, it reveals a wider politics at play, centred upon the regulation of Sikh female bodies, fears of the preservation of community, and wider anxieties around interfaith marriage. These aspects come together to display Sikh Islamophobia, whereby the figure of the “predatory” Muslim male is represented as an existential threat to Sikh being.

Where in the World are Chinese Women Filmmakers? Transnational China and World Cinema in the Twenty-First Century

Transnational Chinese women filmmakers reflect the enormous changes happening in the global film industry as well as political, economic, technological, social, and cultural transformations taking place in the region since the beginning of the millennium. An analysis of Hong Kong writer-director Aubrey Lam’s Anna & Anna (2007) uncovers how this film explores the divided psyche of a woman torn between “two systems” that model femininity for women in Singapore and Shanghai in the 21st century. Lam’s narrative touches on issues central to the work of many women working across the Chinese-speaking world including migration, labor relations, postcolonial and postsocialist identities, commodification of female bodies in consumer culture, cross-border sexualities, female desire and domesticity.

Dystopias in the Realm of Popular Culture: Introducing Elements of Posthuman and Postfeminist Discourse to the Mass Audience Female Readership in Cecelia Ahern’s Roar (2018)

This article analyzes selected short stories in Cecelia Ahern’s thirty-narrative collection Roar (2018) to see how (and with what losses or gains) the perspectives of posthuman and postfeminist critique can be incorporated via the common dystopic umbrella into the mainstream female readership of romance literature. The dystopic worlds created by Ahern in Roar portray inequality and power imbalances with regard to gender and sex. The protagonists are mostly middle-aged women whose family and personal lives are either regulated by dystopic realities or acquire a “dystopic” dimension, the solutions to which are provided by, among other tropes, “posthuman” transformations. Roar introduces other-than-human elements, mostly corporeal alterations, in which the female bodies of Ahern’s characters become de-formed and re-formed beyond androcentric systems of value. The article raises the question of whether feminist and, to some extent, “posthuman” (speculative) approaches, need to be (and indeed should be) popularized in such an abridged way as Ahern does in her volume. The answer depends upon the identification of the target audience and their expectations. Ahern’s Roar represents popular literature intended to be sold to as many readers as possible, regardless of their education, state of knowledge, etc. Viewed from that perspective, what some critics could perceive as the collection’s structural weaknesses constitutes its utmost marketing asset. The essay argues that despite not being a structurally innovative work of art, Ahern’s book fulfils the basic requirements of the popular fiction genre, intermittently providing some extra, literary gratification and popularizing rudimentary elements of the posthuman and postfeminist thought.