Preservice teacher knowledge of basic language constructs in Canada, England, New Zealand, and the USA

2015 ◽  
Vol 66 (1) ◽  
pp. 7-26 ◽  
Author(s):  
Erin K. Washburn ◽  
Emily S. Binks-Cantrell ◽  
R. Malatesha Joshi ◽  
Sandra Martin-Chang ◽  
Alison Arrow
Keyword(s):  
New Zealand ◽  
Preservice Teacher ◽  
Teacher Knowledge ◽  
Basic Language ◽  
Language Constructs ◽  
The Usa ◽  
Basic Language Constructs

scholarly journals Erratum to: Preservice teacher knowledge of basic language constructs in Canada, England, New Zealand, and the USA

2016 ◽  
Vol 66 (1) ◽  
pp. 27-27
Author(s):  
Erin K. Washburn ◽  
Emily S. Binks-Cantrell ◽  
R. Malatesha Joshi ◽  
Sandra Martin-Chang ◽  
Alison Arrow
Keyword(s):  
New Zealand ◽  
Preservice Teacher ◽  
Teacher Knowledge ◽  
Basic Language ◽  
Language Constructs ◽  
The Usa ◽  
Basic Language Constructs

Teacher Knowledge Survey of Basic Language Constructs

2012 ◽  
Author(s):  
Emily Binks-Cantrell ◽  
R. Malatesha Joshi ◽  
Erin K. Washburn
Keyword(s):  
Teacher Knowledge ◽  
Basic Language ◽  
Language Constructs ◽  
Knowledge Survey ◽  
Basic Language Constructs

Validation of an instrument for assessing teacher knowledge of basic language constructs of literacy

2012 ◽  
Vol 62 (3) ◽  
pp. 153-171 ◽  
Author(s):  
Emily Binks-Cantrell ◽  
R. Malatesha Joshi ◽  
Erin K. Washburn
Keyword(s):  
Teacher Knowledge ◽  
Basic Language ◽  
Language Constructs ◽  
Basic Language Constructs

Chinese EFL teachers’ knowledge of basic language constructs and their self-perceived teaching abilities

2015 ◽  
Vol 66 (1) ◽  
pp. 127-146 ◽  
Author(s):  
Jing Zhao ◽  
R. Malatesha Joshi ◽  
L. Quentin Dixon ◽  
Liyan Huang
Keyword(s):  
Basic Language ◽  
Efl Teachers ◽  
Language Constructs ◽  
Basic Language Constructs

An Immigrant Filmmaker Substitutes an Alternative Vision of Adolescence: The Scarecrow (Sam Pillsbury, 1982)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
New Zealand ◽  
Cinematic Adaptation ◽  
Alternative Vision ◽  
The Face ◽  
The Usa ◽  
Genre Film

By comparing Sam Pillsbury’s cinematic adaptation of Ronald Hugh Morrieson’s The Scarecrow (1963) with the original, this chapter shows how the filmmaker, who was raised in the USA and immigrated to New Zealand in his teens, empties the source novel of the moral ambiguities and transgressive elements that had made the original a genuinely New Zealand work, in so far as it reflected puritan guilt over transgressive impulses in the face of repression, and thus turned the story into a genre film that that is much more anodyne in its vision.

The Influence of the Infomercial in New Zealand

2019 ◽  
pp. 67-80
Author(s):  
Rosser Johnson
Keyword(s):  
New Zealand ◽  
Primary Sources ◽  
Cultural Impact ◽  
Cultural Importance ◽  
The Usa ◽  
The 1950S ◽  
As If

New Zealand television networks introduced infomercials (30 minute advertisements designed to appear as if they are programmes) in late 1993. Although infomercials date from the 1950s in the USA, they were unknown in this country and quickly came to be seen as a peculiarly “intense” form of hyper-commercial broadcasting. This article aims to sketch out the cultural importance of the infomercial by analysing historical published primary sources (from the specialist and general press) as they reflect the views and opinions that resulted from the introduction of the infomercial. Specifically, it outlines the three main areas where that cultural importance was located. It concludes by analysing the significance of the cultural impact of the infomercial, both within broadcasting and within wider society.

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