Comparative Metabolomic Analysis of the Green Microalga Chlorella sorokiniana Cultivated in the Single Culture and a Consortium with Bacteria for Wastewater Remediation

2017 ◽  
Vol 183 (3) ◽  
pp. 1062-1075 ◽  
Author(s):  
Taojing Chen ◽  
Quanyu Zhao ◽  
Liang Wang ◽  
Yunfeng Xu ◽  
Wei Wei
2019 ◽  
Vol 51 ◽  
pp. 31-38 ◽  
Author(s):  
Antonio León-Vaz ◽  
Rosa León ◽  
Encarnación Díaz-Santos ◽  
Javier Vigara ◽  
Sara Raposo

2000 ◽  
Vol 87 (3) ◽  
pp. 203-218 ◽  
Author(s):  
Masahiko Morita ◽  
Yoshitomo Watanabe ◽  
Hiroshi Saiki

2020 ◽  
Vol 35 (1) ◽  
pp. 913-920 ◽  
Author(s):  
Giovanna Salbitani ◽  
Sonia Del Prete ◽  
Francesco Bolinesi ◽  
Olga Mangoni ◽  
Viviana De Luca ◽  
...  

2015 ◽  
Vol 215 ◽  
pp. 20-26 ◽  
Author(s):  
Rémi Willamme ◽  
Zouheir Alsafra ◽  
Rameshkumar Arumugam ◽  
Gauthier Eppe ◽  
Françoise Remacle ◽  
...  

Planta Medica ◽  
2010 ◽  
Vol 76 (12) ◽  
Author(s):  
E Crevelin ◽  
L Beraldo de Moraes ◽  
I Soares de Melo

Author(s):  
Sharon Hecker

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.


1984 ◽  
Vol 76 (3) ◽  
pp. 700-704 ◽  
Author(s):  
Robert L. Heath

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