Ghana under structural adjustment: The impact on agriculture and the rural poor Alexander Sarris and Hadi Shams. New York University Press, New York, 1991, xxiv + 228 pp., US$29.95, ISBN 9-2907-2001-8

1995 ◽  
Vol 13 (1) ◽  
pp. 66-68
Author(s):  
A Abdulai
Author(s):  
Clare Lesser

An interwoven reading of the issues surrounding a performance – rehearsed and recorded remotely and hosted virtually – of Sxip Shirey and Coco Karol’s The Gauntlet: Far Away, Together, for 15 voices and electronics (given at New York University Abu Dhabi in March 2021, in which I was choral director), and Jacques Derrida’s Specters of Marx (1993/2006). I examine the impact that COVID-19 had on realising this performance – which had originally been intended for a ‘live’ and fully immersive and interactive presentation – and consider how earlier models of hauntological praxis in works by Karlheinz Stockhausen have parallels with performing during the pandemic. I explore the ways in which working in isolation, with little sense of time or location, foster a sense of ‘aporia’ or perplexity, overturning the binary opposition of time and space, and how the use of the SPAT immersive audio mixing tool to electronically process single voices into multiple, spatially realised echoes (ghosts) of themselves, truly gives us ‘ghosts’ in the machine.


Author(s):  
John R. Shook

Louise Rosenblatt (b. 1904–d. 2005) was a highly influential thinker in literary and critical theory, reading pedagogy, and education. She was professor of education at New York University from 1948 until 1972, and she continued to teach for many years at other universities. The impact of her writings extends to aesthetics, communication and media studies, and cultural studies. Her transactional theory of reading literature earned a permanent place among methodologies applied to the study of reader comprehension and improving the teaching of reading, from preschool to college-age years. She is most widely known for her “reader response” theory of literature. The process of reading is a dynamic transaction between the reader and the text, in which meaningful ideas arise for readers from their own thoughtful and creative interpretations. Her first book, Literature as Exploration, which was published in 1938, has gone through five editions and remains in print in the early 21st century. Her last book, Making Meaning with Texts: Selected Essays, was published in 2005 and contained selected essays from each decade of her career. Rosenblatt’s view of literary experience threw down a challenge to a dominant paradigm during the 1940s and 1950s, namely the New Criticism. New Criticism held that authentic meanings of a piece of creative writing—a novel, story, drama, poem, and so on—are already within the text itself, requiring attention to that somewhat concealed yet objective truth. Rosenblatt took the pragmatist approach, starting from the aesthetics of reading. As a member of the Conference on Methods in Philosophy and the Sciences at Columbia University during the 1930s, she studied John Dewey, Charles Peirce, and William James. During this time, she married the pragmatist philosopher Sidney Ratner. Rosenblatt applied her knowledge of pragmatism to the question of understanding creative writing. For pragmatism, all experiences are creative fusions of intersecting processes, some from within and some from without. Any comprehension of a text blends the reader’s particular approach for appreciating it together with the capacity of the text to provoke a variety of stimulating ideas. The emotional and the factual are rarely found in pure forms; only a gradual range from the affective to the cognitive can characterize lived experience. Understanding the process of reading in its fundamental experiential situation has been a revolutionary philosophical position, impacting both childhood education and literary theory. Rosenblatt’s work continues to inspire fresh academic research and curricular innovations.


2019 ◽  
Vol 35 (02) ◽  
pp. 150-168
Author(s):  
Juliusz Tyszka

The legacy of Jerzy Grotowski twenty years after his death still presents a powerful challenge for theatre-makers, not only in experimental theatre, and theoreticians – which is also how it was during his life. This retrospect by Juliusz Tyszka on the Grotowski seminar organized by Robert Findlay and Robert Taylor for the Program in Educational Theatre, at New York University in February 1993, is a testimony to his achievements, offering insights into the opinions and reflections of American artists, critics, and scholars on the importance of Grotowski, and the impact of his theatrical output both on world theatre, and specifically in the US. Tyszka sets their views within the Polish background he shares with Grotowski. The climax of the seminar in a meeting with Grotowski himself, following a film recording of The Constant Prince, is fully described. In 1992/93 Juliusz Tyszka was a Fulbright visiting scholar in the Department of Performance Studies at NYU. He is an advisory editor of NTQ and a regular contributor to the journal. Since 2008 he has been Head of the Unit of Performance Studies, Institute of Cultural Studies, Adam Mickiewicz University at Poznań, Poland.


2020 ◽  
Vol 20 (1) ◽  
Author(s):  
Jalmari Tuominen ◽  
Ville Hällberg ◽  
Niku Oksala ◽  
Ari Palomäki ◽  
Timo Lukkarinen ◽  
...  

Abstract Background Emergency departments (EDs) worldwide have been in the epicentre of the novel coronavirus disease (COVID-19). However, the impact of the pandemic and national emergency measures on the number of non-COVID-19 presentations and the assessed acuity of those presentations remain uncertain. Methods We acquired a retrospective cohort containing all ED visits in a Finnish secondary care hospital during years 2018, 2019 and 2020. We compared the number of presentations in 2020 during the national state of emergency, i.e. from March 16 to June 11, with numbers from 2018 and 2019. Presentations were stratified using localized New York University Emergency Department Algorithm (NYU-EDA) to evaluate changes in presentations with different acuity levels. Results A total of 27,526 presentations were observed. Compared to previous two years, total daily presentations were reduced by 23% (from 113 to 87, p < .001). In NYU-EDA classes, Non-Emergent visits were reduced the most by 42% (from 18 to 10, p < .001). Emergent presentations were reduced by 19 to 28% depending on the subgroup (p < .001). Number of injuries were reduced by 25% (from 27 to 20, p < .001). The NYU-EDA distribution changed statistically significantly with 4% point reduction in Non-Emergent visits (from 16 to 12%, p < .001) and 0.9% point increase in Alcohol-related visits (from 1.6 to 2.5%, p < .001). Conclusions We observed a significant reduction in total ED visits in the course of national state of emergency. Presentations were reduced in most of the NYU-EDA groups irrespective of the assessed acuity. A compensatory increase in presentations was not observed in the course of the 3 month lockdown. This implies either reduction in overall morbidity caused by decreased societal activity or widespread unwillingness to seek required medical advice.


2021 ◽  
pp. 153857442098577
Author(s):  
Nicole Ilonzo ◽  
Issam Koleilat ◽  
Vivek Prakash ◽  
John Charitable ◽  
Karan Garg ◽  
...  

Background: In many facilities, the coronavirus disease (COVID-19) pandemic caused suspension of elective surgery. We therefore sought to determine the impact of this on the surgical experience of vascular trainees. Methods: Surgical case volume, breadth, and the participating trainee post-graduate level from 3 large New York City Hospitals with integrated residency and fellowship programs (Mount Sinai, Montefiore Medical Center/Albert Einstein College of Medicine, and New York University) were reviewed. Procedures performed between February 26 to March 25, 2020 (pre-pandemic month) and March 26 to April 25, 2020 (peak pandemic period) were compared to those performed during the same time period in 2019. The trainees from these programs were also sent surveys to evaluate their subjective experience during this time. Results: The total number of cases during the month leading into the peak pandemic period was 635 cases in 2019 and 560 cases in 2020 (12% decrease). During the peak pandemic period, case volume decreased from 445 in 2019 to 114 in 2020 (74% reduction). The highest volume procedures during the peak pandemic month in 2020 were amputations and peripheral cases for acute limb ischemia; during the 2019 period, the most common cases were therapeutic endovascular procedures. There was a decrease in case volume for vascular senior residents of 77% and vascular junior and midlevel residents of 75%. There was a 77% survey response rate with 50% of respondents in the senior years of training. Overall, 20% of respondents expressed concern about completing ACGME requirements due to the COVID-19 pandemic. Conclusions: Vascular surgery-specific clinical educational and operative experiences during redeployment efforts have been limited. Further efforts should be directed to quantify the impact on training and to evaluate the efficacy of training supplements such as teleconferences and simulation.


2018 ◽  
Vol 16 (3) ◽  
pp. 487-500 ◽  
Author(s):  
Feruza Aripova ◽  
Janet Elise Johnson

Feruza Aripova – PhD Candidate in World History, Northeastern University; Center Associate, Davis Center for Russian and Eurasian Studies, Harvard University; Visiting Scholar, Jordan Center for the Advanced Study of Russia, New York University, USA. Email: [email protected] Janet Elise Johnson – Professor of Political Science and Women’s & Gender Studies, Brooklyn College, City University of New York; Visiting Scholar, Center for European and Mediterranean Studies at New York University, New York, USA. Email: [email protected] This article examines the 2016 Ukrainian-Russian virtual flashmob that took on the issues of sexual assault, including childhood sexual abuse, sexual harassment, and rape. Begun by a Ukrainian activist on Facebook, the flashmob resulted in more than ten thousand original posts and led to a broader discussion on violence against women in Ukrainian and Russian. Many women (and some men) for the first time publicly disclosed excruciating details of physical and psychological coercion and the lasting trauma they suffered. The commonalities across the posts and the public visibility of the flashmob directly confronted the stigma attached to the topic of sexual violence. The media reactions to the flashmob ranged from empathy toward the victims and condemnation of the perpetrators to criticism of female promiscuity and victim blaming. The flashmob had concrete results: criminal cases were opened against teachers at one of Moscow’s prominent public schools and a series of initiatives were directed against sexual violence in Ukraine. This article provides the first systematic documentation and analysis of these posts as well as their reception in mass media and the impact so far of the flashmob, situating this flashmob as the same kind of activism that was seen in the bigger 2017 #MeToo campaign. In these ways, we contribute to what little social scientists know about violence against women in the post-Soviet region and assess this new tactic of feminist activism. Unsurprisingly, such activism does not change societies in one fell swoop, but the Ukrainian-Russian flashmob shows how virtual activism can nudge towards progressive change.


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