Preface - Special Issue on Misinformation on the Web

2022 ◽  
Vol 103 ◽  
pp. 101867
Author(s):  
Karl Aberer ◽  
Ioannis Katakis ◽  
Quoc Viet Hung Nguyen ◽  
Hongzhi Yin
Keyword(s):  
2009 ◽  
Vol 6 (3) ◽  
pp. 255-256
Author(s):  
Konstantin Avrachenkov ◽  
Debora Donato ◽  
Nelly Litvak
Keyword(s):  

2020 ◽  
Vol 112 ◽  
pp. 1177-1179
Author(s):  
Maurizio Atzori ◽  
Georgia Koutrika ◽  
Barbara Pes ◽  
Letizia Tanca

2012 ◽  
Vol 24 (3) ◽  
pp. 473-477 ◽  
Author(s):  
Myra Spiliopoulou ◽  
Bamshad Mobasher ◽  
Olfa Nasraoui ◽  
Osmar Zaiane

2013 ◽  
Vol 22 (5) ◽  
pp. 587-588 ◽  
Author(s):  
Marco Brambilla ◽  
Stefano Ceri ◽  
Alon Halevy
Keyword(s):  

2009 ◽  
Vol 10 (3) ◽  
pp. 243-243

‘Internet Review’ provides critical commentary on entrepreneurship, small business and innovation information on the Web. Taking the theme of this special issue, this issue's Internet Review examines the Websites of some of the earliest centres for supporting entrepreneurial innovation (see Drori and Yue in this issue, and Conway, 2004).


Early China ◽  
2014 ◽  
Vol 37 ◽  
pp. 551-565 ◽  
Author(s):  
Lee-moi Pham ◽  
Kuan-yun Huang

AbstractBased on a special issue entitled “Newly Excavated Texts in the Digital Age,” volume 21.2 (June 2011) of the Newsletter of the Institute of Chinese Literature and Philosophy, Academia Sinica (Zhongyang yanjiu yuan Zhongguo wen zhe yanjiu suo tongxun 中央研究院中國文哲研究所通訊), this article reflects on the various digital resources now being developed at institutions in China, Hong Kong, Taiwan and elsewhere, looking, in turn, at topics related to the graphic form of characters, the relation between character and word, and the question of context. In addition, the article considers the web forum, a platform of research and discussion that is increasingly becoming a part of scholarly exchange.


2019 ◽  
Vol 5 (7) ◽  
pp. 62
Author(s):  
Phivos Mylonas ◽  
Evaggelos Spyrou

In recent years, following the tremendous growth of the Web, extremely large amounts of digital multimedia content are being produced every day and are shared online mainly through several newly emerged channels, such as social networks [...]


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