Cultural landscape changes in the built environment at World Heritage Sites: Lessons from Bukovina, Romania

2021 ◽  
Vol 20 ◽  
pp. 100583
Author(s):  
Cristina Maxim ◽  
Carmen Emilia Chasovschi
2018 ◽  
Vol 3 (1) ◽  
pp. 112-121
Author(s):  
Balaji Venkatachary ◽  
Vishakha Kawathekar

The widely recognized definition of ‘Cultural Landscape’ in current practice is borrowed from UNESCO as Combined works of Nature and of Man.1 They are complex entities consisting of multiple layering of built-unbuilt components including intangible cultural aspects. These components are interrelated and interdependent. The landscape evolves together through combined natural and cultural processes. In current discourse and practice of heritage management, value-based assessment is a widely accepted approach. Evaluation of cultural landscapes for its Significance and Value is a complex process that requires an understanding of interwoven layers of components and attributes.2 Systematic understanding of such relationships between components and attributes is still in its infancy. Amongst various such identified intangible agencies, this study chooses to explore music. A study of secondary sources was undertaken. Cultural landscapes nominated as World Heritage Sites and identified Indian sites were systematically examined to understand various components and attributes. Using the indicators from this study and the theoretical framework of sociomusicology, a research design was prepared. Recognizing the historical association of music with the sites on the Kaveri river basin in peninsular India, a reconnaissance study was undertaken for onsite validation. Musical associations were spatially mapped for analysis and the findings are presented. Systematic understanding of the relationships between components of a cultural landscape and intangible cultural traditions is still in its infancy. The undertaken study is an exploratory work that focuses on understanding the relationship between components of a cultural landscape and ‘intangible attributes’, especially music. A study of secondary sources was undertaken in two parts. In the first part, concept of cultural landscape has been explored. Cultural landscapes nominated as World Heritage Sites were systematically examined to understand various components and attributes. The knowledge helped in formation of indicators for evaluation of cultural landscapes. In the second part of the study, selected case studies of Indian cultural landscapes were studies with the developed indicators. Musical traditions existing in these sites were theoretically reduced to basic components and mapped for analysis.


Author(s):  
Funda Varnaci Uzun ◽  
Mehmet Somuncu

The “cultural landscape” has been a fundamental concept in geography and was first defined as “landscape modified by human activity” by the German geographer Friedrich Ratzel in 1890. It was introduced to American geography in the 1920s by Carl O. Sauer (American geographer). Since the 1960s, the concept has been widely used in human geography, anthropology, environmental management, and other related fields. One of the major factors that contributed to the recent popularity of its use, on a global scale, was the adoption of cultural landscapes in the International Convention for the World Heritage Convention by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1992. In this chapter, the basis of this concept, its emergence, and its relationships with other scientific disciplines, particularly geography, will be discussed. Moreover, the place of cultural landscapes within protected areas and UNESCO world heritage sites will be more specifically addressed.


2019 ◽  
pp. 203-229
Author(s):  
Funda Varnaci Uzun ◽  
Mehmet Somuncu

The “cultural landscape” has been a fundamental concept in geography and was first defined as “landscape modified by human activity” by the German geographer Friedrich Ratzel in 1890. It was introduced to American geography in the 1920s by Carl O. Sauer (American geographer). Since the 1960s, the concept has been widely used in human geography, anthropology, environmental management, and other related fields. One of the major factors that contributed to the recent popularity of its use, on a global scale, was the adoption of cultural landscapes in the International Convention for the World Heritage Convention by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1992. In this chapter, the basis of this concept, its emergence, and its relationships with other scientific disciplines, particularly geography, will be discussed. Moreover, the place of cultural landscapes within protected areas and UNESCO world heritage sites will be more specifically addressed.


2021 ◽  
Vol 27 (2) ◽  
pp. 74-82
Author(s):  
А. Belekova ◽  

The article focuses on promoting intercultural cooperation and strengthening international community on the example of UNESCO World Heritage sites, inscribed into the World Heritage List that is being formed on the basis of the World Heritage Convention of 1972. UNESCO is a universal intergovernmental UN structure responsible for international cooperation in the sphere of education, science, culture and communication. One of the main activities of the Organization is the world heritage conservation and intercultural dialogue. The article analyzes the UNESCO role in the geopolitical architectonics of Eurasia in which the World Heritage gains a qualitatively new meaning. In the context of a sustainable development the integration of promoting intercultural interaction and heritage safeguarding becomes particularly urgent. The article deals with several initiatives aimed at enhancing the cultural component of the Eurasian integration, including the goals and perspectives of discussion platforms set up for experience exchange in the sphere of World Heritage sites’ conservation and their management. The article seeks to identify the most important challenges and goals of the cooperation strategy between UNESCO and the institutions concerned in the field of the intercultural dialogue promotion in the Eurasian area that seems to be very important both for Russia and the CIS countries, and for the perspectives of the emerging global civilization of the future


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