scholarly journals A New Cryptosystem of Color Image Using a Dynamic-Chaos Hill Cipher Algorithm

2019 ◽  
Vol 148 ◽  
pp. 399-408 ◽  
Author(s):  
Said Hraoui ◽  
Faiq Gmira ◽  
M.Fouad Abbou ◽  
A.Jarrar Oulidi ◽  
Abdellatif Jarjar
Author(s):  
Rama Aria Megantara ◽  
Fauzi Adi Rafrastara ◽  
Syafrie Naufal Mahendra

The progress of the development of digital technology today, many people communicate by sending and receiving messages. However, along with extensive technological developments, many crimes were committed. In avoiding these crimes, data security needs to be done. Form of data security in the form of cryptography and steganography. One of the cryptographic techniques is the hill cipher algorithm. Hill ciphers include classic cryptographic algorithms that are very difficult to solve. While the most popular steganography technique is Least Significant Bit (LSB). Least Significant Bit (LSB) is a spatial domain steganography technique using substitution methods. This study discusses the merging of message security with hill cipher and LSB. The message used is 24-bit color image for steganography and text with 32, 64 and 128 characters for cryptography. The measuring instruments used in this study are MSE, PSNR, Entropy and travel time (CPU time). Test results prove an increase in security without too damaging the image. This is evidenced by the results of the MSE trial which has a value far below the value 1, the PSNR is> 64 db, the entropy value ranges from 5 to 7 and the results of travel time <1 second.


IEEE Access ◽  
2020 ◽  
Vol 8 ◽  
pp. 12452-12466 ◽  
Author(s):  
Xiancheng Hu ◽  
Liansuo Wei ◽  
Wei Chen ◽  
Qiqi Chen ◽  
Yuan Guo

Author(s):  
Vike Maylana Putrie ◽  
Christy Atika Sari ◽  
De Rosal Ignatius Moses Setiadi ◽  
Eko Hari Rachmawanto
Keyword(s):  

2020 ◽  
Vol 29 (2) ◽  
pp. 196-215
Author(s):  
Luke Connolly

This essay proposes that the picture of a broken circle encountered by Watt during the second part of his tale marks a crucial collision point between Beckett's literary and mathematical interests and triggers a process of fractal scaling self-similarity. Building on recent interest concerning the role of the mathematics and mathematical forms found in Beckett's work, I argue that the broken circle depicted in the picture from Watt is a geometric form which (re)appears within at least three interlocking scales throughout Beckett's novel-length prose: (i) its moment of arrival in the picture from Watt, (ii) a macroscopic reinscription in the names of the protagonists populating the five novels spanning Watt through to The Unnamable and (iii) buried within the narratological depths of How It Is. As a structural principle, the interminable irregularity of fractals offered Beckett a viable solution for what he considered the defining task of the modern artist: ‘to find a form to accommodate the mess’. Moreover, the specific shape selected for his fractal is shown to contain within its geometry one of Beckett's most universal and pressing concerns: the inevitable insufficiency of language. Therefore, although this essay restricts itself to examining Beckett's novel-length prose, the idea of a broken circle fractal promises to provide a valuable heuristic through which to reassess the author's other generic avenues. Fractals thus offer a means through which one can bind together the length and breadth of Beckett's oeuvre without ever reducing dynamic chaos to stable order.


2015 ◽  
Vol 10 (11) ◽  
pp. 1127
Author(s):  
Nidaa Hasan Abbas ◽  
Sharifah Mumtazah Syed Ahmad ◽  
Wan Azizun Wan Adnan ◽  
Abed Rahman Bin Ramli ◽  
Sajida Parveen

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