scholarly journals Has psychology “found its true path”? Methods, objectivity, and cries of “crisis” in early twentieth-century French psychology

2012 ◽  
Vol 43 (2) ◽  
pp. 445-454 ◽  
Author(s):  
John Carson
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century ◽  
True Path

scholarly journals “The true path to salvation”: Conversion to the Religion of Socialism in the Work of Jack London and Upton Sinclair

2019 ◽  
Author(s):  
Andrew Ball
Keyword(s):  
Twentieth Century ◽  
Labor Movement ◽  
Religious Conversion ◽  
Jack London ◽  
Conversion Narrative ◽  
Upton Sinclair ◽  
Early Twentieth Century ◽  
True Path ◽  
Common Motif

The most common motif in early twentieth century radical literature is the conversion narrative. A variation on the bildungsroman, these works feature conversions to socialism or to the labor movement that are modeled on techniques used by evangelical revivalists and on the experiences of religious converts. The most widely read and emblematic radical authors to consistently employ this trope were Jack London and Upton Sinclair. Not only did London and Sinclair continually utilize the conversion story in their fiction and nonfiction, they both described their own discovery of socialism as a religious conversion. In their work, both authors diligently seek to conflate Christianity and socialism and to prove that, not only are the two compatible, but that authentic observance of Christianity demands the endorsement of socialism. London and Sinclair use their writing as a method of evangelism that aims to convince their audience that socialism is a religious enterprise and means to salvation.

scholarly journals “The true path to salvation”: Conversion to the Religion of Socialism in the Work of Jack London and Upton Sinclair

2019 ◽  
Author(s):  
Andrew Ball
Keyword(s):  
Twentieth Century ◽  
Labor Movement ◽  
Religious Conversion ◽  
Jack London ◽  
Conversion Narrative ◽  
Upton Sinclair ◽  
Early Twentieth Century ◽  
True Path ◽  
Common Motif

The most common motif in early twentieth century radical literature is the conversion narrative. A variation on the bildungsroman, these works feature conversions to socialism or to the labor movement that are modeled on techniques used by evangelical revivalists and on the experiences of religious converts. The most widely read and emblematic radical authors to consistently employ this trope were Jack London and Upton Sinclair. Not only did London and Sinclair continually utilize the conversion story in their fiction and nonfiction, they both described their own discovery of socialism as a religious conversion. In their work, both authors diligently seek to conflate Christianity and socialism and to prove that, not only are the two compatible, but that authentic observance of Christianity demands the endorsement of socialism. London and Sinclair use their writing as a method of evangelism that aims to convince their audience that socialism is a religious enterprise and means to salvation.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

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