Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

scholarly journals Confusions about ‘Inner’ and ‘Outer’ Voices: Conceptual Problems in the Study of Auditory Verbal Hallucinations

2021 ◽  
Author(s):  
Franz Knappik ◽  
Josef J. Bless ◽  
Frank Larøi
Keyword(s):  
Twentieth Century ◽  
Clinical Assessment ◽  
Empirical Studies ◽  
Diagnostic Value ◽  
Assessment Tools ◽  
Auditory Verbal Hallucinations ◽  
Early Twentieth Century ◽  
Conceptual Problems ◽  
The Mind

AbstractBoth in research on Auditory Verbal Hallucinations (AVHs) and in their clinical assessment, it is common to distinguish between voices that are experienced as ‘inner’ (or ‘internal’, ‘inside the head’, ‘inside the mind’, ...) and voices that are experienced as ‘outer’ (‘external’, ‘outside the head’, ‘outside the mind’, ...). This inner/outer-contrast is treated not only as an important phenomenological variable of AVHs, it is also often seen as having diagnostic value. In this article, we argue that the distinction between ‘inner’ and ‘outer’ voices is ambiguous between different readings, and that lack of disambiguation in this regard has led to flaws in assessment tools, diagnostic debates and empirical studies. Such flaws, we argue furthermore, are often linked to misreadings of inner/outer-terminology in relevant 19th and early twentieth century work on AVHs, in particular, in connection with Kandinsky’s and Jaspers’s distinction between hallucinations and pseudo-hallucinations.

The Meaning[s] of "Without": An Exploration of Liszt's Bagatelle ohne Tonart

2004 ◽  
Vol 27 (3) ◽  
pp. 230-262 ◽  
Author(s):  
David Berry
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Musical Thought ◽  
Early Twentieth Century ◽  
The Future ◽  
Piano Composition ◽  
Musical Evolution ◽  
Future Direction ◽  
Theoretical Issues ◽  
The Way

In this essay, I explore historical and theoretical issues germane to an understanding of an 1885 piano composition with an intriguing title: LisztÕs Bagatelle ohne Tonart--a bagatelle "without tonality" or "without a key." After briefly describing the workÕs history and musical associations with other compositions by Liszt, I survey two present-day approaches that reveal ways in which the work defies tonality: octatonic interpretations via set-class examinations, and Schenker-influenced prolongational models. I then turn to focus instead on how the Bagatelle fit within the framework of nineteenth-century musical thought; how its processes were supported by contemporaneously evolving theories of chromaticism. Partly through an analysis based on the practice of Gottfried Weber (1779-1839), I demonstrate that the Bagatelle is not a piece "without tonality" as much as it is one "without the fulfillment of the tonic." It maintains harmonic tension by avoiding anticipated resolutions, as well as by preserving a sense of ambiguity as to what the actual "missing" key is. Next, I consider why Liszt was prompted to write a piece in such a manner. We know that he was a proponent of musical progress--of Zukunftsmusik ("music of the future")--but for this fact to be relevant we must confirm, first, that Liszt had definite ideas about a Zukunftsharmoniesystem; and second, that such a system is reflected in the processes exhibited by the Bagatelle. I argue that the BagatelleÕs traits are indeed in accordance with theoretical views about musicÕs future direction, to which Liszt subscribed. Relevant theories of Karl Friedrich Weitzmann (1808-80) and Franois-Joseph FŽtis (1784-1871) are assessed. Lastly, in a "Schoenbergian epilogue" I explore connections between LisztÕs operations and SchoenbergÕs ideas, addressing historical associations that conjoin their views of composing "ohne Tonart."I conclude that the 1885 BagatelleÕs attenuation of tonality was part of a tradition that extended from the mid-nineteenth into the early twentieth century--one that stretched from Liszt and his contemporaries through Schoenberg and his pupils and beyond, embracing along the way the theoretical prescriptions of Weitzmann, FŽtis, and Schoenberg himself. The various threads of theory and analysis explored in this article contribute to an understanding of the same strand of musical evolution: the increasing circumvention of tonality to the point that a piece could be written "ohne Tonart."

Maurice

2020 ◽  
pp. 127-153
Author(s):  
Finn Fordham
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
The Self ◽  
Early Twentieth Century ◽  
Homosexual Orientation ◽  
The World ◽  
Resonant Term ◽  
Body And Soul ◽  
Edward Carpenter

As a queer bildungsroman, Maurice has a particular way of managing the relation between the body and the soul. Forster's exploration of the queer relationship between body and soul took place at a time when there was a battle over the nature of the soul, often defensive against materialism: concepts of identity and selfhood were undergoing radical contestations and the word 'soul' is a resonant term in modernist novels. How did emerging discourses, such as those of Havelock Ellis, Edward Carpenter, and many others, about homosexual orientation relate to these contemporary discourses around the self? The chapter focuses on two passages about body and soul, whose textual genesis reveals problems of phrasing, as Forster’s unprecedented investigation of sexuality takes him to the edge of identity. It then examines how certain spaces, such as windows and thresholds, become symbolic zones of transgressive encounters between inner and outer, soul and body. It concludes by showing how Forster avoids drawing up any consistent ‘doctrine’ of body and soul. As a work of fiction in which different visions of the world come into conflict with each other, Maurice is a unique and vital witness of transforming discourses about homosexuality in the early twentieth century.

The theory of symptom complexes, mind and madness

2019 ◽  
Vol 30 (2) ◽  
pp. 227-239 ◽  
Author(s):  
Mauricio V Daker
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Mental Disorders ◽  
Clinical Manifestations ◽  
World War ◽  
Mental Symptom ◽  
Early Twentieth Century ◽  
Disease Entities ◽  
The Mind

Kahlbaum’s seminal approach to symptom complexes, as opposed to disease entities, is still relevant. Many psychopathologists have approached mental symptom complexes without prejudging them as necessary physical deficits or diseases, favouring a broader dimensional and anthropological view of mental disorders. Discussions of symptom complexes gained prominence in psychiatry in the early twentieth century – through Hoche – and in the period leading up to World War II – through Carl Schneider. Their works, alongside those of Kraepelin, Bumke, Kehrer, Jaspers and others, are reviewed in relation to the theme of symptom complexes, the mind, and mental disorders. A particular feature of symptom complexes is their relationship to aspects of the normal mind and how this affects clinical manifestations. It is further suggested that symptom complexes might offer a useful bridge between the psychic and the biological in theories of the mind.

The Problem of Social Identities in Early Twentieth Century Russia: Observations on the Commentaries by Alfred Rieber and William Rosenberg

Slavic Review ◽  
1988 ◽  
Vol 47 (3) ◽  
pp. 512-517
Author(s):  
Leopold h. Haimson
Keyword(s):  
Twentieth Century ◽  
Body Politic ◽  
Social Identities ◽  
The Body ◽  
Early Twentieth Century ◽  
The Revolution

Alfred Rieber and William Rosenberg have greatly contributed by their respective commentaries to broadening the scope of the issues addressed in my discussion of “The Problem of Social Identities in Early Twentieth Century Russia” (see Slavic Review [Spring 1988]: 1-20). They have also helped bring out the complexity of the processes involved, after the outbreak of the Revolution of 1917, in the shaping and reshaping of the representations that individuals and groups entertained of themselves, of one another, and of the body politic as a whole.

“A School in the Interior” African Studies: Engagement and Interdisciplinary

2011 ◽  
Vol 54 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Charles Ambler
Keyword(s):  
Twentieth Century ◽  
African Studies ◽  
Racial Justice ◽  
Area Studies ◽  
Early Twentieth Century ◽  
Intellectual Traditions ◽  
The Future ◽  
Late Nineteenth ◽  
Contemporary Practice

Abstract:This article explores the intellectual traditions of African studies, focusing on the central principles of interdisciplinarity and commitment to social and racial justice. Tracing the origins of the field to late nineteenth- and early twentieth-century African is t intellectuals such as Edward Blyden, it investigates these traditions historically and in the context of contemporary practice. Against the backdrop of concerns for the future of area studies, the author finds a vibrant field—both inside and beyond its traditional boundaries.

scholarly journals Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America

2016 ◽  
Vol 17 (2) ◽  
pp. 393-433 ◽  
Author(s):  
HALLIE LIEBERMAN
Keyword(s):  
New York ◽  
Twentieth Century ◽  
World War Ii ◽  
Gender Roles ◽  
New York Times ◽  
The Body ◽  
Late Nineteenth Century ◽  
Household Appliance ◽  
Early Twentieth Century ◽  
Sex Toys

The electromechanical vibrator originated in the late nineteenth century as a device for medical therapy. In the first three decades of the twentieth century, however, marketing of vibrators as consumer appliances became pervasive. Ads appeared in the pages ofThe New York TimesandScientific Americanand plastered street cars. Companies marketed vibrators to grandparents, mothers, infants, and young adults. Vibrators are widely sold today, however, as instruments for masturbation, a use that was rarely mentioned but well known before World War II. How was vibrator advertising able to become so ubiquitous during the early twentieth century, despite draconian antiobscenity laws and antimasturbation rhetoric? This article argues that companies achieved this result by shaping the meaning of vibrators through strategic marketing. This marketing overtly portrayed vibrators as nonsexual while covertly conveying their sexual uses through imagery and the sale of phallic, dildo-like attachments.Companies positioned vibrators within two major consumer product categories in the early 1900s: labor-saving household appliances and electrotherapeutic devices. By advertising the vibrator as both a labor-saving household appliance and a sexualized health panacea, companies could slip vibrator ads past the censors, while supplying user manuals that clued consumers into specific sexual uses. In household appliance ads, companies drew on traditional gender roles to present vibrators as emblems of domesticity and motherhood, whereas in electrotherapeutic ads they presented vibrators as symbols of progressive gender roles, the sexualized new woman and the body-conscious “self-made man.”

scholarly journals Bolivia’s Radical Tradition: Permanent Revolution in the Andes, S. Sándor John, Tucson: University of Arizona Press, 2009 ‘I Sweat the Flavor of Tin’: Labor Activism in Early Twentieth-Century Bolivia, Robert L. Smale, Pittsburgh: University of Pittsburgh Press, 2010

2012 ◽  
Vol 20 (3) ◽  
pp. 145-158
Author(s):  
Joseph Choonara
Keyword(s):  
Twentieth Century ◽  
University Of Pittsburgh ◽  
Labour Movement ◽  
Labor Activism ◽  
The Andes ◽  
Early Twentieth Century ◽  
Starting Point ◽  
University Of Arizona ◽  
Good Starting Point ◽  
Permanent Revolution

Abstract Robert L. Smale’s work looks in detail at the origins of Bolivia’s labour movement in the tin mines of the early twentieth century. This provides a good starting point for an account of the rapid rise of Trotskyism in the period leading up to the national revolution of 1952, a phenomenon described in detail in S. Sándor John’s book. Sándor John’s work in particular is important in understanding both the strengths and limitations of the Trotskyist POR, which was not able to displace rival nationalist organisations to achieve political hegemony in the struggles of the second half of the twentieth century.

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