‘Deadly British productions of Chekhov remain all too common.’ Or so suggests David Allen, who finds in the Chekhov productions of Mike Alfreds a refreshing recognition of the distinctively ‘Russian’ qualities of the plays, and an ability to render these in terms of the choices available to British actors. Mike Alfreds founded the Shared Experience company in 1975, and in Theatre Quarterly No. 39 (1981). Clive Barker interviewed him and members of the company on the processes of collective creation through which most of their productions then evolved: the present feature thus in part reflects Alfreds's own developing interest in working on ‘fixed’ scripts, both with Shared Experience, for whom he directed Three Sisters earlier this year, and in his work as guest director of The Cherry Orchard, first for Oxford Playhouse in 1982, and subsequently for the National Theatre at the Cottesloe, in 1985. In the following interview, Mike Alfreds's own perceptions of his work are intercut with author David Allen's observations during rehearsals, and the subsequent reactions of the critics.
Reframing and reacting to employees’ responses to change: a focus on resistance
