The Epidemiology and Prevention of Hand and Wrist Injuries in Performing Artists

Hand Clinics ◽  
1990 ◽  
Vol 6 (3) ◽  
pp. 365-377
Author(s):  
Alice G. Brandfonhrener
Keyword(s):  
Wrist Injuries ◽  
Performing Artists

Common Hand And Wrist Injuries In Basketball Players

1993 ◽  
Vol 12 (2) ◽  
pp. 266-291 ◽  
Author(s):  
Robert Lee Wilson ◽  
Laurel D. McGinty
Keyword(s):  
Wrist Injuries ◽  
Basketball Players

Ballet in the Cold War

2020 ◽  
Author(s):  
Anne Searcy
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
Cultural Exchange ◽  
The United States ◽  
Performing Artists ◽  
Exchange Programs ◽  
The Soviet Union ◽  
History Of ◽  
The Cold War

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.

HAND AND WRIST INJURIES IN YOUNG ATHLETES

Hand Clinics ◽  
2000 ◽  
Vol 16 (4) ◽  
pp. 597-607
Author(s):  
Tung B. Le ◽  
Vincent R. Hentz
Keyword(s):  
Wrist Injuries ◽  
Young Athletes

scholarly journals High Incidence of Hand Injuries From Blocking in Elite Taekwondo Despite the Use of Protective Gear: A 5-Year Descriptive Epidemiology Study

2021 ◽  
Vol 9 (1) ◽  
pp. 232596712097399
Author(s):  
Markus Geßlein ◽  
Johannes Rüther ◽  
Michael Millrose ◽  
Hermann Josef Bail ◽  
Robin Martin ◽  
...  
Keyword(s):  
Injury Risk ◽  
Injury Incidence ◽  
Dominant Hand ◽  
Wrist Injuries ◽  
Descriptive Epidemiology ◽  
Epidemiology Study ◽  
Time Loss ◽  
Data Set ◽  
Injury Site ◽  
Protective Gear

Background: Hand and wrist injuries are a common but underestimated issue in taekwondo. Detailed data on injury risk, patterns, and mechanism are missing. Purpose: To evaluate (1) the fight time exposure-adjusted injury incidence rate (IIR) and clinical incidence and (2) injury site, type, sport-specific mechanism, and time loss in taekwondo. Study Design: Descriptive epidemiology study. Methods: Athletes from a single national Olympic taekwondo training center were investigated prospectively for hand and wrist injuries during training and competition over 5 years. The Orchard Sports Injury Classification System Version 10 was used to classify injury type, and analysis of the anatomic injury site was performed. The mechanism of injury was classified as due to either striking or blocking techniques. Results: From a total of 107 athletes, 79 athletes (73.8%) with a total exposure time of 8495 hours were included in the final data set. During the study period, 75 injuries of the hand and wrist region were recorded despite the athletes using protective hand gear. The IIR was 13.9 (95% CI, 10.5-17.5) and was significantly higher during competition. The clinical incidence as an indicator for risk of injury was 60.7% (95% CI, 50.9-70.5). Finger rays were the most affected location (68%), and fractures (43%) and joint ligament injuries (35%) were the most common type of injury. Significantly more injuries were found on the dominant hand side ( P < .001). Comparison of injury mechanisms demonstrated significantly more injuries at the finger rays deriving from blocking techniques ( P = .0104). The mean time loss for all hand and wrist injuries was 15.7 ± 13.5 days (range, 3-45 days) and was highest for distal radial fractures, with a mean of 39.7 ± 4.8 days (range, 32-45 days). Conclusion: There was a significantly higher IIR for acute hand and wrist injuries in elite taekwondo athletes during competition, which resulted in considerable time loss, especially when fractures or dislocations occurred. Significantly more injuries to the finger rays were found during blocking despite the use of protective hand gear. Improvement of tactical skills and blocking techniques during training and improved protective gear appear to be essential for injury prevention.

Reduction of Severe Wrist Injuries in Snowboarding by an Optimized Wrist Protection Device: A Prospective Randomized Trial

2002 ◽  
Vol 52 (3) ◽  
pp. 517-520 ◽  
Author(s):  
Wolfgang Machold ◽  
Oskar Kwasny ◽  
Peter Eisenhardt ◽  
Alexander Kolonja ◽  
Ewald Bauer ◽  
...  
Keyword(s):  
Randomized Trial ◽  
Prospective Randomized Trial ◽  
Protection Device ◽  
Wrist Injuries

Perfecting a Playing Cast for Hand and Wrist Injuries

1992 ◽  
Vol 20 (7) ◽  
pp. 95-104 ◽  
Author(s):  
Mark DeCarlo ◽  
John Darmelio ◽  
Arthur Rettig ◽  
Kathy Malone
Keyword(s):  
Wrist Injuries

Phonomicrosurgery in Singers and Performing Artists: Treatment Outcomes, Management Theories, and Future Directions

2002 ◽  
Vol 111 (12_suppl) ◽  
pp. 21-40 ◽  
Author(s):  
Steven M. Zeitels ◽  
Robert E. Hillman ◽  
Marcello Mauri ◽  
Rosemary Desloge ◽  
Patricia B. Doyle
Keyword(s):  
High Performance ◽  
Outcome Data ◽  
Objective Measures ◽  
Vocal Performance ◽  
Related Factors ◽  
Performing Artists ◽  
Vocal Rehabilitation ◽  
Vocal Function ◽  
Normal Limits ◽  
Outcomes Management

Phonomicrosurgery in performing artists has historically been approached with great trepidation, and vocal outcome data are sparse. The vocal liability of surgically disturbing the superficial lamina propria (SLP) and epithelium must be balanced with the inherent detrimental vocal effect of the lesion(s). A prospective investigation was performed on 185 performing artists who underwent phonomicrosurgical resection of 365 lesions: 201 nodules, 71 polyps, 66 varices and ectasias, 13 cysts, 8 keratotic lesions. 2 granulomas, 2 Reinke's edema, and 2 papillomas. Nearly all patients with SLP lesions reported improvement in their postsurgical vocal function. This subjective result was supported by objective acoustic and aerodynamic measures. All postsurgical objective vocal function measures fell within normal limits, including a few that displayed presurgical abnormalities. However, given the relative insensitivity of standard objective measures to assess higher-level vocal performance-related factors, it is even more noteworthy that 8 of 24 objective measures displayed statistically significant postsurgical improvements in vocal function. Such changes in objective measures mostly reflect overall enhancement in the efficiency of voice production. Phonomicrosurgical resection of vocal fold lesions in performing artists is enjoying an expanding role because of a variety of improvements in diagnostic assessment, surgical instrumentation and techniques, and specialized rehabilitation. Most of these lesions are the result of phonotrauma and arise within the SLP. Successful management depends on prudent patient selection and counseling, ultraprecise technique, and vigorous vocal rehabilitation. Furthermore, an understanding of the vocal function and dysfunction of this high-performance population provides all otolaryngologists who manage laryngeal problems with valuable information that they can extrapolate for use in their practices.

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