Fritz Kortner and other German-Jewish Shylocks before and after the Holocaust

2017 ◽  
pp. 198-223
Author(s):  
Jeanette R. Malkin
Keyword(s):  
The Holocaust ◽  
Before And After ◽  
German Jewish

The Pale Death: Poison Gas and German Racial Exceptionalism, 1915–1945

2021 ◽  
Vol 54 (2) ◽  
pp. 273-296
Author(s):  
Peter Thompson
Keyword(s):  
Chemical Defense ◽  
German Society ◽  
Chemical Weapons ◽  
The Holocaust ◽  
The World ◽  
French Colonial ◽  
German Jewish ◽  
Fritz Haber

AbstractIn April of 1915, the German-Jewish chemist Fritz Haber supervised the first deployment of industrialized chemical weapons against French colonial troops. The uncertain nature of the attack, both in its execution and outcome, led many German military men to question the controllability of poison gas. Over the next three decades, Germans would continue this line of inquiry, as aero-chemical attacks appeared increasingly imminent. This article narrates the German search for control over chemical weapons between the world wars, revealing the ways in which interwar techno-nationalists tied the mastery of poison gas to ethno-racial definitions of Germanness. Under the Nazis, leaders in civilian aero-chemical defense picked up this interwar thread and promoted a dangerous embrace of gas that would supposedly cull the technically superior Germans from other lesser races. Although this vision of a chemically saturated world did not suffuse German society, such logic did play out in the gas chambers of the Holocaust.

scholarly journals The reconfiguration of the European Archive in contemporary German-Jewish migrant-literature

2017 ◽  
Vol 28 (1) ◽  
pp. 38-54
Author(s):  
Jessica Ortner
Keyword(s):  
European Archive ◽  
Eastern European ◽  
History Writing ◽  
Migrant Literature ◽  
Holocaust Memory ◽  
Political Concern ◽  
The Holocaust ◽  
Mass Shooting ◽  
History Of ◽  
German Jewish

A considerable number of Eastern European migrant authors of Jewish origin are currently lifting Holocaust memory to a new level. Writing in German about events taking place in remote areas of the world, they expand the German framework of memory from a national to a transnational one. By partaking in reconsidering what is ‘vital for a shared remembering’ of Europe, this branch of writing reflects the European Union’s political concern for integrating the memories of the socialistic regimes in European history writing without relativising the Holocaust. In Vielleicht Esther, Katja Petrowskaja consults various national and private archives in order to recount the history of the mass shooting of over 30,000 Ukrainian Jews at Babij Jar – a canyon near Kiev. Thus, she ‘carries’ a marginalised event of the Holocaust into the German framework of memory and uncovers the layers of amnesia that have not only concealed the event amongst the Soviet public but also distorted and for ever made inaccessible her family’s past.

Post-Holocaust Heritage of Trauma

2018 ◽  
pp. 70-84
Author(s):  
Liat Steir-Livny
Keyword(s):  
Three Generations ◽  
The Holocaust ◽  
Before And After ◽  
Family Secret ◽  
Close Contacts

In the 1930s, after the Nazis came to power in Germany, tens of thousands of Jews immigrated to Eretz-Israel. Many of them kept on missing their former homeland and culture, while simultaneously despising Germany. This chapter analyzes the complex identity of these Jews, who had to leave Germany, but could not really detach themselves from the homeland that betrayed them, as reflected in the film The Flat (2011). In the film, Director Arnon Goldfinger reveals a family secret: his grandparents, Kurt and Gerda Tuchler, maintained close contacts with a Nazi couple, the Von Mildensteins, before and after the Holocaust. In a world of post-Holocaust, the analysis of the film tells the story of a transgenerational transfer of the trauma, and its different effect on three generations.

Epilogue

2019 ◽  
pp. 261-266
Author(s):  
Philipp Nielsen
Keyword(s):  
Jewish Life ◽  
Concentration Camp ◽  
German Government ◽  
German Jews ◽  
The Holocaust ◽  
Camp System ◽  
German Jewish

THE GERMAN GOVERNMENT might have intended to eliminate Jewish life in Germany, and it succeeded in depriving of their German lives the individuals who illustrated the (im)possibilities of Jews being engaged on and with the German Right in this book. Yet it did not succeed in ending their lives altogether. The majority of the German Jews appearing on these pages managed to survive the Holocaust, through emigration, hiding, or perseverance in the concentration camp system. After the Holocaust they gave testimony, archived their records, and collected those of others. Without their efforts this book on German Jewish conservatives would not exist; and though it ends with their emigration—all but one never returned to Germany for any lengthy period of time—their individual stories were not over. By briefly recounting their lives after 1938, I want to conclude by paying them my respects....

Music as a ‘Paper Bridge’ between Generations before and after the Holocaust

2020 ◽  
pp. 451-460
Author(s):  
Bella Szwarcman-Czarnota
Keyword(s):  
Ordinary People ◽  
Performing Artists ◽  
Performance Skills ◽  
Bolshevik Revolution ◽  
Jewish Music ◽  
The Holocaust ◽  
Before And After ◽  
Post War ◽  
Paper Bridge

This chapter examines how music produced in Vilna before the war provided a bridge to the post-war Jewish generation in Poland. It analyzes the poem written by Kadya Molodowsky in 1942 about the bridge that ordinary people build with honest hands and in pureness of heart. It mentions the Jew's use of the word khurbn for the Holocaust, which is the same term used to describe the destruction of the First and Second Temples. The chapter focuses on performing artists and musicians from Vilna that aim to develop performance skills that are linked to general European music, which can be seen as an expression of post-Haskalah tendencies. It talks about Rafael Rubinstein, who became a director of the reactivated music institute in Russia and returned to Vilna after the Bolshevik revolution in order to aid the Jewish Music Institute.

scholarly journals “Zwischen allen Stühlen”: Reflections on Judaism in Germany in Victor Klemperer’s Post-Holocaust Diaries

Humanities ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 168
Author(s):  
Sepp
Keyword(s):  
Cultural Identity ◽  
Jewish Identity ◽  
Jewish Life ◽  
Social Situation ◽  
Jewish Origin ◽  
Soviet Occupation ◽  
The Holocaust ◽  
German Jewish ◽  
Soviet Occupation Zone

This article focuses as a case study on Victor Klemperer’s diaristic representation of German-Jewish identity and culture after 1945 in the Soviet Occupation Zone and the GDR. The contribution shows how Klemperer’s professional and social situation remained very uncomfortable even in East Germany. For the diarist, the communist code ‘antifascist/fascist’, just like the code ‘German/un-German’ before it, was tantamount to concealing Jewish origin. His post-Holocaust journals provide an immediate insider’s view of Jewish life in Germany after the Holocaust from the perspective of a victim of active persecution. Against this backdrop, the contribution examines how the author’s original German nationalism gradually makes way, caught between contradictory impulses of assimilation and decreed Jewish identity, for a much more complex understanding of his own cultural identity. Klemperer’s diaries highlight a number of tensions that ultimately reflect on the disjunction between living and writing: The divide between a single and changing self lies at the heart of his diaries after 1945, which depict an astute, complex psychogram of the assimilated German-Jewish bourgeoisie that survived the Holocaust and tried to continue living in communist Germany.

Shylock in Buchenwald

2018 ◽  
Vol 51 (2) ◽  
pp. 165-174
Author(s):  
Gad Kaynar-Kissinger
Keyword(s):  
Second World War ◽  
Test Case ◽  
Merchant Of Venice ◽  
World War ◽  
National Theatre ◽  
The Merchant Of Venice ◽  
The Holocaust ◽  
German Jewish ◽  
Second World

Can The Merchant of Venice be performed in Germany after the Holocaust, and if so, how? Is the claim that the play is a touchstone for German-Jewish relations, with a philosemitic tradition – and therefore eligible to be performed today – verifiable? The article begins by briefly surveying this tradition from the Jewish emancipation in the mid-eighteenth century, which, with a few relapses, continued – especially in productions directed by Jews and/or with Jewish actors in the role of Shylock – until the rise of the Nazi regime, to be resumed after the Second World War. The main part analyses a test case, staged by the Israeli director Hanan Snir at the Weimar National Theatre (1995), and intended rhetorically to avenge the Holocaust on the German audience: Merchant as a viciously antisemitic play-within-a-play, directed by SS personnel in the nearby Buchenwald concentration camp with eventually murdered Jewish inmates compelled to play the Jewish parts.

Ethics and aesthetics of World War II memory: The case of David Foenkinos, Charlotte

2018 ◽  
Vol 48 (1) ◽  
pp. 37-55 ◽  
Author(s):  
Nathan Bracher
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Original Work ◽  
Literary Text ◽  
First Century ◽  
World War ◽  
The South ◽  
The Holocaust ◽  
German Jewish ◽  
Key Questions

Winner of the 2014 Renaudot prize, David Foenkinos’s novel Charlotte recounts the tragic life and highly original work of the German Jewish artist Charlotte Salomon, arrested in the south of France and deported to her death at Auschwitz in the fall of 1943. As is often the case in twenty-first-century narratives, Foenkinos engages in a highly personal mode of narration that plunges back into the most momentous aspects of World War II and the Holocaust. Charlotte thus links the quandaries of the narrator’s own life and times to those of this protagonist in ways that lead us to face key questions of ethics and aesthetics. These concern not only the destiny of Charlotte Salomon, but also our own manner of approaching and remembering the most momentous events of the twentieth century through the medium of the literary text.

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