scholarly journals The reconfiguration of the European Archive in contemporary German-Jewish migrant-literature

2017 ◽  
Vol 28 (1) ◽  
pp. 38-54
Author(s):  
Jessica Ortner
Keyword(s):  
European Archive ◽  
Eastern European ◽  
History Writing ◽  
Migrant Literature ◽  
Holocaust Memory ◽  
Political Concern ◽  
The Holocaust ◽  
Mass Shooting ◽  
History Of ◽  
German Jewish

A considerable number of Eastern European migrant authors of Jewish origin are currently lifting Holocaust memory to a new level. Writing in German about events taking place in remote areas of the world, they expand the German framework of memory from a national to a transnational one. By partaking in reconsidering what is ‘vital for a shared remembering’ of Europe, this branch of writing reflects the European Union’s political concern for integrating the memories of the socialistic regimes in European history writing without relativising the Holocaust. In Vielleicht Esther, Katja Petrowskaja consults various national and private archives in order to recount the history of the mass shooting of over 30,000 Ukrainian Jews at Babij Jar – a canyon near Kiev. Thus, she ‘carries’ a marginalised event of the Holocaust into the German framework of memory and uncovers the layers of amnesia that have not only concealed the event amongst the Soviet public but also distorted and for ever made inaccessible her family’s past.

Performing the Hyphen

2014 ◽  
Vol 23 (2) ◽  
pp. 43-59 ◽  
Author(s):  
Jackie Feldman ◽  
Anja Peleikis
Keyword(s):  
Jewish History ◽  
German History ◽  
Holocaust Memory ◽  
Special Events ◽  
Memorial Landscape ◽  
The Holocaust ◽  
Performative Space ◽  
History Of ◽  
German Jewish ◽  
Guided Tours

The Jewish Museum Berlin (JMB) is a dynamic, performative space that negotiates between representing the Jew as an integral part of German history and as ultimate Other. While this tension has been documented through the political history of the museum (Lackmann 2000; Pieper 2006; Young 2000), we focus on the dynamics of guided tours and special events. We claim that guiding and festival events at JMB marginalise Holocaust memory and present an image of Jews of the past that promotes a multicultural vision of present-day Germany. In guiding performances, the identity of the guide as German/Jewish/Muslim is part of the guiding performance, even when not made explicit. By comparing tour performances for various publics, and the 'storytelling rights' granted by the group, we witness how visitors' scripts and expectations interact with the museum's mission that it serve as a place of encounter (Ort der Begegnung). As German-Jewish history at JMB serves primarily as a cosmopolitan template for intercultural relations, strongly affiliated local Jews may not feel a need for the museum. Organised groups of Jews from abroad, however, visit it as part of the Holocaust memorial landscape of Berlin, while many local Jews with weaker affiliations to the Jewish community may find it an attractive venue for performing their more fluid Jewish identities – for themselves and for others.

scholarly journals On Becoming a Non-Jewish Holocaust Writer: Yann Martel’s Beatrice and Virgil

Humanities ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 12
Author(s):  
Rachel F. Brenner
Keyword(s):  
Eastern Europe ◽  
Jewish Identity ◽  
Personal Life ◽  
Holocaust Memory ◽  
The Holocaust ◽  
The World ◽  
Family Level ◽  
History Of ◽  
Religious Origins

To appraise Martel’s non-Jewish perspective of Holocaust thematic, it is important to assess it in the context of the Jewish relations with the Holocaust. Even though the Jewish claim to the uniqueness of the Holocaust has been disputed since the end of the war especially in Eastern Europe, the Jewish response determined to a large extent the reception of the disaster on the global scene. On a family level, the children of survivors have identified themselves as the legitimate heirs of the unknowable experience of their parents. On a collective level, the decree of Jewish annihilation constructed a Jewish identity that imposed an obligation to keep the Holocaust memory in the consciousness of the world. Martel proposes to supersede the history of the Holocaust with a story which would downplay the Jewish filiation with the Holocaust, elicit an affiliative response to the event of the non-Jewish writer and consequently integrate it into the memory of humanity at large. However, the Holocaust theme of Beatrice and Virgil refuses to assimilate within the general memory of humanity; rather, the consciousness of the event, which pervades the post-Holocaust world, insists on its constant presence. The omnipresence of the Holocaust blurs the distinctions between the filiative (Jewish) and affiliative (non-Jewish) attitudes toward the Jewish tragedy, gripping the writer in its transcendent horror. Disregarding his ethnic or religious origins, the Holocaust takes over the writer’s personal life and determines his story.

The Work of Testimony in the Age of Decolonization: Chronicle of a Summer, Cinema Verité, and the Emergence of the Holocaust Survivor

PMLA ◽  
2004 ◽  
Vol 119 (5) ◽  
pp. 1231-1246
Author(s):  
Michael Rothberg
Keyword(s):  
Turning Point ◽  
Discrete Event ◽  
Holocaust Survivor ◽  
Algerian War ◽  
The Public ◽  
Holocaust Memory ◽  
The Holocaust ◽  
History Of ◽  
The Public Sphere ◽  
First Time

The trial of Adolf Eichmann, in 1961, is generally considered a turning point in the history of Holocaust memory because it brought the Holocaust into the public sphere for the first time as a discrete event on an international scale. In the same year, Jean Rouch and Edgar Morin's film Chronicle of a Summer appeared in France. While absent from scholarship on memory of the Nazi genocide for over forty years, Chronicle of a Summer contains a scene of Holocaust testimony that suggests the need to look beyond the Eichmann trial for alternative articulations of public Holocaust remembrance. This essay considers the juxtaposition in Chronicle of a Summer of Holocaust memory and the history of decolonization in order to rethink the “unique” place that the Holocaust has come to hold in discourses on extreme violence. The essay argues that a discourse of truth and testimony arose in French resistance to the Algerian war that shaped and was shaped by memory of the Nazi genocide.

scholarly journals The Holocaust in Lithuania: The Key Characteristics of Its History, and the Key Issues in Historiography and Cultural Memory

2019 ◽  
Vol 34 (1) ◽  
pp. 261-279
Author(s):  
Stanislovas Stasiulis
Keyword(s):  
Jewish Community ◽  
Cultural Memory ◽  
The West ◽  
German Occupation ◽  
Holocaust Memory ◽  
Key Characteristics ◽  
The Holocaust ◽  
History Of ◽  
Key Issues ◽  
Considerable Impact

This article is part of the special cluster titled Conceptualizations of the Holocaust in Germany, Lithuania, Poland, and Ukraine since the 1990s, guest edited by Grzegorz Rossoliński-Liebe. The Holocaust is the darkest page of Lithuanian history: Nearly the whole Jewish community in Lithuania was destroyed, while a part of ethnic Lithuanians participated in this destruction. This article discusses three layers and periods of the Holocaust in Lithuania that have made a considerable impact on the perception of this traumatic period in Lithuanian society. The first period deals with the Lithuanian–Jewish relations during the German occupation in Lithuania (1941–1944). The second one is related to the Soviet reoccupation of Lithuania and discussions among Lithuanian émigrés in the West (1944–1990), which shaped the history of the Holocaust in Lithuania from the ideological (Soviet) and defensive (Lithuanian émigré) perspectives. The final part of this article discusses the historiography and Holocaust memory in independent Lithuania after the 1990s. Almost thirty years of independence mark not only the re-creation of some old myths and stereotypes in Lithuania, but also new groundbreaking and open discussions in society, concerning the perception of this dark page of Lithuanian history.

Strauss, Leo (1899–1973)

2018 ◽  
Author(s):  
Shadia B. Drury
Keyword(s):  
Political Thought ◽  
Leo Strauss ◽  
History Of Political Thought ◽  
The West ◽  
History Of Thought ◽  
The Holocaust ◽  
History Of ◽  
Political Philosopher ◽  
German Jewish

Leo Strauss was a German-Jewish émigré political philosopher and historian of political thought, who wrote some fifteen books and eighty articles on the history of political thought from Socrates to Nietzsche. Strauss was no ordinary historian of ideas; he used the history of thought as a vehicle for expressing his own ideas. In his writings, he contrasted the wisdom of ancient philosophers such as Plato and Aristotle with the foolhardiness of modern philosophers such as Hobbes and Locke. He thought that the loss of ancient wisdom was the reason for the ‘crisis of the West’ – an expression that was in part a reference to the barbarities of the Holocaust. He therefore sought to recover the lost wisdom. He studied the classics and was a great devotee of Plato and Aristotle. However, he developed unusual interpretations of classical texts.

Eastern European Jewry in the Modern Period: 1750–1939

2009 ◽  
Author(s):  
Michael Stanislawski
Keyword(s):  
Eastern Europe ◽  
Jewish Life ◽  
Eastern European ◽  
East European ◽  
The Past ◽  
Modern Age ◽  
Modern Period ◽  
The Holocaust ◽  
The World ◽  
History Of

This article notes that the study of the modern history of East European Jews is not a field driven at present by deep conceptual or ideological divides or abiding scholarly or methodological controversies. The past debates on this score between Israeli and diaspora Jewish scholarship have all but disappeared, as has even more dramatically the attempt at a Marxist version of juedische Wissenschaft. While the major works of the founders of the field from Simon Dubnov on ought to be studied and the impressive resurgence of interest in the history and culture of East European Jewry in the modern age is underway, the work is still largely undone. The crucial challenge to the field is not to succumb to the lachrymose and romanticized stereotypes of Jewish life in Eastern Europe while continuing to explore the history of this the largest Jewry in the world before the Holocaust.

Deutsche und jüdische Ruinen der Erinnerung in Worms und Hamburg

Aschkenas ◽  
2015 ◽  
Vol 25 (2) ◽  
Author(s):  
Nils Roemer
Keyword(s):  
Jewish Community ◽  
Second World War ◽  
World War ◽  
The Holocaust ◽  
History Of ◽  
German Jewish ◽  
Memorial Sites ◽  
Second World ◽  
Different Levels

AbstractIn addition to being witnesses of a vanished past, ruins refer to the former building and tell the story of its destruction. Two ruins, which can also be described as memorial sites, can exemplify different strategies of dealing with these material remnants: the destroyed synagogue of Worms and the St Nikolai Church in Hamburg. The destroyed synagogue of Worms was rebuilt as a symbol of the history of the Jewish community prior to 1933 and as a memorial to the Holocaust. In contrast, the St Nikolai Church in Hamburg was left in ruins which constitute a memorial for the air raids as well as a reminder of the Nazi crimes. The following article will reflect on these different strategies and on the reactions and perceptions of the visitors. Furthermore it will try to reveal the different levels of meaning and the interconnectedness of the memories of the German-Jewish past, the Second World War and the Holocaust.

scholarly journals The birth of the memory of Communism: memorial museums in Europe

2017 ◽  
Vol 45 (6) ◽  
pp. 1028-1046 ◽  
Author(s):  
Máté Zombory
Keyword(s):  
Political Context ◽  
Eastern European ◽  
Post Cold War ◽  
The Public ◽  
Memorial Museums ◽  
Holocaust Memory ◽  
Political Debates ◽  
European Experience ◽  
The Holocaust ◽  
Definition Of

This article argues that the memory of Communism emerged in Europe not due to the public recognition of pre-given historical experiences of peoples previously under Communist regimes, but to the particularities of the post-Cold War transnational political context. As a reaction to the uniqueness claim of the Holocaust in the power field structured by the European enlargement process, Communism memory was reclaimed according to the European normative and value system prescribed by the memory of the Holocaust. Since in the political context of European enlargement refusing to cultivate the memory of the Holocaust was highly illegitimate, the memory of Communism was born as the “twin brother” of Holocaust memory. The Europeanized memory of Communism produced a legitimatedifferentia specificaof the newcomers in relation to old member states. It has been publicly reclaimed as an Eastern European experience in relation to universal Holocaust memory perceived as Western. By the analysis of memorial museums of Communism, the article provides a transnational, historical, and sociological account on Communism memory. It argues that the main elements of the discursive repertoire applied in post-accession political debates about the definition of Europe were elaborated before 2004 in a pan-European way.

scholarly journals Tożsamość języka jidysz

2021 ◽  
pp. 67-86
Author(s):  
Ewa Geller
Keyword(s):  
National Culture ◽  
Eastern European ◽  
Language System ◽  
The Holocaust ◽  
Contact Language ◽  
History Of ◽  
Polish Language ◽  
Mixed Nature ◽  
Mixed Languages

The object of this paper is an attempt to describe the complex identity of the Yiddish language itself and its users. Poland and the Polish language have played a signifi cant role in both these aspects. Part one is a sociolinguistic overview of the history of crystallisation of Yiddish in the historical territory of Poland as the autonomous language of the national culture of Central and Eastern European Jews. Its fate after the Holocaust of European Jews is also described here. Part two is dedicated to problems with the genetic classifi cation of Yiddish due to the language-forming processes accompanying its development. Yiddish is classifi ed among mixed languages, since it came into existence as a result of Hebrew– Slavic–Germanic language contacts. Therefore, this part pays special attention to the explanation of the mixed nature of this language system and the role of Polish as an important contact language infl uencing the fi nal shape of the contemporary Yiddish language

The German Archive of the Hebrew Habima: Bureaucracy and Identity

Naharaim ◽  
2013 ◽  
Vol 7 (1-2) ◽  
Author(s):  
Shelly Zer-Zion ◽  
Jan Kühne
Keyword(s):  
Performing Arts ◽  
Eastern European ◽  
Tel Aviv ◽  
National Theater ◽  
History Of ◽  
German Jewish ◽  
German Jewry

AbstractThe administrative archive of Habima, nowadays Israel’s national theater, resides at the Israeli center for the documentation of the performing arts at Tel Aviv University. The majority of the documents, which date from the 1920s and early 1930s, were written in German, and involve prominent German Jewish businessmen and intellectuals. This archival corpus is surprising, because the profile of Habima is generally associated with the Eastern European- Soviet theatrical heritage and with the revival of Hebrew. This article seeks to present the nature of this collection and to reevaluate its contribution to the study of German Jewry as well as to the history of Hebrew theatre.

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