Policy Approaches Toward Combatting Venereal Diseases in the Soviet Occupation Zone in Germany (1945–1949), the German Democratic Republic (1949–1989), and the Polish People's Republic (1945–1989)

The spread of venereal diseases after the Second World War constituted a grave public health danger in Europe. Especially in all four occupation zones in Germany and the Polish People's Republic high morbidity rates were observed. In order to limit the spread of diseases, respective administrations adopted specific regulations. The aim of this research is the analysis and comparison of legal regulations for controlling and combating venereal diseases in these countries. We have analyzed legislative and administrative acts concerning combatting venereal diseases issued by the official organs of the Soviet Occupation Zone, the German Democratic Republic, and the Polish People's Republic from 1945 to 1989. Subsequently, the analyzed sources were evaluated in light of the existing literature on the topic. Our analysis shows that policy approaches in both countries were based the Soviet Union's model for fighting venereal diseases. Visible are similarities of the approaches. They include organization of anti-venereal services, compulsory hospitalization, and actions against social groups perceived as sources of venereal diseases. Beside the purpose of breaking the spread of the epidemics, the approaches had also a political aim of sanctioning behavior that diverged from prescribed socialist moral norms.

The Ruins

This chapter analyzes music by composers who participated in a widespread artistic preoccupation with Germany’s ruined cityscapes during and shortly after World War II. These first musical responses to the war—written at a time of great emotional, physical, and political uncertainty—had a significant impact on musical mourning practices in the Soviet Occupation Zone of Germany, which became the German Democratic Republic in 1949. The chapter focuses on three examples by composers who wrote musical responses to the air war and went on to have successful careers in East Germany. These composers had very different experiences in the Third Reich: Rudolf Mauersberger was a member of the Nazi Party; Hanns Eisler and Paul Dessau were political and religious exiles. Yet they each used music to make sense of wartime trauma, by transforming the aftermath of the bombing—the rubble—into an aesthetic object—or ruin.

Obračun sa titoistima u sovjetskoj okupacionoj zoni Nemačke: Slučaj Leonard

The aim of this article is to analyze the position of the Yugoslav representatives in Berlin and Yugoslav propaganda in Germany prior to and following the Yugoslav-Soviet split, as well as the mechanisms which the leadership of the Socialist Unity Party of Germany used in dealing with the opposition within the party ranks. It follows the activities of a German communist, Wolfgang Leonhard, in the Soviet Occupation Zone of Germany, his escape to Yugoslavia in 1949, and his arrival to West Germany in 1950. The article is based on the unpublished documents from German and Serbian archives, Wolfgang Leonhard’s memoirs, and relevant literature.

Childhood Perspectives of the Holocaust in Jurek Becker’s “The Wall” and “The Invisible City,” and Frank Beyer’s film While All Germans Are Sleeping

At the age of eight, Polish-Jewish child survivor Jurek Becker settled with his father in the Soviet Occupation Zone of Berlin, later becoming a professional writer in the German Democratic Republic. He left after a series of protests by artists and intellectuals against the expatriation of dissident singer-songwriter Wolf Biermann, and took up residence in the Federal Republic of Germany. The author of the present study addresses Becker’s short story “Die Mauer” (The Wall) and testimonial essay “Die unsichtbare Stadt” (The Invisible City), along with Frank Beyer’s 1991 film Wenn alle Deutschen schlafen (While All Germans Are Sleeping), based on “The Wall.” In particular, the author analyzes all three works in relation to other fictional representations of the Holocaust and discourses of childhood, imagination, and play. It draws on M.M. Bakhtin’s theories of narrative strategy and Johan Huizinga’s ideas about the “ludic element” (essentially, play) needed to survive totalitarian systems such as Nazism, to argue for valuing such works as important expressions by child survivors.

Complex Geophysical Investigations under Extreme P,T–Conditions at Zentralinstitut für Physik der Erde (ZIPE) (1970–1990)

The development of the geophysical high pressure research in the former German Democratic Republic (GDR) is described here. The GDR was a German state established in 1949 at the territory of the Soviet occupation zone. The different experimental investigations under extreme pressure and temperature conditions and their industrial applications, including the pilot manufacture of synthetic diamonds are explained. A review of the research topics pursued including experiments on lunar material and Earth core/mantle material is described.

National Socialist Medical Literature and the Censorship Practices in the Soviet Occupation Zone and Early East German State

This study examines how medical discourse and culture were affected by the denazification policies of the Soviet occupation authorities in East Germany. Examining medical textbooks in particular, it reveals how the production and dissemination of medical knowledge was subject to a complex process of negotiation among authors, publishers, and censorship officials. Drawing on primary-source material produced by censorship authorities that has not been rigorously examined to date, it reveals how knowledge production processes were structured by broader ideological and political imperatives. It thus sheds new light on a unique chapter in the history of censorship.

Everyday Life of the Victors in the Soviet Occupation Zone in Germany in the Memoirs of Participants in the Events

Many years of work resulted in a book on the everyday life of Soviet military and civil personnel of the Soviet occupation forces and administration in Germany in 1945–49. The current state of research does not allow a generalized socio-cultural overview as yet, but contemporary witnesses can provide us with interesting ego-sources. Twelve of such sources, flanked by rare photographs, were compiled into a book which is intended for broad readership in Germany and suggests a multi-perspective view of the new beginning in Germany after the end of the war in 1945. The article contains a fragment of the introduction to the book.