What to Lea(f) In, What to Lea(f) Out: Pedagogical Opportunities of a Cultural Icon – Anne Frank’s Chestnut Tree

Author(s):  
Kirsten E. Kumpf Baele
Keyword(s):  
2012 ◽  
Vol 6 (1-3) ◽  
pp. 165-184
Author(s):  
Timothy Beal

This essay attends to a distinction that requires closer examination and theorization in our discourse on iconic books and other scriptures: the difference between iconic object and cultural icon. How do we conceive of relations between the particular, ritualized iconicities of particular scriptures in particular religious contexts and the cultural iconicities of scriptures in general, such as “the Bible” or “the Quran,” whose visual and material objectivity is highly ambiguous? How if at all are the iconic cultural meanings of the ideas of such books related to the particular iconic textual objects more or less instantiate them? These questions are explored through particular focus on the relationship between the particular iconicities of particular print Bibles, as iconic objects, and the general iconicity of the cultural icon of the Bible.


Plants ◽  
2021 ◽  
Vol 10 (8) ◽  
pp. 1538
Author(s):  
Ana Teresa Alhinho ◽  
Miguel Jesus Nunes Ramos ◽  
Sofia Alves ◽  
Margarida Rocheta ◽  
Leonor Morais-Cecílio ◽  
...  

The sweet chestnut tree (Castanea sativa Mill.) is one of the most significant Mediterranean tree species, being an important natural resource for the wood and fruit industries. It is a monoecious species, presenting unisexual male catkins and bisexual catkins, with the latter having distinct male and female flowers. Despite the importance of the sweet chestnut tree, little is known regarding the molecular mechanisms involved in the determination of sexual organ identity. Thus, the study of how the different flowers of C. sativa develop is fundamental to understand the reproductive success of this species and the impact of flower phenology on its productivity. In this study, a C. sativa de novo transcriptome was assembled and the homologous genes to those of the ABCDE model for floral organ identity were identified. Expression analysis showed that the C. sativa B- and C-class genes are differentially expressed in the male flowers and female flowers. Yeast two-hybrid analysis also suggested that changes in the canonical ABCDE protein–protein interactions may underlie the mechanisms necessary to the development of separate male and female flowers, as reported for the monoecious Fagaceae Quercus suber. The results here depicted constitute a step towards the understanding of the molecular mechanisms involved in unisexual flower development in C. sativa, also suggesting that the ABCDE model for flower organ identity may be molecularly conserved in the predominantly monoecious Fagaceae family.


2013 ◽  
Vol 58 (2) ◽  
pp. 741-746 ◽  
Author(s):  
Katarína Adamčíková ◽  
Gabriela Juhásová ◽  
Marek Kobza ◽  
Emília Ondrušková

Abstract Localities in Castanea sativa Mill. plantations were visited in a study aimed at identifying the mycoflora of C. sativa in Slovakia [excluding Cryphonectria parasitica (Murr.), Barr for which much data is available]. Samples from chestnut tree branches and stems were examined visually and microscopically. Seven species of microfungi were recorded, three with their anamorphs. Coryneum modonium (Sacc.) Griffon & Maubl. and Phomopsis castaneae Woron. were the most common. Libertella quercina Tul. & C. Tul. was identified in both states (anamorph and teleomorph) at two new localities. The records of Gloniopsis praelonga (Schwein.) Underw. & Earle and Dothidotthia celtidis (Ellis & Everh.) M. E. Barr are the first for Slovakia. These species were rare, found only in one locality. Two microscopic fungi were detected: Valsa ambiens (Pers.) Fr. [Cytospora ambiens (Nitschke) Sacc.] and Diplodina castaneae Prill. & Delacr.


2002 ◽  
Vol 55 (1) ◽  
pp. 49-80 ◽  
Author(s):  
Sherry Roush

If imitation is the highest form of praise, then Girolamo Benivienis canto describing his otherworldly encounter with Dante's spirit is certainly a tribute to the author of the Divine Comedy. Despite its title, however, Benivieni's project is not simply epideictic. In it, Benivieni represents Dante in a highly anachronistic way, as a kind of spokesman for the piagnoni, the ardent supporters of Girolamo Savonarola's program of moral austerity and Florentine republican politics between the 1490s and the first decades of the Cinquecento. This study argues that Benivieni articulates his controversial, ideological vision in a necessarily prudent way by appropriating Dante as a safe and authoritative cultural icon and adopting a deliberately ambiguous symbolic language, which lauds himself and his politics as much as it does Dante.


2020 ◽  
pp. 105-106
Author(s):  
Tetiana Vlasova

Lady Gaga as a postmodern cultural icon manipulating with images and symbols has created in her “performances” a kind of new “post”-postmodern feminism, in which she followed the line of feminine anarchists – in politics, arts and culture. “Gaga ideology”, which in fact “embraces a void”, nowadays is vividly presented across alternative forms of popular culture with the subsequent great impact on the generation of millennials.


Sign in / Sign up

Export Citation Format

Share Document