The political crime of conspiracy in fifteenth- and sixteenth-century Rome

1994 ◽  
pp. 184-203 ◽  
Author(s):  
Kate Lowe
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Political Crime

Leone de' Sommi and Jewish Theatre in Renaissance Mantua

2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Complex Relationship ◽  
Social Negotiations ◽  
Renaissance Artist ◽  
The Way

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.

Introduction

2018 ◽  
Author(s):  
Rembert Lutjeharms
Keyword(s):  
Sixteenth Century ◽  
Political History ◽  
The Political ◽  
Poetry And Poetics ◽  
Sanskrit Poetics ◽  
History Of ◽  
Sanskrit Poetry ◽  
The Way

This chapter introduces the main themes of the book—Kavikarṇapūra, theology, Sanskrit poetry, and Sanskrit poetics—and provides an overview of each chapter. It briefly highlights the importance of the practice of poetry for the Caitanya Vaiṣṇava tradition, places Kavikarṇapūra in the (political) history of sixteenth‐century Bengal and Orissa as well as sketches his place in the early developments of the Caitanya Vaiṣṇava tradition (a topic more fully explored in Chapter 1). The chapter also reflects more generally on the nature of both his poetry and poetics, and highlights the way Kavikarṇapūra has so far been studied in modern scholarship.

Zwischen Ost und West: Zur Druckgeschichte von Schimon Günzburgs jiddischer Brauchsammlung

Aschkenas ◽  
2020 ◽  
Vol 30 (1) ◽  
pp. 1-19
Author(s):  
Lucia Raspe
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Comparative History ◽  
Book Market ◽  
History Of ◽  
Book Culture

AbstractShimʻon Günzburg’s Yiddish collection of customs, first brought to press in Venice in 1589 and reprinted dozens of times over the following centuries, is often considered a mere translation of the Hebrew Minhagim put together by Ayzik Tyrnau in the 1420s. Another claim often made about the book is that, although it was first printed in Venice, it was intended less for the Italian book market than for export. This article sets out to test these assumptions by examining Günzburg’s compilation from the perspective of minhag, or prayer rite. Drawing on Yiddish manuscripts preserved from sixteenth-century Italy, as well as early printed editions overlooked by scholars, it argues that Günzburg’s Minhogim are, in fact, more Italian than has been recognized. It also points up their potential for a comparative history of Ashkenazic book culture across the political and linguistic borders of Europe.

The Chaste Parricide: Murder, Femininity and the Subversion of Authority in the Reception of the First Performance of Shelley’s The Cenci, 1886

2017 ◽  
Vol 44 (2) ◽  
pp. 192-211
Author(s):  
Lee Michael-Berger
Keyword(s):  
Social Context ◽  
Sixteenth Century ◽  
Public Sphere ◽  
Mass Culture ◽  
The Political ◽  
Political Debate ◽  
The Public ◽  
True Story ◽  
The Public Sphere

The story of The Cenci’s first production is intriguing, since the play, based on the true story of a sixteenth-century Roman family and revolving around the theme of parricide, was published in 1819 but was denied a licence for many years. The Shelley Society finally presented it in 1886, although it was vetoed by the Lord Chamberlain, and to avoid censorship it had to be proclaimed as a private event. This article examines the political and social context of the production, especially the reception of actress’s Alma Murray’s rendition of Beatrice, the parricide, thus probing the ways in which The Cenci question was reframed, and placed in the public sphere, despite censorship. The staging of the play became the site of a political debate and the performance – an act of defiance against institutionalised power, but also an act of defiance against the alleged tyranny of mass culture.

Presidential Address: Tudor Government: The Points of Contact III. The Court

1976 ◽  
Vol 26 ◽  
pp. 211-228 ◽  
Author(s):  
G. R. Elton
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Presidential Address ◽  
The Political ◽  
Henry Viii ◽  
Interesting Topic ◽  
History Books

WHEN on the previous two occasions I discussed Parliament and Council as political centres, as institutions capable of assisting or undermining stability in the nation, I had to draw attention to quite a few unanswered questions. However, I also found a large amount of well established knowledge on which to rely. Now, in considering the role of the King's or Queen's Court, I stand more baffled than ever, more deserted. We all know that there was a Court, and we all use the term with frequent ease, but we seem to have taken it so much for granted that we have done almost nothing to investigate it seriously. Lavish descriptions abound of lavish occasions, both in the journalism of the sixteenth century and in the history books, but the sort of study which could really tell us what it was, what part it played in affairs, and even how things went there for this or that person, seems to be confined to a few important articles. At times it has all the appearance of a fully fledged institution; at others it seems to be no more than a convenient conceptual piece of shorthand, covering certain people, certain behaviour, certain attitudes. As so often, the shadows of the seventeenth century stretch back into the sixteenth, to obscure our vision. Analysts of the reigns of the first two Stuarts, endeavouring to explain the political troubles of that age, increasingly concentrate upon an alleged conflict between the Court and the Country; and so we are tempted, once again, to seek the prehistory of the ever interesting topic in the age of Elizabeth or even Henry VIII.

scholarly journals Guilds, Social Mobility and Status in Sixteenth-Century Ghent

1998 ◽  
Vol 43 (1) ◽  
pp. 31-78 ◽  
Author(s):  
Johan Dambruyne
Keyword(s):  
Sixteenth Century ◽  
Social Mobility ◽  
Upward Mobility ◽  
Social Promotion ◽  
Social Position ◽  
The Political ◽  
Political Situation ◽  
Democratic Character ◽  
The Relationship ◽  
The City

This article investigates the relationship between social mobility and status in guilds and the political situation in sixteenth-century Ghent. First, it argues that Ghent guilds showed neither a static picture of upward mobility nor a rectilinear and one-way evolution. It demonstrates that the opportunities for social promotion within the guild system were, to a great extent, determined by the successive political regimes of the city. Second, the article proves that the guild boards in the sixteenth century had neither a typically oligarchic nor a typically democratic character. Third, the investigation of the houses in which master craftsmen lived shows that guild masters should not be depicted as a monolithic social bloc, but that significant differences in status and wealth existed. The article concludes that there was no linear positive connection between the duration of a master craftsman's career and his wealth and social position.

An “Epistolary Reformation”

2016 ◽  
Author(s):  
Mark Greengrass
Keyword(s):  
Sixteenth Century ◽  
Protestant Reformation ◽  
The Political ◽  
John Foxe ◽  
Political Evolution ◽  
Letter Exchange

Letter exchange occupies a significant and growing role in the activities of the Protestant Reformers. This chapter offers explanations for its growing significance in the evolution of the Protestant Reformation. It analyses what over a century of investment in editing the correspondence of the magisterial Reformers has achieved. It offers a yearly profile of the surviving editorial correspondence. At the same time, it underlines the limitations of our concentration on the letters of magisterial Reformers by examining the role of letter exchange in the political evolution of the Protestant Reformation in the sixteenth century, and especially in the context of the coalitions at a distance that sustained it. It ends by evoking martyr letters, as found in the martyrologies of John Foxe and Jean Crespin, but also in a devotional context in Hutterite and Anabaptist dissenting traditions.

scholarly journals THE HOBBESIAN TURN

2018 ◽  
Vol 27 (55-56) ◽  
pp. 23-40
Author(s):  
Joseph Margolis
Keyword(s):  
Sixteenth Century ◽  
Creative Expression ◽  
The Political ◽  
Cultural Life ◽  
History Of ◽  
The Aesthetic ◽  
Western Politics

The “Hobbesian turn” is an invention out of whole cloth, a device by which to oppose the usually supposed autonomy of the aesthetic, the moral, the political, and the factual; to recover the collective holism of civilizational (or enlanguaged cultural) life; to feature the existential historicity of the human career, which is incompatible with any strict universalism and all the forms of transcendentalism; hence, also, to feature the adequacy of a contingent Lebensform in collecting the affinities of creative expression and agentive commitment within the terms of human solidarity; to abandon strict universality and necessary synthetic truths; and to favour the fluxive world of pragmatist construction rather than the indemonstrable fixities of rationalism and transcendentalism. The article proceeds largely by examining aspects of Picasso’s career and the history of Western politics spanning the sixteenth century to the present.

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