Negotiating the Aims of African American Adult Education: Race and Liberalism in the Harlem Experiment, 1931–1935

2018 ◽  
Vol 58 (1) ◽  
pp. 1-32
Author(s):  
Amato Nocera

This paper examines an “experimental” program in African American adult education that took place at the Harlem branch of the New York Public Library in the early 1930s. The program, called the Harlem Experiment, brought together a group of white funders (the Carnegie Corporation and the American Association for Adult Education)—who believed in the value of liberal adult education for democratic citizenship—and several prominent black reformers who led the program. I argue that the program represented a negotiation between these two groups over whether the black culture, politics, and protest that had developed in 1920s Harlem could be deradicalized and incorporated within the funder's “elite liberalism”—an approach to philanthropy that emphasized ideological neutrality, scholarly professionalism, and political gradualism. In his role as the official evaluator, African American philosopher Alain Locke insisted that it could, arguing that the program, and its occasionally Afrocentric curriculum, aligned with elite liberal ideals and demonstrated the capacity for a broader definition of (historically white) liberal citizenship. While the program was ultimately abandoned in the mid-1930s, the efforts of Locke and other black reformers helped pave the way for a future instantiation of racial incorporation: the intercultural education movement of the mid-twentieth century.

2021 ◽  
pp. 71-108
Author(s):  
Marilisa Jiménez García

This chapter centers on the education and role of “ethnic” librarians during the founding and professionalization of children’s literature and librarianship at the New York Public Library, tracing a legacy back to Afro-Boricua public pedagogies in Puerto Rico. This chapter also analyzes the centrality of Blackness and activism project of Latinx children’s literature as a US tradition grounded in the work of librarians of color, interweaving the stories of Pura Belpré and Arturo Schomburg, both key figures in the Harlem Renaissance and history of African American and AfroLatinx literature.


2018 ◽  
Vol 2018 (132) ◽  
pp. 144-171
Author(s):  
Clare Corbould

Abstract In 1925, African American newspapers began reporting on Maurice Hunter’s work as a model for prominent visual and commercial artists, illustrators, and art students. By the 1950s, Hunter’s image had appeared on millions of advertising billboards, in all the major magazines, and in murals and statues in banks, parks, and department stores from Wall Street to Rochester to Cincinnati. Because no agency would represent a black model, Hunter was forced to raise his own public profile and create work opportunities. He did so by emphasizing his authenticity as a performer of nonwhite roles and at the same time his versatility as someone who could model for any role, including female and/or white. As well as permitting Hunter some degree of creative control over his work, his approach garnered him considerable esteem among elite African Americans. They also admired Hunter’s effort to control use of his image whenever photographed. This article examines Hunter’s labor, including his own effort to record it through scrapbooks he donated to the New York Public Library.


Author(s):  
Ethelene Whitmire

This chapter begins with Regina's job interview at the New York Public Library and describes Regina's early childhood and her parents' background information. It discusses how Regina learned about fighting an unjust system where race was concerned through her father's work as a defense attorney. His legal exploits were reported in both the African American and white press—the Chicago Defender and the Chicago Daily Tribune, respectively. Some of Atty. William G. Anderson's legal work was more profitable than noble. However, he often worked on more virtuous causes in partnership with Edward H. Wright, destined to become the leader of his time in black politics.


PMLA ◽  
2018 ◽  
Vol 133 (5) ◽  
pp. 1172-1190
Author(s):  
Barbara Hochman

In 1922 Nella Larsen Imes was the first African American applicant accepted to the library school of the New York Public Library; soon she would be a promising novelist of the Harlem Renaissance. Larsen's library school application is a rich text that discloses the encounter of a conflicted subject with the norms and values of an institution. Bureaucratic forms do not have readers—at least as literature professors generally use that word—but filling out an application requires cultural competence, and evaluating one requires interpretive activity. Responding to a standard question on the application, Larsen compiled a book list that reflects her pragmatic, aesthetic, and emotional investment in reading. Stylistically and thematically, this ephemeral document anticipates Larsen's best work; it intimates conflicting perspectives on race, gender, and national belonging while exposing the limits of “imagined community” in one culturally typical American institution.


Author(s):  
Ethelene Whitmire

This chapter discusses Regina's decades-long battle with the New York Public Library (NYPL). For all that she was doing for the NYPL, Regina believed that she was neither being paid a wage that recognized her contributions nor being afforded the opportunities for promotion she deserved. Her relationship with Ernestine Rose deteriorated as Regina frequently asked W. E. B. Du Bois, representing the National Association for the Advancement of Colored People, to intervene on her behalf with the NYPL administration. In order to understand Du Bois' involvement with Regina, the chapter examines his earlier dispute with the NYPL administration on behalf of librarian Catherine Latimer—the first African American librarian in the system. Du Bois was particularly galled by the situation at NYPL, which limited African American librarians to a few branches.


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