Self-Consumption and Compromised Rebirth in Dabydeen’s “Turner”

2016 ◽  
Vol 3 (2) ◽  
pp. 227-239
Author(s):  
Veronica J. Austen

This article, which focuses on David Dabydeen’s long poem “Turner” (1994), addresses acts of eating/excreting as reflections of power relations while also figuring cultural regeneration as a pursuit of nourishment. Through acts of consumption, the speaker of “Turner” seeks to forge a continuum whereby the past feeds the future and the future satiates the emptiness caused by colonialism and the slave trade. Nevertheless, in “Turner,” this emptiness cannot be overcome, and acts of cultural feeding are not regenerative but instead destructively self-consumptive.

2021 ◽  
pp. 0961463X2098772
Author(s):  
Margrit Pernau

The comparison of the present to the time of the Prophet could mean very different things at different times and for different people, in spite of the finite authoritative sources, the Quran and the traditions of the Prophet. The article argues that the time of the Prophet and the comparative standard it offered not only changed depending on the concerns of the present from which the authors wrote and the future they imagined, but also affected the present and the future of each community referring to it. In the colonial contexts of the nineteenth and twentieth century, this temporal comparison met with and integrated the model of the stages of development. Comparisons with Europe, standing in for modernity, became central for the location of the community on a scale of progress, but also for attempts to change this position by catching up, educationally, economically, and politically. They went hand in hand with a strong appeal to the emotions: The successful reform of the community or nation was what would make the difference between honor, hope, and pride on the one hand and despair, humiliation, and shame on the other, and it was the responsibility of the present generation to gain or lose the future. The article investigates two comparisons of the present with the early Islamic past, Altaf Husain Hali’s Musaddas, a long poem on the Ebb and Flow of Islam (1879), and the speeches Bahadur Yar Jang delivered in Hyderabad in the 1930s and 1940s. Both, though in a noticeably different way, show a Prophetic time, which is not only situated in the past, but also the age of the most perfect form of progress ( taraqqi). Reverting to the past thus also means advancing toward the future; comparing the present to the Prophetic times is an indication how far the community is ready to face the challenges of the future.


Nordlit ◽  
2015 ◽  
pp. 105 ◽  
Author(s):  
Kirsten Thisted

<p align="LEFT">While the official Denmark has declined taking part in a reconciliation process with Greenland, its former colony, a large literary audience has embraced the novelist Kim Leine, who puts colonial history and Danish-Greenlandic power relations on the <span style="font-family: TimesNewRomanPSMT;">agenda. Originally published in 2012, his novel </span><em><span style="font-family: TimesNewRomanPS-ItalicMT;">Profeterne i Evighedsfjorden </span></em><span style="font-family: TimesNewRomanPSMT;">(English title: </span><em><span style="font-family: TimesNewRomanPS-ItalicMT;">The Prophets of Eternal Fjord</span></em><span style="font-family: TimesNewRomanPSMT;">) has received huge attention and several </span>prestigious literary awards, but it has also been the target of criticism for painting a distorted picture of Denmark’s conduct in Greenland. The article examines how the novel relates to the established narratives about Danish colonialism and how it contributes to the ongoing negotiations. The novel’s use of narrative modes is analysed in light of the assumption that certain modes are associated with certain plots, where a particular framing of the past defines a space of possibility for the way we shape the future. It is argued that the novel draws on the anticolonial dream of ‘total revolution’ and supports the struggle of the colonised to break free from the colonial power and establish their own nation state. Its key narrative mode, however, is not the preferred mode in anticolonialist literature, heroic romance; instead it is tragedy. The novel portrays the profound transformation of society and subjectivity that is brought about by modernity with Christianity and colonialism as its vehicle. As a consequence of this transformation, resistance cannot be posited from a point outside modernity but arises from within modernity itself. Thus the protagonists of the novel are not only portrayed as equals but as actors in the same universe, regardless of the highly asymmetrical power relations between Danes and Greenlanders. In this sense, the book participates in efforts to reframe the Danish-Greenlandic relationship based on the new language of equality and partnership found in the Act on Greenland Self-Government.</p>


1980 ◽  
Vol 25 (3) ◽  
pp. 230-231
Author(s):  
MARCEL KINSBOURNE
Keyword(s):  
The Past ◽  

1991 ◽  
Vol 36 (9) ◽  
pp. 786-787
Author(s):  
Vicki L. Underwood
Keyword(s):  
The Past ◽  

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