The Architectural History of King's College Chapel and its Place in the Development of Late Gothic Architecture in England and France. By Francis Woodman. 24×18 cm. Pp. xvi + 256, 189 figs. London, Boston and Henley: Routledge and Kegan Paul, 1986. ISBN 0-7100-9871-5. £50.00.

1987 ◽  
Vol 67 (1) ◽  
pp. 195-196
Author(s):  
Richard K. Morris
Author(s):  
Chanratana Chen

In December 2019, Michael Falser, of the University of Heidelberg, a specialist on heritage preservation and the art and architectural history of South and Southeast Asia, published his two-volume study, Angkor Wat: A transcultural history of heritages, which he had spent almost ten years researching. The volumes cover the history of research of the most famous monument in Cambodia, Angkor Wat, the world's largest religious monument, listed by UNESCO as a World Heritage Site in 1992. The two volumes include more than 1,400 black-and-white and colour illustrations, including historical photographs and the author's own photographs, architectural plans and samples of tourist brochures and media clips about Angkor Wat, which has been represented as a national and international icon for almost 150 years, since the 1860s.


1923 ◽  
Vol 2 (4) ◽  
pp. 783-804
Author(s):  
E. Denison Ross

Since the appearance of the last number of this Bulletin I have had the good fortune to find the outer cover of the King's College manuscript of Almeida's History of Ethiopia, which had hitherto been missing. The discovery is important, for attached to this cover there was not only the original title page, but also the “Preliminary Matter” referred to by Marsden in his Catalogue, occupying in all eleven folios. The contents are as follows:—


2021 ◽  
Vol 26 (2) ◽  
pp. 271-296
Author(s):  
Cheehyung Harrison Kim

Abstract This article explores North Korea’s postwar reconstruction through the variegated features of architectural development in Pyongyang. The rebirth of Pyongyang as the center of both state authority and work culture is distinctly represented by architecture. In this setting, architecture as theory and practice was divided into two contiguous and interconnected types: monumental structures symbolizing the utopian vision of the state and vernacular structures instrumental to the regime of production in which the apartment was an exemplary form. The author makes three claims: first, Pyongyang’s monumental and vernacular architectural forms each embody both utopian and utilitarian features; second, the multiplicity of meaning exhibited in each architectural form is connected to the transnational process of bureaucratic expansion and industrial developmentalism; and third, North Korea’s postwar architectural history is a lens through which state socialism of the twentieth century can be better understood—not as an exceptional moment but as a constituent of globalized modernity, a historical formation dependent on the collusive expansion of state power and industrial capitalism. A substantial part of this article is a discussion of the methods and sources relevant to writing an architectural history of North Korea.


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