Angkor Wat: A transcultural history of heritages

Author(s):  
Chanratana Chen

In December 2019, Michael Falser, of the University of Heidelberg, a specialist on heritage preservation and the art and architectural history of South and Southeast Asia, published his two-volume study, Angkor Wat: A transcultural history of heritages, which he had spent almost ten years researching. The volumes cover the history of research of the most famous monument in Cambodia, Angkor Wat, the world's largest religious monument, listed by UNESCO as a World Heritage Site in 1992. The two volumes include more than 1,400 black-and-white and colour illustrations, including historical photographs and the author's own photographs, architectural plans and samples of tourist brochures and media clips about Angkor Wat, which has been represented as a national and international icon for almost 150 years, since the 1860s.

Author(s):  
Saran S ◽  
Tengis S ◽  
Tsogtbaatar B

The Burkhan Khaldun Mountains (Mongolia) and its surrounding sacred landscape are associated with Genghis Khan’s birth and burial place as described in “The Secret History of the Mongols”. It was listed as a UNESCO World Heritage Site on 4 July 2015 under the title «Great Burkhan Khaldun Mountain and its surrounding sacred landscape.”This study offered a great opportunity to apply the recently developed post-IR infrared luminescence (pIRIR) approach to feldspar using coarse and polymineral fine grain techniques and determine the manufacturing date of a brick sample associated with the ruins of the Buddhist temple at the Burkhan Khaldun Mountains. Furthermore, the mineralogical composition of different blue-grey colored bricks from various temple buildings such as the Buddhist temples in Karakorum, Dugan in Erdene Zuu and Avargyn Balgas were studied. The original place and date of manufacturing of the bricks was revealed using the pIRIR180 and pIRIR240 from coarse and fine grains from a heated feldspar sample and were 1280±40 AD and 1230±50 AD, correspondingly, which falls into the time period of extensive constructions in Karakorum.


2019 ◽  
Vol 7 (3) ◽  
pp. 224-232
Author(s):  
Arup Kumar Hazarika ◽  
Unmilan Kalita

The conservation history of Kaziranga National Park has traversed many a path since it was first recognised as a ‘game sanctuary’ in 1916. The unique aesthetics and richness of its biodiversity, severely afflicted by natural and anthropogenic interventions now and then, has necessitated conservation of this wildlife reserve. An outcome of the conservation process pertains to disruptions in livelihood of the local communities, that have for generations, used the park’s natural resources and therefore, had become a part of its natural evolution. Hundreds of people have lost their livelihoods and violent confrontations have become a typical scene, with the communities being utterly left out of the conservation process. In this light, the present essay envisages discussing the centrality of community participation in the conservation of Kaziranga National Park vis-à-vis a conjugation of the conservation process and livelihood aspirations of the local people.


PMLA ◽  
2017 ◽  
Vol 132 (3) ◽  
pp. 505-512 ◽  
Author(s):  
Jeffrey T. Schnapp

The year 2008 was one of fruitful disjunctions. I spent the fall teaching at Stanford but commuting to the University of California, Los Angeles, to cochair the inaugural Mellon Seminar in Digital Humanities. During the same period, I was curating—at the Canadian Center for Architecture, in Montreal—an exhibition devised to mark the centenary of the publication of “The Founding Manifesto of Futurism,” by Filippo Tommaso Marinetti. Whereas other centennial shows (at the Centre Pompidou, in Paris, and at the Palazzo Reale, in Milan) sought to celebrate the accomplishments and legacies of Marinetti's avant-garde, the Canadian exhibition, Speed Limits, was critical and combative in spirit, more properly futurist (though thematically antifuturist). It probed the frayed edges of futurism's narrative of modernity as the era of speed to reflect on the social, environmental, and cultural costs. An exhibition about limits, it looked backward over the architectural history of the twentieth century to look forward beyond the era of automobility.


Author(s):  
David W. Poulton

When Terasen Pipelines (later Kinder Morgan Canada) sought to loop its Trans Mountain pipeline through Canada’s Jasper National Park and British Columbia’s Mount Robson Provincial Park, both being components of the Canadian Rocky Mountain Parks UNESCO World Heritage site, the company faced formidable regulatory and public interest obstacles. However, the company and several environmental groups agreed not to test the strength of their respective uncertain legal positions, but to work co-operatively with each other and with park managers. The motivating goal was to design into the looping project some aspect of environmental improvement that would result in a net benefit to the ecological conditions of the two parks, more than compensating for the residual disturbance which would be caused by the looping after mitigation. The central concept was that of a “conservation offset” (also known as “biodiversity offset”), which has been defined as: “conservation actions intended to compensate for the residual, unavoidable harm to biodiversity caused by development projects, so as to ensure no net loss of biodiversity.” This paper reviews the history of the discussions and planning which took place, considers the adequacy of the outcomes, and suggest lessons for using conservation offsets as a means to align proponent and stakeholder interests and improve environmental outcomes for linear projects beyond the prospects offered by mitigation alone.


2018 ◽  
Vol 10 (8) ◽  
pp. 2798 ◽  
Author(s):  
Stelios Lekakis ◽  
Shobhit Shakya ◽  
Vasilis Kostakis

Heritage preservation is a resource-intensive activity nested among other processes in the public administration, related to identity building and touristic product enhancement. Strategies and schemata associated with heritage preservation sprang in the western world after WWII and they have been adapted, in the form of ‘heritage management’, in various contexts with questionable effectiveness regarding sustainability. Our paper discusses the case of the post-earthquake cultural, social and political landscape of the World Heritage Site of Kathmandu valley in Nepal. By reviewing the bibliography and drawing upon various case studies of post-earthquake heritage restoration, we focus on the traditional ways of managing human and cultural resources in the area as related to the modern national heritage management mechanism. We also examine how traditional practices, re-interpreted into a modern context, can point towards inclusive and sustainable forms of collaboration based on the commons. We shed light on the elements of an emerging management system that could protect the vulnerable monuments through community participation, adapted to the challenging realities of the Nepalese heritage and its stakeholders.


2009 ◽  
Vol 153 (1-2) ◽  
pp. 46-61 ◽  
Author(s):  
Margaret P. Donaldson ◽  
Kevin J. Edwards ◽  
Andrew A. Meharg ◽  
Claire Deacon ◽  
Donald A. Davidson

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Sandy Campbell

Qitsualik-Tinsley, Rachel and Sean Qitsualik-Tinsley.  Skraelings. Illus. Andrew Trabbold. Iqaluit, NU:  Inhabit Media, 2014. Print.This volume is the first in the Arctic Moon Magick series.  In it writing duo, Rachael and Sean Qitsualik-Tinsley, have recreated an Inuit world at the time of Viking contact, presented through the eyes of a young Inuit hunter, Kannujaq.  In his travels, he comes across people of the Tuniit culture, of whom he has only heard legends.  He meets Siku, a boy-shaman, whose name means “ice” and is named for his blue eyes.  The Tuniit have been attacked in the past by Vikings from Greenland.  They return each spring and Kannujaq finds himself in the middle of a battle, where he becomes a reluctant warrior. The title Skraelings, which means “Weaklings”, is a Viking taunt to the Tuniit.This is a well written chapter book for ages 12 and older and the language is age-appropriate. There are a few black and white drawings that complement the text.   While much of the story proceeds logically along the plot line,  occasionally, the authors break in, not as narrators, but simply to give the reader additional information.  For example:  "Oh, we forgot to tell you:  Shamans were pretty clever when it came to the things that plants and other natural materials could do" (p. 26). While this is unusual in a novel and breaks the flow of the story, it is completely in keeping with oral storytelling and is rather endearing.  However, this book should not be mistaken for simple story.  It is an engaging read, culminating in a final plot twist that demonstrates the authors’ broad and compassionate understanding of the regional history of the Eastern Arctic. This is an excellent work and unique in young adult Arctic literature.  It should definitely be included in junior high and middle school libraries and public libraries everywhere.Recommendation:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2020 ◽  
Vol 10 (1) ◽  
Author(s):  
Sotiria Kogou ◽  
Golnaz Shahtahmassebi ◽  
Andrei Lucian ◽  
Haida Liang ◽  
Biwen Shui ◽  
...  

Abstract Automatic remote reflectance spectral imaging of large painted areas in high resolution, from distances of tens of meters, has made the imaging of entire architectural interior feasible. However, it has significantly increased the volume of data. Here we present a machine learning based method to automatically detect ‘hidden’ writings and map material variations. Clustering of reflectance spectra allowed materials at inaccessible heights to be properly identified by performing non-invasive analysis on regions in the same cluster at accessible heights using a range of complementary spectroscopic techniques. The world heritage site of the Mogao caves, along the ancient Silk Road, consists of 492 richly painted Buddhist cave temples dating from the fourth to fourteenth century. Cave 465 at the northern end of the site is unique in its Indo-Tibetan tantric Buddhist style, and like many other caves, the date of its construction is still under debate. This study demonstrates the powers of an interdisciplinary approach that combines material identification, palaeographic analysis of the revealed Sanskrit writings and archaeological evidence for the dating of the cave temple paintings, narrowing it down to the late twelfth century to thirteenth century.


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