Geometric templates used in the Akrotiri (Thera) wall-paintings

Antiquity ◽  
2008 ◽  
Vol 82 (316) ◽  
pp. 401-408 ◽  
Author(s):  
C. Papaodysseus ◽  
M. Panagopoulos ◽  
P. Rousopoulos ◽  
G. Galanopoulos ◽  
C. Doumas

A research team at Akrotiri, Thera, here examine the Bronze Age frescoes and show that the artists were making use of templates of well known geometric curves. Some of the spirals, hyperbolae and ellipses which all feature in the repertoire do not occur in nature and must have their origin in some still unknown human science or aesthetic.

Światowit ◽  
2019 ◽  
Vol 56 (1) ◽  
pp. 75-88
Author(s):  
Sophia Vakirtzi ◽  
Fragoula Georma ◽  
Artemis Karnava

Fibre crafts are among the oldest technological practices of mankind. Although commonly associated with textile manufacture, twisted fibres in the form of threads have always had a wider range of use in everyday life. Strings and ropes constitute a humble but essential category of fibre products deriving from the same technology and organic matter as threads. Due to their organic nature, however, they are rarely preserved in the archaeological record, unless special environmental conditions occur. This paper explores the research potential of the imprints of threads and strings in a study focusing on the alternative uses of fibre-spun artefacts. The focus is on the Bronze Age Aegean imprints of threads and strings preserved on objects made of clay and on wall paintings recovered at Akrotiri on Thera. The technical properties of the original threads and strings are evaluated through observation of their imprints, and the fibre technology used for their production is assessed. The methodologies of spindle whorl metrology and experimental spinning are also integrated in the discussion. Ultimately, the use of threads and strings for a variety of purposes, including but not limited to textile production, is discussed.


Heritage ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 1286-1299
Author(s):  
Efthimis Theou ◽  
Katerina Kopaka

At the site called Katalymata, on the island of Gavdos off the south western Cretan shores, the University of Crete is excavating a spacious building complex dating back to the Bronze Age (3rd and mainly 2nd millennia BC). In this paper, we discuss a theatrical performance inspired by this discovery and investigation, which was first presented in situ on the field in 2012. The play was created by young members of the research team, who are themselves both archaeologists and actors. It is based on the accounts in the excavation notebooks of the prehistoric activities revealed in the building’s stratigraphy and enlivened by the memories of the modern islanders of their happenings at home. It also draws upon wider cognitive pieces of relevant knowledge—philosophical, literary and other. This combination was moulded to produce a structured narrative of domestic life on the island through time, and illustrate some specific aspects and overall meanings, material and symbolic, of ‘dwelling’ down the ages. Since its Gavdiot premiere, the work has been adapted for different media to travel in Greece and elsewhere in Europe, as a performative guided tour played in historic houses, as a lecture performance for conferences and art venues, and as an audiovisual installation in museums of contemporary art.


1998 ◽  
Vol 21 (1) ◽  
pp. 1-28
Author(s):  
John A Atkinson ◽  
Camilla Dickson ◽  
Jane Downes ◽  
Paul Robins ◽  
David Sanderson

Summary Two small burnt mounds were excavated as part of the programme to mitigate the impact of motorway construction in the Crawford area. The excavations followed a research strategy designed to address questions of date and function. This paper surveys the various competing theories about burnt mounds and how the archaeological evidence was evaluated against those theories. Both sites produced radiocarbon dates from the Bronze Age and evidence to suggest that they were cooking places. In addition, a short account is presented of two further burnt mounds discovered during the construction of the motorway in Annandale.


2003 ◽  
Vol 25 (2) ◽  
pp. 103-128
Author(s):  
Gavin Macgregor ◽  
Irene Cullen ◽  
Diane Alldritt ◽  
Michael Donnelly ◽  
Jennifer Miller ◽  
...  

Summary A programme of archaeological work was undertaken by Glasgow University Archaeological Research Division (GUARD) at West Flank Road, Drumchapel, in close proximity to the site of the prehistoric cemetery of Knappers. This paper considers the results of excavation of a range of negative features, including earlier Neolithic and Bronze Age pits and postholes. The earlier Neolithic features date to c. 3500–3000 BC and are interpreted as the partial remains of a subrectangular structure. The Bronze Age features may relate to ceremonial activities in the wider area. The significance of these remains is considered in relation to the site of Knappers and wider traditions during the fourth to second millennia BC.


2005 ◽  
Vol 27 (2) ◽  
pp. 193-195
Author(s):  
Brendan O'Connor
Keyword(s):  

2015 ◽  
Author(s):  
Sheila Grecian ◽  
Safwaan Adam ◽  
Akheel Syed
Keyword(s):  
Iron Age ◽  

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