“The First of Causes to Our Sex”: The Female Moral Reform Movement in the Antebellum Northeast, 1834–1848. By Daniel S. Wright. Studies in American Popular History and Culture. New York: Routledge, 2006. xii + 279 pp. $110.00 cloth.

2008 ◽  
Vol 77 (2) ◽  
pp. 493-495
Author(s):  
Priscilla Pope-Levison
2020 ◽  
Vol 135 (575) ◽  
pp. 804-835
Author(s):  
Eloise Davies

Abstract In 1698, less than a decade after the Toleration Act, a blasphemy law was passed in England. No convictions were ever brought under the Act, and it has been largely neglected by historians. Yet, for all its apparent insignificance, the Blasphemy Act is an instructive episode in post-1688 politics, which sheds light on the political realignments of the post-revolutionary decade. The language of the blasphemy debates was theologically sophisticated, rooted in Calvin’s understanding of blasphemy as distinctively malicious, and it is clear that the contours of the extra-parliamentary Trinitarian controversy were a source of division in Westminster too. The Blasphemy Act was one means by which the Williamite bishops, under pressure from both the dissenter-dominated moral reform movement and High Church advocates of Convocation, tried to reassert the court’s moral leadership. But the significance of the dispute was not limited to ecclesiastical politics; the story of the Blasphemy Act was also closely entwined with that of the more famous ‘standing army’ controversy. William’s Court Whig ministers—often portrayed as areligious pragmatists—exploited the theological fault-lines among Country MPs to legitimise fiscal-military reform.


Author(s):  
Lindsay Campbell

AbstractThis paper describes the 1912–13 case ofR.v.St. Clair, which concerned a Congregationalist minister's attempt to regulate the goings-on in a notorious burlesque theatre in Toronto. A “clean stage” was a goal of the moral reform movement of the time, and the criminal justice system was one of the avenues reformers took to attempt to achieve it. However, obscenity and indecency in theatres posed unique challenges. Two of the most important reasons were that under the influence of artistic and philosophical trends in the modern world, obscenity and indecency were becoming unstable concepts, and the nature, purpose and possibilities of art were being contested. TheSt. Claircase shows Toronto's legal apparatus grappling with these concerns at a time when the authority to judge and to decide what others might and might not view was slipping away from the Protestant churches and toward secular parties, including the courts. Ultimately the case suggests why the difficulties with censorship of verbal and visual representations may be an intractable dimension of our artistic, philosophical and legal position even now.


2007 ◽  
Vol 6 (1) ◽  
pp. 71-98
Author(s):  
Jason S. Lantzer

This article examines the dry crusade that brought Prohibition to the nation by tracing the early life and career of one of its chief state-level leaders. Born in Ohio and raised in Illinois, Edward S. Shumaker made a career for himself in Indiana, where he led the Indiana branch of the Anti Saloon League from the early 1900s until his death in 1929. His story demonstrates how religious and cultural influences merged in the American heartland into a moral reform movement that combined elements of traditional religion and politics with the Social Gospel and progressivism. As Shumaker saw it, the prohibition movement rested upon a fundamental argument about what it meant to be an American during the late nineteenth and early twentieth centuries. A powerful force in Shumaker's life as in the nation overall, the dry reform transformed Shumaker from a young man seemingly destined to hold a conventional Methodist pastorate into a political activist who helped make the nation dry.


Sign in / Sign up

Export Citation Format

Share Document