THE HISTORY OF CHILDHOOD COMES OF AGE - Children and Childhood in Colonial Nigerian Histories. Edited by Saheed Aderinto . New York: Palgrave Macmillan, 2015. Pp. xviii + 235. $90.00, hardback (ISBN 978-1-137-50162-2).

2017 ◽  
Vol 58 (1) ◽  
pp. 181-182
Author(s):  
RUFUS T. AKINYELE
2020 ◽  
Vol 125 (4) ◽  
pp. 1300-1305
Author(s):  
Ishita Pande

Abstract In a complement to the 2020 AHR Roundtable “Chronological Age: A Useful Category of Historical Analysis” (125, no. 2), this AHR Exchange focuses on the history of children and childhood. Sarah Maza presents a critical review essay, highlighting the limiting factors in the expanding field of childhood studies. Children, she observes, produce few sources of their own voices, have limited agency, and as individuals and as a group soon outgrow their subaltern status—they grow up. Robin P. Chapdelaine, Nara Milanich, Steven Mintz, Ishita Pande, and Bengt Sandin—historians representing diverse geographical, theoretical, and methodological perspectives on the history of children and childhood—react to Maza’s observations by bringing up important methodological questions about subjecthood, agency, and modernity. Maza’s rejoinder reflects on these questions and on the possibility of age-based historical agency.


2020 ◽  
Vol 59 (2) ◽  
pp. 122-135
Author(s):  
Colin Heywood

The aim of this article is to set the context for the studies that follow by assessing the historiography on children and childhood in modern France (including works produced by foreign as well as French authors). The first section identifies topics with the highest and lowest profiles in the existing literature. In particular, it focuses on the former, documenting the wealth of French studies of the infant welfare movement, education and the impact of revolution and warfare on the young. The second section questions the influence the history of childhood has had on historical studies overall in France. It argues that to date, ‘top-down’ studies, concerned with the role of adults in childhood matters, have been more prominent than those looking from the ‘bottom-up’, emphasizing the agency and voices of children.


2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


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