The Spirit of American Economics: A Study in the History of Economic Ideas in the United States Prior to the Great Depression. By J. F. Normano. With a Supplement, “The Development of Canadian Economic Ideas,” by A. R. M. Lower. New York: The John Day Company, 1943. Pp. 252. $3.50.

1945 ◽  
Vol 5 (1) ◽  
pp. 90-91 ◽  
Author(s):  
V. W. Bladen
Keyword(s):  
United States ◽  
New York ◽  
Great Depression ◽  
The United States ◽  
The Great Depression ◽  
History Of ◽  
John Day

Our Daily Bread: ‘Cooperation’, ‘Independence’ and Politics in Mid-1930s Cinema

2016 ◽  
Author(s):  
Brian Neve
Keyword(s):  
United States ◽  
Great Depression ◽  
The United States ◽  
The State ◽  
The Great Depression ◽  
Box Office ◽  
Production History ◽  
History Of ◽  
Cooperative Activity ◽  
The Relationship

This chapter revisits and explores the production history of director King Vidor’s independently made movie, Our Daily Bread (1934), its ideological and aesthetic motifs, and its exhibition and reception in the United States and beyond, not least its apparent failure at the box office. It further considers the relationship between the film and contemporary advocacy of cooperative activity as a response to the Great Depression, notably by the California Cooperative League, Franklin D. Roosevelt’s New Deal, and Upton Sinclair’s End Poverty in California campaign for the state governorship. It also assesses the movie in relation to Vidor’s own cooperative vision through its emphasis on individuals and community as a solution to the Great Depression and the significant absence of the state in this agency.

An Interview with Harris Gaylord Warren: From the Borderlands to Paraguay

1989 ◽  
Vol 45 (4) ◽  
pp. 443-460
Keyword(s):  
United States ◽  
New York ◽  
World War Ii ◽  
United States Army ◽  
North American ◽  
Military Service ◽  
Mexican Revolution ◽  
The United States ◽  
The Great Depression ◽  
History Of

Harris Gaylord Warren was, by common consent, the father of Paraguayan studies in the United States. His broad-ranging activities —from diplomatic undertakings in South America to military service in Italy to administrative and scholarly work at various North American universities—marked him as an historian of rare depth and insight. Not commonly known is that Dr. Warren began his career as a historian in the 1930s as a borderlands specialist. The Sword was their Passport: A History of American Filibustering in the Mexican Revolution (Baton Rouge, 1943) is yet recognized as the definitive work on North American adventurers in that turbulent era. As an officer in the United States Army in World War II he was selected for various military history projects. After the war Dr. Warren returned to teaching and then administration. At that time his publications ranged from texts to Herbert Hoover and the Great Depression, (New York, 1959).

Dafora, Asadata (1890--1965)

2018 ◽  
Author(s):  
Takiyah Nur Amin
Keyword(s):  
United States ◽  
New York ◽  
Sierra Leone ◽  
Great Depression ◽  
The United States ◽  
Dance Music ◽  
African Dance ◽  
The Great Depression ◽  
Cultural Themes ◽  
Cultural Aesthetics

Multidisciplinary artist Asadata Dafora (also known as Austin Asadata Dafora Horton) was widely known for his contributions to dance as well as for the propagation of African drumming and cultural aesthetics across the United States. As a composer, librettist, singer, choreographer, and dancer, Dafora built a formidable career during the Great Depression, creating full-length operatic works using African drumming, instrumentation, dance styles, and cultural themes. His groundbreaking work Kykunkor (1934), based on Mende folklore, employed authentic African dance, music, language and a predominantly African-born cast and ran for months to increasingly larger audiences in New York. In 1960 he returned to Sierra Leone to serve as Director of Culture, and after his return to the United States two years later, he turned over the leadership of his company to Esther Rolle. As one of the first artists to introduce authentic African dance and music to American audiences, Dafora became a pioneer of black concert dance.

Conclusion—Where Did We Go Wrong?

2021 ◽  
pp. 527-560
Author(s):  
Mark Lawrence Schrad
Keyword(s):  
United States ◽  
World War Ii ◽  
Great Depression ◽  
The United States ◽  
Political Rights ◽  
World War ◽  
Economic Rights ◽  
The Great Depression ◽  
History Of ◽  
The Masses

Having finished our history of prohibitionism, Chapter 18 asks: Where did our historical understandings go wrong? The chapter begins with the autumn years of Pussyfoot Johnson during the Great Depression, when prohibitionists had been thoroughly discredited. With the rise of Hayekian neoliberalism after World War II in the United States, any infringement on individual economic rights became understood as a necessary infringement on political rights too—which has made it difficult for contemporary historians to understand prohibitionism. In the 1950s and 1960s, Richard Hofstadter and Joseph Gusfield cast prohibition as solely a moral, religious issue, rather than a political or economic one, motivated by equal parts of “Marx, Jefferson and Jesus.” Ultimately, prohibitionism was a transnational normative shift about the inappropriateness of benefiting from addiction and misery of the masses, and an attempt to put the welfare of society ahead of the needs of the state.

Population, Politics, and Unemployment Policy in the Great Depression

2014 ◽  
Vol 38 (1-2) ◽  
pp. 79-87 ◽  
Author(s):  
Miriam Cohen
Keyword(s):  
United States ◽  
Social History ◽  
Great Depression ◽  
Large Scale ◽  
Public Attitudes ◽  
Local Level ◽  
The United States ◽  
The Great Depression ◽  
History Of ◽  
Unemployment Policy

Working out large-scale processes through close attention to local-level analysis remained central to Louise Tilly's approach to social history. An ongoing commitment to agency and strategy undergirded her vision for a global history that made connections between large-scale processes across space, between human agency and structure, and between the past and present. Her vision remains an important influence in my coauthored comparative history of the welfare state in England, France, and the United States. This is illustrated by a discussion of unemployment policies in the three countries at one particular moment of crisis, the Great Depression, concentrating on the United States, where the Depression hit first and hit the hardest. Important differences in demography, the mobilization of ordinary citizens, the responsiveness of state structures to democratic pressure, and public attitudes about the legitimate role of government all affected the history of unemployment policy in each country.

Design Piracy in the Fashion Industries of Paris and New York in the Interwar Years

2011 ◽  
Vol 85 (2) ◽  
pp. 319-344 ◽  
Author(s):  
Véronique Pouillard
Keyword(s):  
United States ◽  
New York ◽  
Great Depression ◽  
The United States ◽  
Fashion Design ◽  
National Interests ◽  
The Great Depression ◽  
American Fashion ◽  
Fashion Designers

During the Great Depression, counterfeiters of the newest styles posed a challenge to the high-fashion designers who dominated Parisian design. Meanwhile, New York, traditionally the destination of the first corporate buyers of Paris couture, became a potential contender for the role of fashion capital. Scrutiny of French and American laws reveals that strong national interests were at stake in the fashion business. In France, the law safeguarded copyrights of fashion design while, in the United States, legislators denied such protection to American fashion.

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