Did the National Industrial Recovery Act Foster Collusion? Evidence from the Macaroni Industry

2014 ◽  
Vol 74 (3) ◽  
pp. 831-862 ◽  
Author(s):  
Chris Vickers ◽  
Nicolas L. Ziebarth
Keyword(s):  
United States ◽  
Great Depression ◽  
Economic Activity ◽  
The United States ◽  
The Great Depression ◽  
Level Data ◽  
The Law ◽  
Plant Level ◽  
Recovery Act

We use plant-level data from the Census of Manufactures to study collusion in the United States macaroni industry during the Great Depression. The National Industrial Recovery Act was passed in 1933 to promote recovery through industry coordination of economic activity. While there is no change in the price-cost margin after the law is passed, a variety of markers of anti-competitive conduct suggest that collusion indeed increased. Prices became less responsive to changes in cost, the dispersion of prices decreased, and the persistence in prices increased.

War and the Next Lesson

Money ◽  
2017 ◽  
Author(s):  
John Kenneth Galbraith ◽  
James K. Galbraith
Keyword(s):  
United States ◽  
Monetary Policy ◽  
World War Ii ◽  
Fiscal Policy ◽  
World War I ◽  
Great Depression ◽  
The United States ◽  
World War ◽  
John Maynard Keynes ◽  
The Great Depression

This chapter examines the lessons of World War II with respect to money and monetary policy. World War I exposed the fragility of the monetary structure that had gold as its foundation, the great boom of the 1920s showed how futile monetary policy was as an instrument of restraint, and the Great Depression highlighted the ineffectuality of monetary policy for rescuing the country from a slump—for breaking out of the underemployment equilibrium once this had been fully and firmly established. On the part of John Maynard Keynes, the lesson was that only fiscal policy ensured not just that money was available to be borrowed but that it would be borrowed and would be spent. The chapter considers the experiences of Britain, Germany, and the United States with a lesson of World War II: that general measures for restraining demand do not prevent inflation in an economy that is operating at or near capacity.

Our Daily Bread: ‘Cooperation’, ‘Independence’ and Politics in Mid-1930s Cinema

2016 ◽  
Author(s):  
Brian Neve
Keyword(s):  
United States ◽  
Great Depression ◽  
The United States ◽  
The State ◽  
The Great Depression ◽  
Box Office ◽  
Production History ◽  
History Of ◽  
Cooperative Activity ◽  
The Relationship

This chapter revisits and explores the production history of director King Vidor’s independently made movie, Our Daily Bread (1934), its ideological and aesthetic motifs, and its exhibition and reception in the United States and beyond, not least its apparent failure at the box office. It further considers the relationship between the film and contemporary advocacy of cooperative activity as a response to the Great Depression, notably by the California Cooperative League, Franklin D. Roosevelt’s New Deal, and Upton Sinclair’s End Poverty in California campaign for the state governorship. It also assesses the movie in relation to Vidor’s own cooperative vision through its emphasis on individuals and community as a solution to the Great Depression and the significant absence of the state in this agency.

Introduction

2017 ◽  
Author(s):  
Alanís Enciso Fernando Saúl ◽  
Russ Davidson
Keyword(s):  
United States ◽  
Great Depression ◽  
The United States ◽  
Historical Overview ◽  
The Great Depression

The introduction provides the reader with an historical overview of the Cardenas administration’s attempts to orchestrate an organized repatriation of its citizens from the United States during the years of the Great Depression. The introduction also endeavours to describe how Alanis Enciso’s overview of Mexican repatriation under the Cardenas administration differs from similar analyses, and how each of these works has influenced but ultimately differs from Enciso’s own book.

Precisionism

2018 ◽  
Author(s):  
Colin Root
Keyword(s):  
United States ◽  
Great Depression ◽  
The United States ◽  
The Great Depression ◽  
Charles Sheeler ◽  
Georgia O'keeffe ◽  
Ambivalent Attitude ◽  
Industrial Landscapes

Precisionism was a modernist art movement during the 1920s and 1930s in the United States, in which painters produced a ‘‘machine aesthetic’’ by rendering precise, geometrical forms in their works. A group of American painters originally called ‘‘The Immaculates,’’ the Precisionists celebrated new industrial landscapes of skyscrapers, factories, bridges, and other mechanized phenomena. Although they were never a formalized school and worked without a manifesto, Precisionism reflected both the exciting dynamism of the ‘‘Roaring Twenties’’ as well as the streamlined simplicity of the Great Depression. Their images produced an ambivalent attitude toward mechanization, at once praising its efficiency while condemning its dehumanization. Appearing immediately after a host of other influential modernist movements such as Cubism and Futurism, Precisionists merged the impulse toward abstraction with a photographically realistic eye. While no artist worked exclusively as a Precisionist, there were several for whom it was a formative style. Perhaps the most prolific artists who produced Precisionist works were Charles Sheeler, Charles Demuth, and Georgia O’Keeffe. Together, these three painters and several others created a distinctly American brand of imagery that was a celebration of nationhood as much as a celebration of mechanization.

scholarly journals Contested Jurisdictions: Psychiatry, Psychoanalysis, and Clinical Psychology in the United States, 1940–2010

2011 ◽  
Vol 55 (3) ◽  
pp. 401-406 ◽  
Author(s):  
Andrew Scull
Keyword(s):  
United States ◽  
Great Depression ◽  
Mentally Ill ◽  
The United States ◽  
Turn Of The Century ◽  
Pearl Harbor ◽  
Fiscal Crisis ◽  
Total War ◽  
The Great Depression ◽  
American Psychiatry

American psychiatry on the eve of Pearl Harbor was a small, stigmatised, and isolated specialty, for the most part confined as surely inside the high walls of its barrack-asylums as the patients over whom it exercised near-autocratic powers. The number of mentally ill patients incarcerated in state and county mental hospitals had grown sharply, from 150,000 at the turn of the century to 445,000 in 1940. The fiscal crisis of the states that accompanied the Great Depression had produced a steady deterioration of conditions in these institutions, a deterioration that would intensify as a result of the exigencies of total war. In the immediate aftermath of that prolonged conflict, conditions had degenerated to such a parlous state that a number of outside observers compared America's asylums to Nazi death camps.

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