The History of the Habsburg Monarchy (1789–1918) in Romanian Historiography since 1945

1968 ◽  
Vol 4 ◽  
pp. 303-334
Author(s):  
Lajos Jordáky ◽  
Keith Hitchins

Since the end of World War II historians in Romania have given considerable attention to various aspects of the history of the Habsburg monarchy. Needless to say, their researches have been more limited than those of their Czechoslovak and Hungarian colleagues, since they have been preoccupied especially with the internal history of Old Romania, which has little connection with the history of the monarchy. Nevertheless, in tracing the development of the Principalities of Moldaviaand Walachia and, after 1859, of united Romania, they have touched on a number of problems—commercial, diplomatic, and cultural—common to both countries. Their greatestcontribution to the study of the Habsburg monarchy has beentheir work on the history of Transylvania and, to a lesserextent, the Banat, both of which, except for a brief periodduring the Revolution of 1848–1849, were under Austrian administrationup to 1867 and after the Ausgleich incorporatedinto Hungary.

1965 ◽  
Vol 1 ◽  
pp. 151-163 ◽  
Author(s):  
Péter Hanák

Since World War II Hungarian historians have expressed great interest in the period between the revolution of 1848 and 1918. In studying this period, however, they have not been able to take advantage of an extensive heritage or of solid earlier works. Earlier Hungarian historians paid scarcely any attention at all to this era. Believing that the writing of contemporary history was a job for journalists and not for scholars, they kept away from it in most instances. Moreover, at that time it was ticklish for historians to touch upon the problems of the monarchy. As a consequence, they devoted their attention mostly to medieval history, which provided richer material for Hungarian nationalism.


Author(s):  
Olga Golechkova

This article analyzes an isolated case within the framework of trend of jubilee mania – recent centenary celebration of the Revolution of 1917 in Italy. The author believes that many historical events reappear on the horizon when assigned to play an important role in modern politics. The article describes how the Italians view the Revolution and how it helps to explain modern Russia. The research is carried out within the framework of methodology of public history. Having examined a wide variety of sources (online articles, articles in newspapers and magazines, scientific writings, information on the congresses and conferences, exhibitions, concerts, etc.), the author attempts to demonstrate how the Russian revolutions are reflected in the Italian public opinion. The conclusion is made that the Revolution plays an important role not only in modern Russia, in Italy as well. The latter believe that the Revolution is still present in their culture and politics, correlates with their own path of political history of the XX century, including the powerful Movement for the left that emerged in the country after the World War II. At the same time, Russia did not give due attention to celebration of the centennial anniversary, focusing rather on the victory over Hitler, since this event projects the glory of the Soviet Union onto the modern Russian Federation.


Author(s):  
Olga Golechkova

This article analyzes an isolated case within the framework of trend of jubilee mania – recent centenary celebration of the Revolution of 1917 in Italy. The author believes that many historical events reappear on the horizon when assigned to play an important role in modern politics. The article describes how the Italians view the Revolution and how it helps to explain modern Russia. The research is carried out within the framework of methodology of public history. Having examined a wide variety of sources (online articles, articles in newspapers and magazines, scientific writings, information on the congresses and conferences, exhibitions, concerts, etc.), the author attempts to demonstrate how the Russian revolutions are reflected in the Italian public opinion. The conclusion is made that the Revolution plays an important role not only in modern Russia, in Italy as well. The latter believe that the Revolution is still present in their culture and politics, correlates with their own path of political history of the XX century, including the powerful Movement for the left that emerged in the country after the World War II. At the same time, Russia did not give due attention to celebration of the centennial anniversary, focusing rather on the victory over Hitler, since this event projects the glory of the Soviet Union onto the modern Russian Federation.


Slavic Review ◽  
1964 ◽  
Vol 23 (1) ◽  
pp. 92-102 ◽  
Author(s):  
Tibor Arthur Marczali

Prior to World War II, Hungary had no written constitution. The Arany Bulla (Golden Bull) in 1222, the Pragmatica Sanctio in 1723, and the Compromise of 1867 were considered basic laws, because they regulated the relations between the king and the “nation” (i.e., the nobility) and contained certain safeguards against tyrannical (arbitrary) government. Before the Compromise, justice was administered by the local (county) government for all inhabitants without state-wide supervision, except for the serfs who were subject to their landlords. The Compromise of 1867, which created a constitutional dual monarchy for Austria and Hungary, was the outgrowth of the revolution of 1848. The immediate results of this revolution were the emancipation of the serfs and the establishment of the Ministry of Justice. Law No. IV of 1869 unified the judicial system nationally by removing judicial power from the jurisdiction of the counties.


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


Author(s):  
Charles S. Maier ◽  
Charles S. Maier

The author, one of the most prominent contemporary scholars of European history, published this, his first book, in 1975. Based on extensive archival research, the book examines how European societies progressed from a moment of social vulnerability to one of political and economic stabilization. Arguing that a common trajectory calls for a multi country analysis, the book provides a comparative history of three European nations—France, Germany, and Italy—and argues that they did not simply return to a prewar status quo, but achieved a new balance of state authority and interest group representation. While most previous accounts presented the decade as a prelude to the Depression and dictatorships, the author suggests that the stabilization of the 1920s, vulnerable as it was, foreshadowed the more enduring political stability achieved after World War II. The immense and ambitious scope of this book, its ability to follow diverse histories in detail, and its effort to explain stabilization—and not just revolution or breakdown—have made it a classic of European history.


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


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