M. B. ROLLER, MODELS FROM THE PAST IN ROMAN CULTURE: A WORLD OF EXEMPLA. Cambridge: Cambridge University Press, 2018. Pp. xix + 321. isbn9781107162594. £75.00. - R. LANGLANDS, EXEMPLARY ETHICS IN ANCIENT ROME. Cambridge: Cambridge University Press, 2018. Pp. xii + 368. isbn9781107040601. £75.00.

2019 ◽  
Vol 109 ◽  
pp. 353-355
Author(s):  
Kyle J. Conrau-Lewis
2021 ◽  
Vol 39 (1) ◽  
pp. 373-376
Author(s):  
Víctor Sánchez González

Reseña de la obra de Matthew B. Roller, Models from the Past in Roman Culture. A world of Exempla, Cambridge, Cambridge University Press, 2018, 321 pp. [ISBN: 978-1-316-61490-7].


2011 ◽  
Vol 17 (4-5) ◽  
pp. 495-511
Author(s):  
Emily Albu

AbstractTwelfth-century German and Byzantine emperors vied with each other—and with the popes in Rome—for imperial status, each of the three seeing himself as the legitimate heir of ancient Roman imperium. From the court at Constantinople, historians Anna Komnene and John Kinnamos leveled a venomous critique against the west, surveying Rome through the lens of religious disputes, Crusade, and the hated Latin presence in the East. The Byzantine narratives have left a gritty view of their contemporary Rome, a violent and cruel city of illicit popes and anti-popes, anarchy, and barbarism. The Peutinger map, by contrast, seems but an innocent relic of the past, a map of the inhabited world as known to the pagan Romans. Typically considered an ancient Roman artifact and product of Roman culture, the surviving map actually dates from the very end of the long twelfth century. Produced in Swabia, it continued the anti-papal assault as a fresh salvo in a long-lived Battle of the Maps between Church and secular imperium. This display map, like its lost prototype, advertised the supreme authority of Roman imperial power with claims much more venerable than those of the papacy. Its visual narrative implicitly contradicted the power of papal Rome by foregrounding ancient Rome as the centerpiece of an intricately connected oikoumene, a world that should be ruled by Rome’s German heirs. For Germans as for Byzantines, Rome still mattered. Even while assailing a resurgent imperial papacy, neither secular emperor nor their courts could ignore the power exercised by pagan Rome and papal Rome over twelfth-century imaginations.


Author(s):  
Shushma Malik

This chapter explores how Wilde uses ‘historic sense’ (the intuition of a learned historian and the antecedent of historical criticism) as a tool with which to analyse the past, particularly the criminal emperors of ancient Rome. In his essay ‘Pen, Pencil, and Poison’, Wilde claims that ‘true historical sense’ in relation to the past allows us to ignore the crimes of Nero and Tiberius, and instead to recognize and appreciate them as artists. His decadent reading of the past is undermined, however, when we compare this version of historically guided intuition with his definition of the phrase in other works. By examining ‘Pen, Pencil, and Poison’ alongside The Picture of Dorian Gray and ‘Epistola: In Carcere et Vinculis’, we can see how Wilde manipulates his readings of the criminal emperors of Rome in order to fit his own changing relationship with Decadence and the (im)morality of crime.


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