Contemporary Japanese Women's Theatre and Visual Arts: Performing Girls’ Aesthetics. By Nobuko Anan. London and New York: Palgrave Macmillan, 2016. Pp. vii + 299 + 16 illus. £55/$90 Hb; £43.99/$69.99 Ebook.

2018 ◽  
Vol 43 (1) ◽  
pp. 99-100
Author(s):  
Jyana S. Browne
Keyword(s):  
New York ◽  
Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 123-130
Author(s):  
Tru Leverette ◽  
Barbara Mennel

Zélie Asava. Mixed Race Cinemas: Multiracial Dynamics in America and France (New York Bloomsbury, 2017). 216 pp., ISBN: 1501312456 (paperback: $35.96)Elizabeth Otto and Patrick Rössler, eds. Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School (New York: Bloomsbury Visual Arts, 2019). xl + 345 pp., ISBN: 9781501344787 (hardback, $110), (paperback, $29.95)


Author(s):  
James King

This chapter details events in Roland Penrose's life from 1945 to 1947. Lee and Roland flew to New York City on 19 May 1946. Roland was elated to have the opportunity to rekindle his relationship with the Museum of Modern Art's (MOMA) director Alfred H. Barr, Jr., who likely warned him about the dangers he would face if he backed any kind of proposal to open a museum of modern art in London. Roland was taken with MOMA's collection: ‘Realizing that it was on a far greater scale that anything that could be dreamt of in London, consistently indifferent to all matters concerning the visual arts and still enfeebled by the war, this achievement nevertheless roused in me a longing to attempt some similar kind of folly at home’. Barr would also have expressed his gratitude to Roland for allowing his Picassos to be sent to MOMA during the war.


2005 ◽  
Vol 182 ◽  
pp. 458-459
Author(s):  
Jeremy Brown

Readers seeking information about prominent urban Chinese artists, writers, composers, film-makers, public intellectuals, and socio-cultural trends in the reform period will find much of use in the Encyclopedia of Contemporary Chinese Culture, a collaborative transnational effort that is unfortunately marred by unevenness and sloppy editing. Browsers will also find lively and opinionated essays about cars and taxis, falun gong, democracy, dating and sex shops.Editor Edward L. Davis gave free reign to the contributors of the almost 1,200 entries in this fifth volume, encouraging them to pass judgment and editorialize. He also wisely involved mainland scholars like Yue Daiyun and Dai Jinhua when drawing up the lists of entries, and called upon Francesca Dal Lago to oversee the book's excellent sections on visual arts. While the Encyclopedia's list of contributors includes prominent, well-established scholars (Timothy Cheek on intellectuals and academics, Frank Dikötter on prisons, and Geremie Barme´ on seemingly anything he wanted to write about), its large number of young, Chineseborn scholars based in North America and Europe reflects an important shift in the field of Chinese studies.Entries, varying in length from a single paragraph to ten pages (see Lionel Jensen's piece on falun gong, for example), are organized alphabetically, include cross-references, and are often followed by suggestions for further reading. A helpful thematic classified entry list precedes the entries themselves. Unfortunately, problematic organization undermines the book's usefulness for both literate Chinese readers and those with no knowledge of the language. Pinyin renderings of names and phrases are not accompanied by Chinese characters, hampering the task of scholars hoping to conduct further primary-source research on a particular person.


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